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Articles under Beauty

Homily for the Annunciation: Twenty-five years of saying “Yes” to God

March 25, 2025

What makes Our Lady such a powerful intercessor when we are in need? All the saints agree that we can do no better than to turn to the Blessed Virgin Mary.

In the beautiful prayer called the Memorare, we address her in this way: “Remember, O most gracious Virgin Mary, that never was it known that anyone who fled to your protection, implored your help, or sought your intercession, was left unaided.”

Now, Mary does not grant our requests directly. Rather, she takes them to her Son, Jesus Christ. And He seems very willing to grant her requests, even when they happen to be, let’s say, “tangential” to God’s own plan.

What I mean by this is illustrated in the story of the wedding at Cana. Mary goes to Jesus to inform Him that the host has run out of wine. She clearly hopes that He will remedy the situation, even if He must perform a miracle to do so. In response, Jesus indicates that her request requires a bit of an adjustment to the schedule of His ministry. He says, “My time has not yet come.” Notice that He doesn’t yet say whether He is going to give a favorable response to Mary’s request.

But even before He agrees to do anything, she tells the servants to do whatever He tells them. She fully expects that her Son will grant her what she is asking. From where comes this confidence?

The answer is simple: Mary knows that she can ask her Son anything, because He knows that God can ask Mary anything.

When the angel Gabriel announces that Mary will bear God’s Son, she surely has some foreboding of what the cost of agreeing might be. But she says, “Let it be done to me.” In this way, she provides the perfect complement to Jesus, Who says, “not my will but thine be done.” Both are willing to do whatever the Father asks, practicing perfect, trusting obedience even unto death, as we will hear many times during Holy Week.

Today, we commemorate that mysterious day when God sought out the young Virgin and, with a ready heart, she said, “Yes,” to Him. She could not have known what this would eventually entail. She knew from the examples of Abraham and Sarah, Jacob and Rachel, Moses, Jeremiah and Jonah that God’s call may well involve great sorrows along the way. But in faith, she also believed that one day God’s victory would bring great joy.

Now, just as Mary was invited to become the Mother of God and carried the life of God’s Son within her, so each of us, in our baptisms, was invited to say “yes” to God and bear the life of Christ within us. We now have the charge of nurturing this divine life and becoming part of the mystery of the Incarnation, as members of Christ’s Body. Our baptismal vocation requires us to listen each day for God’s invitation to enter more deeply into the mystery by our ready obedience to whatever He asks of us.

How ready am I to say “yes”? How much do I trust that God’s glorious plan will be worked out in me, especially when it involves walking through many trials on the way?

Now as it happens, today is a very significant day in the history of our community. On March 25th, 2000 our founders said their definitive “yes” to God’s invitation to follow Him in the Benedictine way of life.  And so today, we celebrate the 25th anniversary of our community’s entrance into the Benedictine Confederation.

Our founders did not know what the ensuing twenty-five years would look like.  I’ve been around for all of them, so I can say that this time has brought both joy and great hardship, including moments when it appeared that the community could not survive. But God has been faithful through it all, and He continues to invite us to follow His plan, no matter what.

We have also known, first-hand, the power of Our Lady’s intercession. This is why, at the top of the icons above the altar, we have placed Our Lady of the Protecting Veil. When I was a newly-arrived monk, we encountered one serious crisis that had us considering a move away from Chicago. We decided first to make a pilgrimage to the National Shrine of the Immaculate Conception and ask for her help.

Shortly afterward, a man came to stay at our bed and breakfast. His professional expertise happened to be exactly what we needed to solve the problem that had been plaguing us.

This is only one of many such instances. After all, it was probably the Mother of God who brought us here in the first place to reopen this church dedicated to her Immaculate Conception. Today, as we renew the covenant in Christ’s Blood, let us renew our desire to say “yes” to whatever God asks of us, and to seek Our Lady’s help whenever we are in need, knowing that her generous “yes” was and is the beginning of our salvation.

The Feast of the Presentation

February 2, 2025

“Is a lamp brought in to be put under a bushel, or under a bed, and not on a stand? For there is nothing hid, except to be made manifest; nor is anything secret, except to come to light.” [Mark 4: 21-22]

When the Son of God, the light of the world, was sent by God into this world, He arrived in a surprising, even hidden, way. Rather than manifesting power, He embraced smallness and dependency, becoming an infant, a child of the Virgin Mary. This unspectacular entrance upon the world scene meant that, without jubilant angels singing before shepherds and miraculous stars drawing astronomers from the East, the presence of the Redeemer among us would have gone almost entirely unnoticed. Today’s celebration is the capstone on what used to be called “Epiphanytide,” that period of time after January 6 in which the Church meditates on the various ways in which Jesus Christ’s divinity was revealed in the flesh.

This points to an important reality about the Gospel, and in fact, the entire created cosmos: it is a revelation of things previously hidden. The inner meaning of the human person is only fully understood in the discovery that we are meant to share life with God, just as food and drink, bread and wine, find their full meaning in the Holy Eucharist, God feeding us with His own life.

In theory, God could have saved us without our knowing. There is something potentially mischievous, even manipulative, in that idea. What we see, rather, is that God invites us to be His coworkers in bringing mercy and healing to the world. For this to happen, we need to recognize His presence, how to read “the signs of the times.” The “ true light which enlightens every man” has entered the world, and now illuminates all of God’s creatures from within. The Word of God, through Whom all things were made, is revealed to be the life within all things, making them holy and lovable.

When the aged and devout prophet Simeon takes the infant in his arms, he not only proclaims Him to be the long-awaited salvation of Israel, but “a light for revelation to the Gentiles [Luke 2: 32].” Salvation and reconciliation with the great Creator of the cosmos is being offered to all, though it is Israel’s special “glory” to be the nation that prepared the way and who calls Jesus a son of the tribe of Judah.

Let’s turn to another aspect of today’s mystery. When the Babylonians captured Jerusalem in 587 B.C., the ark of the covenant, the sign of God’s presence, was removed from the temple. What happened to it remains an unsolved riddle–Indiana Jones’s adventures notwithstanding. When the temple was rebuilt, the ark was no longer in the Holy of Holies (when the Roman general Pompey entered the Holy of Holies after taking Jerusalem in 63 B.C., he was puzzled to find it empty of any idols or statues). God was not entirely absent; nor yet had He fully returned after His dramatic departure narrated at the beginning of Ezekiel’s prophecy, dating from the Babylonian captivity. The prophet Malachi, writing perhaps in the fifth century B.C., indicated the God would suddenly appear in the temple. In the arrival of the Virgin Mary and the boy Jesus, the early Church saw the return of the true Ark of the Covenant (the Mother of God, whose womb was God’s resting place for nine months), and the long-awaited sudden arrival of God in His temple. The long exile of the chosen people was finally ended, that moment for which holy Simeon and Anna had kept vigil with such love for God.

In the second antiphon from First Vespers of today’s feast, this arrival is seen as the consummation of the marriage covenant into which God had entered with Israel: “Adorn your bridal chamber, O Zion, and receive Christ the king; him whom the Virgin conceived, the Virgin has brought forth; after giving birth, the Virgin adores him whom she bore.” Now, if we remember back to the Exodus, and God’s claim on all first-born sons, we see that this espousal is intimately connected with Christ’s self-offering on the Cross. He returns to claim His bride, at the cost of His own blood. There is indeed a certain sorrow to this, but it is that of those who sow in tears, only to reap in joy. In the Presentation is encapsulated the whole of the story of salvation. God the Father, in receiving back the Son of Mary, liberates not only Israel, but through her, all humanity—and not from political slavery in Egypt, but from spiritual slavery to sin. It is significant that, at today’s Mass, we bear candles in procession, just as we will at the Easter Vigil. It is one and the same Passover that we celebrate, from differing perspectives. As such, today’s feast marks the perfect nodal point between the Incarnation and Christmas, and the Paschal Triduum that looms in the future.

 

The Holy Family

December 30, 2024

While doing a bit of searching in connection with yesterday’s Feast of the Holy Family, I discovered this striking–and humorous–image by the early 14th century Sienese iconographer Simoni Martini. It shows the finding of 12-year-old Jesus in the temple after Mary and Joseph had been searching for him for three days. Anyone who has parented an adolescent will, I hope, find this depiction amusing:

Let me take this opportunity to invite you to join us for Solemn Vespers tomorrow, Tuesday, December 31 at 5:15 p.m. In addition to exquisite music by Josquin and Willaert, our Schola will reprise a motet I composed for last year’s celebration: Virga Iesse floruit. At the bottom of this post is a sneak preview of the first of Josquin’s antiphon settings for this solemnity. The text, O admirabile commercium, with a translation, is also given below.

Merry Christmastide to all!

–Prior Peter, OSB

 

O admirabile commercium!
Creator generis humani,
animatum corpus sumens,
de Virgine nasci dignatus est:
et procedens homo sine semine,
largitus est nobis suam Deitatem.

O wondrous exchange:
the creator of human-kind,
taking on a living body
was worthy to be born of a virgin,
and, coming forth as a human without seed,
has given us his deity in abundance.

The Holy Triduum

April 5, 2023

We have arrived again at the holiest time of the Church’s Year, the annual celebration of the Paschal Mystery, our Lord’s Passover. It’s hard for me to believe that this will be my 27th Triduum at the monastery. The liturgy for this holy time can be bewildering when we first encounter it, but also exhilarating–and for the same reason. Everything is new, slightly disorienting. Time is suspended. Melodies and rituals suddenly appear that remind us of our first childhood memories of Easter.

Over time—and this is especially true for monks who must study the liturgy and practice it regularly—the ceremonies become more familiar, even if they remain special to this time of year. For some of us, there is a temptation to a bit of boredom—the old feelings no longer emerge with the same intensity. Every Triduum features a liturgical blunder or two–sometimes the same one many years running, and this can tempt us to cynicism. But these temptations should be dealt with in the same way that we deal with every temptation: with resistance. When we begin to understand the liturgy, not as a prompt for good and edifying feelings, appropriate as these might be, but as central to our permanent identity as children of God, we can transition into a deep sense of belonging to Jesus Christ and His Church. This identification and belonging will remain with us and inform the rest of our lives as Catholics throughout the year.

Once again, this applies especially to monks and nuns, who have espoused themselves to Christ. The transition of which I am speaking is analogous to one that we see in certain married couples. They begin their lives together with excitement, expectation, even a kind of infatuation with each other, and the joy of having been loved and accepted. There are new experiences of owning a home, of pregnancy, childbirth, school, in-laws, new family rituals at Christmas, and so on and so forth. This gives way eventually to routines, and as the new and exciting becomes the familiar and dull, there is a risk of each spouse focusing on the small annoyances of any relationship with inherently limited and even flawed persons. There are heartaches with children who suffer health problems, disappointments with careers and there are compromises. The temptation is to boredom and even a sense of resentment. But if this temptation is resisted, what emerges is the beauty of belonging to one’s spouse, of totally identifying with that person with whom I have made a lasting covenant, and struggled to live those vows in fidelity. These are the couples who can sit together for long periods of silence, simply content to be with their “better half,” appreciating the presence of the long-beloved.

The Holy Triduum is like the Church’s wedding anniversary, the annual reminder that we have been espoused by the great Bridegroom Who laid down His life for us, Who poured out His Blood to cleanse us and make the Church a worthy Bride for Himself, spotless and beautiful. When this reality is newly embraced, it can move us to great torrents of emotion. It can so move us even after many years. But it can also carry us away to a different kind of experience, that of profound and peaceful contemplation, the silent adoration of the Holy Trinity, to Whom be glory and honor forever. Amen.

The Mystery of Christmas

December 24, 2022

I have received many positive comments about the article that led our newsletter for Advent, so I would like to share it with a slightly different readership. I will preface this with a few more thoughts of Christmas, and why this celebration led me to my vocation. What gives coherence to the meaning of Christmas for me is the deep mystery of life itself. How is it that we–each of us a self, an “I”–observing the world and “All things counter, original, spare, strange; [Hopkins]” see things similarly, see things differently, see and understand anything at all? How often do we stop and wonder at it all? Something about Christmas always stopped me in my tracks and forced these questions upon me. The answer to this mystery is not the solution to a puzzle, but the sheer gift of love, of shared life and wonder. At the center of all that it, is a God Who wishes to be included in all things with us, our joys, sufferings, our boredom, weariness, excitement, community, loneliness, the whole labyrinth of life that each of us experiences. And in sharing the beauty of all that He created, He does so in most unprepossessing way possible, as a poor child of poor parents in a poor village, but rich in wonder and observation (read any of Christ’s parables and see how He never outgrew the child’s power of noticing things). We need not cross the sea to discover mystery–it is right in front of us and opens the way to participation in the Source of life.

Merry Christmas!

[The article from our newsletter, entitled “Christmas and Everyday Life”]

One of the brothers recently asked me if there was a particular Christmas song that evoked strong memories for me. I couldn’t really answer the question because there are many such carols, in addition to the sublime arias and choruses of Handel’s Messiah and the magical dances of Tchaikovsky’s ballet The Nutcracker. I eventually settled on one carol, not because it is my favorite, but because it somehow summarizes the importance of Christmas to me: O Little Town of Bethlehem.

With a bit of imagination, the music of this lovely carol takes me back to decorating the house in preparation for the holidays. I always wanted to help set out the traditional nativity scene as well as the Christmas “village,” a tradition picked up from my father’s Polish family. We had pieced together this village over several years, and it included tiny houses, into the backs of which were inserted bulbs from strings of lights that would shine through the colored film windows. Miniature cars drove down snowy streets and sat in the parking lot next to the village church (which had a detachable steeple that occasionally was knocked over by our Labrador retriever). A mirror served as a skating rink, and a model train traversed the circumference of the town.

And of course, the were the tiny people there to celebrate winter by skating and skiing. In setting them up, we had to thread a tiny “rope” attached to a sled through the mittened hand of a bundled-up and straining adult. And then there were two blanketed children to be perched upon the sled. A thumb-sized collie ran alongside the family.

Perched behind all of this activity was, incongruously, the thatched barn giving shelter to the Christ child in the manger, adored by Mary and Joseph, and a motley band of shepherds. A variety of beasts kept the watch. To my eye, there was nothing quite as beautiful as these figurines, especially the shiny apparel of the Wise Men, the haughty camels, and the one poor shepherd, kneeling and offering a few coins resting in a cap in his hand.

Not only were these scenes separated by two millennia; they were not to scale. And yet, somehow, the ensemble spoke perfectly to me of the mystery of Christmas. The Son of God came, not only for the salvation of persons of the first century, but for every human being, for every human community. Not everyone in the Christmas village was in the church at that moment, but the church was there, its steeple pointing the way to heaven, or, in our humble tableau, to the angels singing above the newborn King.

Bethlehem was much like any other village, with its public spaces, rows of homes, families, children, pets, and other animals. When God sent His Son to redeem us, He came, not with spectacular show of “shock and awe,” but quietly, into a small home, beneath the same stars that we see today in the midnight sky. God thereby demonstrated that to be His child, it is enough to be human like anyone else.

The celebration of Christmas eventually had a profound effect on my own vocation. The beauty of God as a child, as an adolescent and young man, making friends, attending family weddings (I attended many weddings, as best man and as a musician)—the whole lot of everyday human life—made Christ especially present to me and made me want to respond by offering my life to Him as best I could, with the hope that perhaps others could experience what I had intuited: that into the darkness and obscurity of our quotidian existence, has shone the everlasting light. Now all the humble details of human life, the joy and tears, the sweat and rest, sowing and harvest, are illuminated from within by God’s Word. And that Word is Love.

 

What to do…

August 18, 2021

Amid much uncertainty in the world at the moment, we have gone about our monastic business quietly, praying for the nation, our city, the world. We’ve tried to keep our corner of the Bridgeport neighborhood, quiet, safe, and where possible, beautiful. Our garden has been quite fruitful, providing raspberries, blackberries, chard, beans, peppers, tomatoes. The deep green of trees gently waves outside my office window and elsewhere. The cats, domestic and stray, lounge about and are eager to eat when the food is brought out.

When we arrived thirty years ago, our properties featured a lot more concrete and less greenery. This meant, perhaps, less work cutting grass, weeding, and trimming trees. But the quiet reminder of God’s plentifulness that we see in the slow and sure maturation of the plants, fed by the rhythm of life-giving rain and sun, is worth a little extra work. So much anxiety comes of forgetting that reality does not depend on us. All that we receive in this world from God is a sign of His love and a pledge of the greater and permanent gifts He has promised. Are we watching for the clues He is leaving us each day?

I should add that I am in no way an isolationist or a fideist, advocating a willful ignorance of the challenges that we face at the moment, seemingly on all fronts.  But in any action we might take to encourage one another, to right wrongs and seek justice, for this to be more than desperate bluster, we should want it to spring from an authentic encounter with Truth, Goodness, and Beauty. First of all, this will this mean that we are not reactively engaging out of pressurized fear and anxiety, but out of a sense of calling or vocation. This will help us avoid be manipulated by circumstances. We will tend to address problems that we know that we can solve, or at least ones to which we can offer competent pieces of a solution. But more importantly, we will be reminded of what the goal is. Like Sam Gamgee calling up sweet pictures of the Shire and Rosie Cotton amid the industrialized evil of Mordor, we will be fortified against bitterness and blind anger when our actions have the purpose of cooperating with, and restoring truth, goodness, and beauty.

More to come.

Life in the Spirit

May 22, 2021

“For what person knows a man’s thoughts except the spirit of the man which is in him?” [1 Corinthians 2: 11]

When Beethoven was a young man, one of his principal patrons, Count Waldstein, predicted that he would inherit the spirit of Mozart. Music historians will often make statements to the effect that the first half of the nineteenth century in Europe was dominated by the spirit of Beethoven himself, and that the second half was strongly informed by the spirit of Wagner. The negative expression of this latter reality belongs to the iconoclastic composer Claude Debussy, who said that his task was the exorcism of the “ghost of old Klingsor, alias Richard Wagner.”

Beethoven’s spirit is often connected to the rise in democratic movements following the French Revolution. He famously erased Napoleon’s name from the manuscript of the Eroica symphony when he heard that Napoleon had  crowned himself as emperor.

To what does all of this refer? Two aspects come to light. The music of Mozart, Beethoven, and Wagner was experienced by many of their near-contemporaries (and many of us today) as touching on something profoundly true and beautiful. The crystalline perfection of Mozart’s symphonies and the heroic pulses of Beethoven’s symphonies inspired (in-spirited!) many young composers to take up the quill and try their own hand at composing. Musical composition is always a process of interior listening, testing to see how musical ideas imply other musical ideas, and how these in turn touch ineffably on the meaning of the human and divine. When one is immersed in the music of a Mozart, one learns from him how to listen and how to discern the true from the false, the profound from the trivial.

The first practical effect of this discernment is that early Beethoven sounds very much like Mozart’s music. Wagner’s earliest compositions sound eerily similar to Beethoven’s middle and late periods. Notice that Wagner’s music would almost never be mistaken for Mozart’s though. Something has changed with the appearance of Beethoven. This fact points us to the second important idea of the “spirit” of a man. However much Beethoven inherited Mozart’s spirit, as this spirit entered into another  unique individual, Beethoven’s own creativity was quickened into life, an unrepeatable life. Thus emerged Beethoven’s own spirit that he bequeathed to the varying compositions of Schubert, Schumann, Liszt, Brahms, and Wagner.

“God’s love has been poured into our hearts through the Holy Spirit who has been given to us.” [Romans 5: 5]

Wagner’s spirit led him to reconnect with a heroic past in mythology, a similar intuition to that of J.R.R. Tolkien in a later generation.

All the baptized partake of an analogous reality. But instead of inheriting the spirit of a fellow creature, we have received the Spirit of Christ, the Son of God. This is a true inheritance: “all who are led by the Spirit of God are sons of God.” Being led by the Spirit does not mean in any way that we become marionettes, any more than Wagner robotically reproduced Beethoven’s music. The Spirit quickens what is latent in us, and we develop into ourselves. This is why Scripture speaks of the Spirit as both our inheritance, and a pledge of a future inheritance into which we have yet to enter. “[You] were sealed with the guarantee of our inheritance until we acquire possession of it.” [Ephesians 1: 13-14] Led by the Spirit, we are already God’s children and yet something still greater awaits: “Beloved, we are God’s children now; it does not yet appear what we shall be.” [1 John 3: 2]

Who among us is as free as the saint of God?

Just as a composer infused with the spirit of Beethoven learns from studying the master’s work, we will grow in the Holy Spirit to the extent that we accompany Jesus Christ in our daily lives, make Him our model and learn from Him how to discern the true from the false. We do this by participation in His mysteries in the liturgy, by meditating on Holy Scripture, and by recognizing Christ’s presence in His Body the Church. Many of us resist this with a false understanding of what it means to take responsibility for our own lives. Critics of religion will claim that the Church’s morality deadens our individuality, infantilizes us by scripting our own lives for us. But as my examples of composers demonstrate, the spirit of Mozart did the opposite for Beethoven. It freed Beethoven to develop into the great light for so many who came after him. If this is so with the spirit of a man, how much more will the Spirit of the Creator God free us to mature into true individuals, as articulated members of Christ’s Body? As C.S. Lewis well expressed the freedom of those led by the Spirit, “How monotonously alike all the great tyrants and conquerors have been: how gloriously different are the saints.”

Come Holy Spirit!

Prior Peter Funk
Pentecost, A.D. 2021

He Is Not Here! Homily for the Easter Vigil

April 8, 2021

On the seventh day of creation, God rested.

From a theological and philosophical standpoint, this is quite a statement: philosophers would say that God’s Being is interchangeable with His acting. There is no separation between the two, and for God to rest seems like a contradiction, in one sense. Jesus Himself said that His Father is always at work. But we see two meanings of it in tonight’s liturgy.

Come to me, all who labor and are heavy burdened. Enter into my rest.

The first is that it is on the seventh day of the week, that Christ, the Son of God—Who is God—rests in the tomb. And we see even more profoundly that this is the cost to God of creation. God’s willingness—His “permissive will”—to open a space for other creatures of reason and will to act, to be free—this is a great risk that God takes, inviting us to act freely, to act reasonably (one hopes). And the cost of this is shown exactly by Christ’s death. This is the price of giving us freedom.

God is not giving up on us, though: in Christ’s Resurrection, which we celebrate tonight, we see an “eighth day” opening up, a new creation. And we are “recapitulating” this action of God.

The liturgy is the manifest action of Jesus Christ in the world. In the document Sacrosanctum Concilium [par. 7], the first document issued by the fathers of Vatican II, it says that the liturgy is the action of Christ, the High Priest. So what are we doing, then?

Well, we the baptized are members of His Body In acting out the liturgy, we are making visible what Christ is doing. When we participate in the liturgy, by our actions and by our attentiveness, we are conformed, body, mind, and spirit, to Christ Himself, Who is acting through us, impressing the form of His own life upon our own, giving us a new life. In celebrating the mystery of His Passion, Death, descent into hell and Resurrection, we ourselves undergo this same experience, in a mysterious way. As Saint Paul says in tonight’s epistle: “if we have grown into union with him through a death like his, we shall also be united with him in the resurrection.”

These are lovely words of comfort and consolation in the midst of, and at the end of, an annus horribilis.

So, how much do we feel—experience—the effects of our resurrection?

Now before you think that I’m trying to give you a guilt trip, implying that we all need to try harder to feel good about our resurrection in Christ, let me assure that I mean no such thing. I’m not here to increase your burdens—I promise you!

For starters, we should never try to engineer our own salvation by works.  And that includes working up happy feelings to prove to ourselves that we are saved. Rather, our salvation mysteriously takes place in the realm of faith, and this may or may not be accompanied by corresponding feelings.

I want to emphasize this particularly because I suspect that many of us have experienced at least a year of ambiguous feelings at best. I imagine that most of us, on the earthly plane, have been feeling helpless, anxious, frustrated, even depressed. And if we associate how we feel with the objectivity of our salvation in Jesus Christ, we probably will end up feeling hopeless besides, judging ourselves unworthy of God’s attention, just at the moment we need God’s solicitude more than ever.

Christ healing the paralytic. Haven’t we all had the experience of feeling paralyzed in the last year?

Most of us have never had quite the opportunity to share in Christ’s death before this year, when we’ve experienced a cascade of sufferings, many of them unforeseen and unpredictable.  The sufferings associated with a pandemic, with quarantines, loss of contact with loved ones, loss of pastimes, travel, and cultural events that lighten our lives, have in turn made the normal sufferings that much harder to bear: the deaths of loved ones, illness, broken relationships, financial hardships, difficulties at work, and so on.

Now with that background, let me return to my central question:

How am I experiencing Resurrection in Christ?

We have been led into the darkened church by the inextinguishable light of Jesus Christ, our brother and our head. We have heard of the empty tomb, and Paul has confirmed what the young man in white told the women inside that empty tomb: He is alive: death is not the end. What will this mean for us when we go forth from this celebration tonight, the celebration of our own resurrection and illumination in faith?

Assuredly, we all have some immediate grasp of what it means to live. I don’t mean merely to be alive and not dead. Rather I mean the experiences of great joy, hope, great encounters with beauty and goodness and love

The best we can say about the life that God gives us after our resurrection is that it in some way fulfills all the best promises that these previous experiences betoken. But we don’t really know what this new life is like until we experience it. There is something incomprehensible—at least at first—about living a resurrected life. Because this is an eternal life, God’s own infinite life, there will always be something about it that is unfamiliar.

We’ll never exhaust the mystery of God. If we feel out of our depth, that might be a good sign—that we are open to God revealing to us a new way to think, to feel, and experience the world.

All praise to Christ our Light!

In the meantime, we continue to live in an in-between state, remaining in the flesh even as we strive to live according to the Spirit. This means that much of the Christian interior life depends on interpretation—we can interpret in one of two ways: the flesh or the Spirit. We can interpret every single event of our lives in these ways, events like we’ve been experiencing.

Two chapters after tonight epistle, Saint Paul tells us that we can set our minds on the flesh or on the Spirit. And that the effect of setting our minds on the Spirit is life and peace.

In this same eighth chapter of Romans, Saint Paul tells us something that should be very comforting. We are heirs with Christ, provided that we suffer with Him. Suffering is not meaningless if it done with Christ. This means that our suffering is not proof of God’s abandonment—far from it.

As the Easter candle went before us into the dark Church tonight, Christ has gone before us into the hell of suffering. He’s gone into the darkness of each of our hearts, and brought His light there. so that when we go into our hearts, and we feel all this difficulty, when we arrive there ourselves, He is there to accompany us, to comfort us, and…to show us the way out.

Christ leading Adam and Eve out of hell, and, in them, all of their children–including you.

Perhaps in years past, when life seemed to be going reasonably well compared to the last few years, we could confuse the good feelings about Easter, natural feelings, not bad in themselves, but still somewhat human and limited, with what a resurrected life of faith feels like. But this year, many of us have had a taste of what death feels like, and consequently, I would think that our experience of the resurrection can undergo two transformations as well.

First of all, it might not feel like previous feelings associated with Easter because we have been more closely conformed to Christ’s Passion. But if this is true, it is also true that we can be more confident this year that Christ has been walking with us through that shadow of death that has been threatening us.

What Pope Benedict XVI said about Christ’s death can be applied both to our deaths and to our suffering:

“Death, the illogical, the unspiritual and senseless…becomes [in Christ’s death] an active spiritual event. Death, the end of communication, becomes an act of communion of Jesus with everyone, and in him, of everyone with everyone.”

We all share the experience of suffering and death.

If we can discover in our recent suffering our communion with Christ’s suffering, we can discover our communion with each and every person who is our neighbor. We can be ambassadors of compassion. And, through suffering in communion with Christ, we can discover our communion with God, which is to say, mysteriously but truly, with our eternal life.  If we can re-enter those places of darkness and find in them waiting for us the lumen Christi, the light of Christ alive and life-giving.

How blessed we are to be together this night, the night of nights, when death was broken and God’s love was poured in our hearts. For the sake of the rest of the church, especially for those not able to be in an assembly tonight, let us welcome God’s love anew. And let us ask the Holy Spirit for to renew our minds, to help us think differently, with the mind of Christ, that we may know how to identify the signs of the resurrection in our lives, to become more and familiar with this inbreaking new life, and to live out of it.

[To listen to a podcast of this homily, click here.]

New Year, New Life: All Hail the Mother of God!

December 31, 2020

Evergreen boughs abound during the Christmas season. Like the image of the Burning Bush, the evergreen points us toward a mysterious source of life, a current just beneath the surface of our world, bursting through like a hidden spring at certain moments. Amid the entropy of our deciduous (Latin cadere, to fall) world, this inexhaustible font is thus perceptible. The contrast between the autumnal coloring of leaves and the steady greenery of needles, like the contrast between the fixed firmament of constellations and haphazardness of plummeting meteors, speaks to us of a contrast between a permanent world, as yet only hinted-at, and the restless burgeoning and decay of the palpable.

(O wonderful exchange! The creator of the human race, taking a living body, deigned to be born of a virgin; and becoming man without man’s seed, enriched us with his divinity.)

The signs of permanence and stability, the evergreens, the stars, the Burning Bush, appear very much within our world of flux. This is itself significant, for it suggests that our salvation is not so much a separation from the material world as it is a rejuvenation of the very cosmos itself. So says Saint Paul:

“Creation was subjected to futility, not of its own will but by the will of him who subjected it in hope; because the creation itself will be set free from its bondage to decay and obtain the glorious liberty of the children of God.”

—Roman 8: 20-21

It is because of this link between our salvation and the liberation of creation that the prophecies of the Old Testament have retained their value. Even after the Fall, creation has borne traces of its lost transparency as well as its destined rebirth. This is to say that creation itself has continued to point toward God its boundless Source. “Ever since the creation of the world [God’s] invisible nature, namely, his eternal power and deity, has been clearly perceived in the things have been made [Romans 1: 20].”

Danger enters from the darkening of our intelligence that followed on the loss of trust in God. The Tree of the Knowledge of Good and Evil lost its sign value as a marker of God’s love and guardianship of Adam and Eve and became (falsely, by the trickery of the serpent) a counter-sign of a supposed arbitrary tyranny. Once faith has been broken by this kind of mistrust, creation ceases to speak lucidly. We ourselves are tempted to be entrapped by the disintegrative forces unleashed by sin, to try and hold on to creatures whose decay is meant to warn us to return to the source of life.

According the Wisdom of Solomon, our predicament can be thus summarized:

“From the greatness and beauty of created thing comes a corresponding perception of their Creator….as [the pagans] live among his works…they trust in what they see, because the things that are seen are beautiful….But [they are] miserable, with their hopes set on dead things.”
—Wisdom 13: 6-7; 10

Even the chosen people of Israel needed constant reminding of the invisible and immaterial God Who communicates through the visible and material. It is significant (another “sign-being-made”) that in Hebrew, the same word, dabar, means “word” and “thing”—a commingling of the spiritual and the perceptible. The prophets communicated not only by speaking, but by proto-sacramental actions and objects. All of these point to the mystery that we celebrate at the beginning of each calendar year. We see the sudden illumination, not of a lowly shrub on the side of Mount Horeb, but of the human race and all creation by the Motherhood of the Virgin Mary.

We can describe in minute detail how conception takes place, in terms of the mingling of genetic material and the implantation of an embryo in the tissue of its mother’s womb. But can we perceive how a human life, consciousness, the whole mystery of personhood is set in motion by these intricate biological events? Once more we are brought to the boundary between contingent materiality, and the mysterious Source of life itself. This Source has been at work since the beginning of time. Moses and the prophets, culminating in John the Baptist, pointed to its manifestations, celebrated in the antiphons chanted at the Divine Office (I’ve linked to polyphonic versions of these texts, with translation where they aren’t provided with the video on YouTube).

We the baptized have the joy of partaking in it:

“For in the mystery of the Word made flesh
a new light of your glory has shone upon the eyes of our mind,
so that, as we recognize in [Christ] God made visible,
we may be caught up through him in love of things invisible.”
—Preface I of the Nativity

May your New Year be filled with the illumination of the Son of God and His immaculate Mother! May we learn anew how to live sacramentally, pointing others to God’s manifestations in our world today.

Merry Christmastide!

—Fr. Peter Funk, OSB

 

A Summons to Encounter in Unhurried Beauty

August 23, 2020

Prelude 1: Danseuses de Delphes (Dancers of Delphi)

Imagine a healthy person moving slowly. How can you tell if such a person is hesitant, or dawdling, being sneaky, or being solemn? Where someone is attempting to move at a solemn pace, how might we distinguish between genuine piety, sanctimony, and lumbering?

In almost every wedding rehearsal I’ve attended, the priest or minister has had to instruct the bridal party to walk more slowly. We are not accustomed to the solemnity and dignity of well-executed ritual. What makes a hasty bride appear gauche? I suspect that it is related to what George Steiner called “ceremonials of encounter” in his important book Real Presences. As I suggested in an earlier post, all beauty promises an encounter. Do we miss this encounter because we have lost the feel for ceremony?

With these thoughts in mind, I suggest that you listen to this three-minute piece, which was inspired by the “Acanthus Column.” Debussy was familiar with a replica of this column, which depicts the ritual dance of worshippers of Apollo at the god’s shrine at Delphi. In my hearing, this dance also takes the form of a procession toward the shrine.

[image: by Ricardo André Frantz (User:Tetraktys), editing by User:Jastrow – cropped and colour-adjusted from Image:019MAD Room.jpg taken by Ricardo André Frantz, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3370119]

Danseuses de Delphes is to be played slowly and seriously, and the opening measures are also marked “soft and sustained,” or, perhaps, “elevated.” The piece is an imagined accompaniment to a pagan liturgy. Debussy would have had no direct experience of pagan ritual, so it is safe to assume that he borrows from his experience of traditional Catholic liturgy, with its slow processions and deliberate gestures. He was an admirer of the restrained craft of Palestrina, considering it the true sacred music of the Church. This sense of a public liturgy is reinforced by an interesting performance direction at measure 11 (1:12 in the video), doux mais en dehors, which would indicate something like, “soft but outward,” meaning that the quiet dynamic is not a sign of privacy or introversion. It is a sacred hush, as the dancers move nearer the shrine.

The opening melody is played twice, at :02 and at :37. There is an important difference in the second version. After each of the slow notes of the ascending melody, an echo in the upper register is introduced, almost as if the god has heard the prayer of the dancers and is responding from a distance. At 1:12, a new theme is introduced. In this new section, the melody and echo have switched places, with the high carrying the melody, and the middle range responding. Notice too, that the two parts are now moving toward each other, toward an “encounter.” The high notes descend gently and the middle notes ascend in response. It is very much like the ascent of the Catholic priest to the altar, and his prayer that the Holy Spirit might descend upon the gifts presented there.

The arrival or encounter proper takes place at measures 15-17 (1:34-1:50). Such a beautiful moment! The mysterious music in measures 21-24 (2:13-2:38) perhaps represents the withdrawal of the god back into the sky. 

Let me compare this piece to two other “liturgical” pieces. In the work of Palestrina, the careful balance of dissonance and consonance gives the listener a sense of directionality. Whenever a dissonant interval is introduced, it awakens a desire that finds its temporary resolution in the following consonance. This practice develops within a religion that arises out of a certain “problematic,” the question of sin, alienation, and suffering, which have been overcome so as to point the way to a consummation in the Kingdom of Heaven.

Debussy’s style in the first Prelude abstains from functional dissonance. He uses clusters of notes, but often in such a way as to deepen musical color rather than to suggest an unfinished desire. This suggests a religion that is a mystical projection of simpler desires, not so obviously concerned with questions of justice and suffering.

The lack of any haste or drive in the piece suits the worship of Apollo. His cult was frequently contrasted in the 19th century (most famously by Nietzsche) with the Bacchic, frenetic, emotionally suffused worship of Dionysus. Three years after the publication of Debussy’s first book of Preludes, Stravinsky shocked the world with his very different depiction of pagan liturgy, the Dionysian Rite of Spring. 

The lack of haste suggests reverence and confident self-possession. How does our fast-paced society not only rob us of our personal dignity, but make it difficult for us to show reverence when it is time to pray? Does our rushing about constrain us by betraying a lack of confidence in God’s nearness? What can contemporary Catholic liturgy learn from Debussy’s imaginative scenario, which borrows from an earlier Catholic sensibility?

Might the addition of ceremony into more areas of life also introduce meaning? Many of my friends and family members who are tea drinkers attest to the importance of ceremony in brewing and drinking tea. Nearly everything in monastic life is ceremonialized. Is this a sign of a nervous, controlling culture? Or the expressed desire to encounter?

***

Note: I’ve linked Barenboim’s performance because his observance of Debussy’s instructions is the most scrupulous of the performances that I could find. However, it is always worthwhile to hear others’ interpretations. We should bear in mind that the performed piece is the best interpretation, and that my written comments are only meant to open the ear to the performers’ interpretations, and the eye to the world that inspired (in-spirited) both Debussy and his interpreters.

If you have the time, I recommend listening to each piece two or three times, perhaps in different versions.

 

Here is Palestrina’s most famous motet, on the text (apt, for this post) “As the hart desires after fountains, so my soul desires after You, O God.” The use of dissonance to suggest desire and resolution is clearest where the text anima mea (my soul) appears at 2:13. If you can read the music, you will see that the first syllable of anima is often tied over a barline. When the barline hits, a new note, dissonant with the one being held on anima, creating that sense of tension. Note that the resolution of anima is downward, creating a sense of rest and repose.

And here is Stravinsky’s “Dionysian” ritual. Notice how restraint is gone, and ceremony has been transformed into something fearsome, especially at 3:00. This ritual will end with human sacrifice:

 

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