Monastery of the Holy Cross

Articles tagged with ritual

The Holy Triduum

We have arrived again at the holiest time of the Church’s Year, the annual celebration of the Paschal Mystery, our Lord’s Passover. It’s hard for me to believe that this will be my 27th Triduum at the monastery. The liturgy for this holy time can be bewildering when we first encounter it, but also exhilarating–and for the same reason. Everything is new, slightly disorienting. Time is suspended. Melodies and rituals suddenly appear that remind us of our first childhood memories of Easter.

Over time—and this is especially true for monks who must study the liturgy and practice it regularly—the ceremonies become more familiar, even if they remain special to this time of year. For some of us, there is a temptation to a bit of boredom—the old feelings no longer emerge with the same intensity. Every Triduum features a liturgical blunder or two–sometimes the same one many years running, and this can tempt us to cynicism. But these temptations should be dealt with in the same way that we deal with every temptation: with resistance. When we begin to understand the liturgy, not as a prompt for good and edifying feelings, appropriate as these might be, but as central to our permanent identity as children of God, we can transition into a deep sense of belonging to Jesus Christ and His Church. This identification and belonging will remain with us and inform the rest of our lives as Catholics throughout the year.

Once again, this applies especially to monks and nuns, who have espoused themselves to Christ. The transition of which I am speaking is analogous to one that we see in certain married couples. They begin their lives together with excitement, expectation, even a kind of infatuation with each other, and the joy of having been loved and accepted. There are new experiences of owning a home, of pregnancy, childbirth, school, in-laws, new family rituals at Christmas, and so on and so forth. This gives way eventually to routines, and as the new and exciting becomes the familiar and dull, there is a risk of each spouse focusing on the small annoyances of any relationship with inherently limited and even flawed persons. There are heartaches with children who suffer health problems, disappointments with careers and there are compromises. The temptation is to boredom and even a sense of resentment. But if this temptation is resisted, what emerges is the beauty of belonging to one’s spouse, of totally identifying with that person with whom I have made a lasting covenant, and struggled to live those vows in fidelity. These are the couples who can sit together for long periods of silence, simply content to be with their “better half,” appreciating the presence of the long-beloved.

The Holy Triduum is like the Church’s wedding anniversary, the annual reminder that we have been espoused by the great Bridegroom Who laid down His life for us, Who poured out His Blood to cleanse us and make the Church a worthy Bride for Himself, spotless and beautiful. When this reality is newly embraced, it can move us to great torrents of emotion. It can so move us even after many years. But it can also carry us away to a different kind of experience, that of profound and peaceful contemplation, the silent adoration of the Holy Trinity, to Whom be glory and honor forever. Amen.

A Summons to Encounter in Unhurried Beauty

Prelude 1: Danseuses de Delphes (Dancers of Delphi)

Imagine a healthy person moving slowly. How can you tell if such a person is hesitant, or dawdling, being sneaky, or being solemn? Where someone is attempting to move at a solemn pace, how might we distinguish between genuine piety, sanctimony, and lumbering?

In almost every wedding rehearsal I’ve attended, the priest or minister has had to instruct the bridal party to walk more slowly. We are not accustomed to the solemnity and dignity of well-executed ritual. What makes a hasty bride appear gauche? I suspect that it is related to what George Steiner called “ceremonials of encounter” in his important book Real Presences. As I suggested in an earlier post, all beauty promises an encounter. Do we miss this encounter because we have lost the feel for ceremony?

With these thoughts in mind, I suggest that you listen to this three-minute piece, which was inspired by the “Acanthus Column.” Debussy was familiar with a replica of this column, which depicts the ritual dance of worshippers of Apollo at the god’s shrine at Delphi. In my hearing, this dance also takes the form of a procession toward the shrine.

[image: by Ricardo André Frantz (User:Tetraktys), editing by User:Jastrow – cropped and colour-adjusted from Image:019MAD Room.jpg taken by Ricardo André Frantz, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3370119]

Danseuses de Delphes is to be played slowly and seriously, and the opening measures are also marked “soft and sustained,” or, perhaps, “elevated.” The piece is an imagined accompaniment to a pagan liturgy. Debussy would have had no direct experience of pagan ritual, so it is safe to assume that he borrows from his experience of traditional Catholic liturgy, with its slow processions and deliberate gestures. He was an admirer of the restrained craft of Palestrina, considering it the true sacred music of the Church. This sense of a public liturgy is reinforced by an interesting performance direction at measure 11 (1:12 in the video), doux mais en dehors, which would indicate something like, “soft but outward,” meaning that the quiet dynamic is not a sign of privacy or introversion. It is a sacred hush, as the dancers move nearer the shrine.

The opening melody is played twice, at :02 and at :37. There is an important difference in the second version. After each of the slow notes of the ascending melody, an echo in the upper register is introduced, almost as if the god has heard the prayer of the dancers and is responding from a distance. At 1:12, a new theme is introduced. In this new section, the melody and echo have switched places, with the high carrying the melody, and the middle range responding. Notice too, that the two parts are now moving toward each other, toward an “encounter.” The high notes descend gently and the middle notes ascend in response. It is very much like the ascent of the Catholic priest to the altar, and his prayer that the Holy Spirit might descend upon the gifts presented there.

The arrival or encounter proper takes place at measures 15-17 (1:34-1:50). Such a beautiful moment! The mysterious music in measures 21-24 (2:13-2:38) perhaps represents the withdrawal of the god back into the sky. 

Let me compare this piece to two other “liturgical” pieces. In the work of Palestrina, the careful balance of dissonance and consonance gives the listener a sense of directionality. Whenever a dissonant interval is introduced, it awakens a desire that finds its temporary resolution in the following consonance. This practice develops within a religion that arises out of a certain “problematic,” the question of sin, alienation, and suffering, which have been overcome so as to point the way to a consummation in the Kingdom of Heaven.

Debussy’s style in the first Prelude abstains from functional dissonance. He uses clusters of notes, but often in such a way as to deepen musical color rather than to suggest an unfinished desire. This suggests a religion that is a mystical projection of simpler desires, not so obviously concerned with questions of justice and suffering.

The lack of any haste or drive in the piece suits the worship of Apollo. His cult was frequently contrasted in the 19th century (most famously by Nietzsche) with the Bacchic, frenetic, emotionally suffused worship of Dionysus. Three years after the publication of Debussy’s first book of Preludes, Stravinsky shocked the world with his very different depiction of pagan liturgy, the Dionysian Rite of Spring. 

The lack of haste suggests reverence and confident self-possession. How does our fast-paced society not only rob us of our personal dignity, but make it difficult for us to show reverence when it is time to pray? Does our rushing about constrain us by betraying a lack of confidence in God’s nearness? What can contemporary Catholic liturgy learn from Debussy’s imaginative scenario, which borrows from an earlier Catholic sensibility?

Might the addition of ceremony into more areas of life also introduce meaning? Many of my friends and family members who are tea drinkers attest to the importance of ceremony in brewing and drinking tea. Nearly everything in monastic life is ceremonialized. Is this a sign of a nervous, controlling culture? Or the expressed desire to encounter?

***

Note: I’ve linked Barenboim’s performance because his observance of Debussy’s instructions is the most scrupulous of the performances that I could find. However, it is always worthwhile to hear others’ interpretations. We should bear in mind that the performed piece is the best interpretation, and that my written comments are only meant to open the ear to the performers’ interpretations, and the eye to the world that inspired (in-spirited) both Debussy and his interpreters.

If you have the time, I recommend listening to each piece two or three times, perhaps in different versions.

 

Here is Palestrina’s most famous motet, on the text (apt, for this post) “As the hart desires after fountains, so my soul desires after You, O God.” The use of dissonance to suggest desire and resolution is clearest where the text anima mea (my soul) appears at 2:13. If you can read the music, you will see that the first syllable of anima is often tied over a barline. When the barline hits, a new note, dissonant with the one being held on anima, creating that sense of tension. Note that the resolution of anima is downward, creating a sense of rest and repose.

And here is Stravinsky’s “Dionysian” ritual. Notice how restraint is gone, and ceremony has been transformed into something fearsome, especially at 3:00. This ritual will end with human sacrifice:

 

How to Keep from Being a Cult

My blog isn’t particularly about the Benedict Option, but I have paid attention to the discussion that blogger and journalist Rod Dreher has occasioned by his efforts to unpack the last page of Alasdair MacIntyre’s important book After Virtue. He’s linked to me again (thank you!), and so I need to put out some more product. Years ago, I resisted reading MacIntyre, mostly because I didn’t have a lot of confidence in cultural conservatives to instigate a genuine moral reform of society, much as I felt that we needed it. And I figured that MacIntyre’s book was part of the conservative virtue brigade, a la William Bennett (it’s not). I’ve never been keen to the liberal/conservative divide that is woven into the general fabric of the modern world since the French Revolution. I’ve often felt about conservatism as I do about classical music (much as I like it). Whatever the merits of Mozart–and there are many, many of these–repeating Mozart over and over again will not revive the ancien regime. We may even distort our minds and waste valuable time pining for something totally imaginary, and not all that desirable in the end.

The social world that made Mozart possible is gone, and this is not entirely a bad thing. The social world that made the composition of Gregorian chant possible is almost gone, and this is definitely not a good thing.

How to revive monasteries? This is the question that Benedictines and others have been scrambling to answer since the suppressions of the Reformation and the Revolution. Just as we seemed to have answered it, as vocations were pouring into monasteries in the 1950’s, we discovered that the Western social milieu, that seemed so open to deep religious sentiment and observance, turned out not to have the goods after all. Large proportions of those vocations left the monasteries once the glow wore off and the 70’s got going.

The two options usually held out for religious life parrot the conservative/liberal divide: either return to strong, traditional observances (usually ones from the 1950’s, which were the same ones that failed to win the hearts of the droves who left in the 1970’s), or figure out ways to accommodate to a new cultural situation. Let me examine each option using the tools that Mary Douglas offers us in Natural Symbols.

First, let’s dismiss the accommodation possibility. Accommodate to what? Douglas begins her book with a withering review of the attempts of English bishops after the Second Vatican Council to update Friday abstinence and replace its dense symbolism (participation in the Passion, clear social demarcation from non-Catholics) with something more internal, “moral,”–perhaps we might say “sincere.” I will have a lot more to say about the social conditions that determined the bishops’ preferences for dumbing-down ritual and hyping up “heart religion.” Let me just note here that Dame Mary misses no opportunity gently to chide those who imagine that this heart religion is more advanced and progressive than the magical world of the lower-class “Bog Irish” for whom Friday abstinence was a matter of fidelity to a beleaguered homeland and the grandeur that was Rome. Anthropologists of the 1950’s could provide myriad examples of “primitive” African pygmy societies whose religion played more or less the same tune as the highly educated clerics who imagined themselves on the cutting edge.

What accommodation amounts to, If Prof. Douglas is correct, is the willing, albeit unwitting, suicide of the sacramental cosmic worldview of traditional Catholicism and Orthodoxy. So it’s not a road we can take if we are serious about belonging to a Mystical Body that includes Saint Paul, St. Basil, St. Benedict, St. Gertrude the Great, St. Hildegard of Bingen, Dante, St. Symeon the New Theologian, etc.

But what does non-accommodation look like? Critics of the Benedict Option challenge advocates to demonstrate that communities opting out will not become ingrown and cultish. Dame Mary has advice on this score, too.

In social arrangements that she calls “small group,” we see just these characteristics: strong boundaries separating the group from the external world, and fear of contamination by a world dominated by maleficent forces lurking everywhere outside and threatening to infect the group. She doesn’t spend a lot of time on these groups, but what she has to say contains more than enough information to know how to avoid becoming a cult (or, for that matter, how to become one, if that’s what you’re gunning for).

The small group is one in which the numbers are genuinely low. More importantly, authority is weak, and therefore internal structure is confused. Because authority is weak and structure is confused, the group is in constant danger of disintegrating, and generates for itself a fear of evil influences and a high premium on internal purity (both in terms of the group and the individual). This is a congregation of the saved, and they are saved by their own efforts of purification and prophylactic measures against a corrupted world.

I’ve pointed out to the brothers that the Rule of the Master gives us a perfect description of “small group.” And it is part of Saint Benedict’s great genius and sanctity that he corrects these tendencies of the Master in order to produce a community structure that it clear, articulated by ritual and symbol, discerningly open to the world, flexible and sure of itself (because based in Christ, the Logos, whose ordering principles are seen to inhere in the cosmos daily redeemed in the Holy Eucharist and Divine Office). Here is an example of the counter-intuitive fruits of taking Mary Douglas seriously: when a brother is struggling with thoughts, his first attempts to deal with them often involves an attempt to purify himself inwardly by an effort of will, coupled with a feeling of shame and guilt for having this inward impurity. My advice: definitely work against the thought, but often enough these troubling thoughts are a product of an unwillingness to observe clear roles within community life, to confuse structure and therefore to act inadvertantly as if we were a cult obsessed with internal purity. We desire internal purity, but we achieve it by accepting joyfully the roles that Providence has given us through the medium of the Church. So: keep your place in rank, honor those senior to you, love those junior to you, show up for things on time, follow Benedict’s Rule as literally as you can. This takes the heat off of the spiritual battle and involves the whole structure of the Church in the fight, and it offers the brothers the confidence of having a special place within the Church, a confidence that our spiritual foes really can be overcome by the power of Christ animating His Body.

Mary Douglas offered this advice to millennial movements: learn to organize! She died before she could watch movements like the Tea Party and Occupy Wall Street get undermined because of their steadfast refusal to organize. Benedictine Option pioneers should work to avoid the related fate of the irrelevant sectarian movements by learning to organize. There is a direct connection between the kind of social body we live in and the beliefs that we hold and behaviors that we legitimate. The connections between these three levels of 1) mind, 2) body, and 3) society I hope to explore in the next post on Natural Symbols.

Natural Symbols-Introduction

[P]eople at different historic periods are more or less sensitive to signs as such. Some people are deaf or blind to non-verbal signals.–Mary Douglas

I’m back after a long layoff owing to travels and recuperation after our major building project this summer. And I have been promising for some time to write some things about Mary Douglas. I’ve begun here with one of many important quotes from what I consider to be her most important book, Natural Symbols. This book is not as famous as her breakthrough (and perennial classic) Purity and Danger. If you are looking to read her work, I’d start either with Purity and Danger or with one of her excellent Biblical commentaries, probably Leviticus as Literature.

But let’s look at this quote. She is saying that human sensitivity to “signs” depends on one’s historical situation. This quotation appears early in Natural Symbols, a book she wrote in response to the widespread rejection of ritual and symbol in the late 1960’s. She was also writing as a concerned Catholic, for whom ritual was a a life-affirming part of her experience. Finally, she wrote as an anthropologist, who had the opportunity to witness the use of ritual in other cultures, and to reflect on the purpose and effect of ritual in building social ties and shared meaning. Natural Symbols is a book that attempts to demonstrate the connection between three levels of experience (listed here from most to least general and abstract): 1) our system of belief about the world, society, God, and evil; 2) the way in which belief is communicated by and shapes society and the control it exercises (or fails to exercise) over us; 3) our experience of being a body, and the ways in which we use our bodies to communicate our shared (or unique) beliefs about the world and our place in it.

Super-dense symbols at Latin high Mass. Note the strict bodily postures of the participants, their orientation, etc.

Super-dense symbols at Latin high Mass. Note the strict bodily postures of the participants, their orientation, etc.

Let me unpack that last sentence with a concrete example. This will help to explain why I consider the book so important for understanding the malaise afflicting religious life in particular, and the Church in general. In a Catholic monastery, we say that we believe in the Mystery of the Incarnation. This implies that Christ is incarnate in the men with whom we live, and therefore regulate the ways in which brothers relate to one another. As the Prior, I am understood to hold the place of Christ (properly speaking) in the community. This means that brothers don’t refer to me as “Pete,” or sit in my place at table, in choir, or in chapter. Brothers act out, in their own bodies, symbols of the Incarnation. Thus we all genuflect when we enter the church, recognizing Christ’s Real Presence in the tabernacle. We bow to one another to acknowledge Christ in each brother. We discipline our bodies in accord with the social demands that communicate a system of belief.

But what if we happen to enter the monastery as part of an unlucky group that is “less sensitive” or even “deaf or blind,” to symbolic expressions like places of honor, genuflections, pectoral crosses, bows….even habits, tonsures, icons, candles, holy water, etc? I could go on and on. The point is that monastic life as such is as life that is based upon a belief system that is strongly tied to an intricately detailed set of symbolic observances. What if we enter such a life lacking the faculty to see and interpret the symbols?

A less ritually rigorous approach to worship. Note the varying postures, vesture (wink), and lack of identifiable architectural context.

A less ritually rigorous approach to worship. Note the varying postures, vesture (wink), and lack of identifiable architectural context.

After many years in monastic life, I have some to the conviction that most young men and women entering religious life today do so without the ability to understand the meaning of the symbols of the traditional life. Furthermore, I think that it is quite possible to engage in these symbolic behaviors without ever really grasping what they mean.

What makes me think this? Before Vatican II, the Church in general was governed by massive amounts of rule-bound behaviors that were intended to communicate a certain theology. Strong social disciplines regulated what bishops, priests, religious, and laity could and could not do. When the reforms of the Council began to take hold, huge percentages of Western Catholics quickly gave up all kinds of symbolic behaviors and social disciplines without any apparent grief (for others, obviously, these changes were devastating; Mary Douglas is very sensitive to their suffering, and in some ways this book is an anthropologist’s effort to help redress the wrongs that were just unfolding in 1970 when Natural Symbols was published). This suggests that there were large portions of the Catholic Church for whom, in 1960, the symbols and disciplines already were more or less meaningless, that their importance had been forgotten, despite the fact that everyone continued to engage in them.

In my experience, young men entering a traditional monastic life such as our is reputed to be are looking for the structure that ritual and discipline provide. But I have also observed that for many of these same men, the real meaning of these rituals can be easily misunderstood. I will attempt to explain what I think is actually going on in a later post. Here, since I must wrap up, let me just point out that an effort to put her ideas into effect in our monastery has had surprising consequences (good ones, so far). And Professor Douglas’s concerns turn out to have a lot in common with the diagnoses of Alasdair MacIntyre, Rene Girard, Fr. Henri de Lubac, George Steiner, Pope Benedict XVI, and others writing from a variety of disciplinary backgrounds. Those who are interested in the so-called “Benedict Option” would do well to pay close attention to Mary Douglas, if they really wish to avoid becoming sectarian pariahs. More than that, Douglas helps to explain why MacIntyre and de Lubac seem to be often misunderstood even by their own strongest supporters. Changing my belief requires me to change my social experience and to change the way I use and experience my body. Without social structure and asceticism (the disciplining of the body), philosophical and theological ideas will, in our world, tend to float free and remain largely inconsequential beyond the tempest-in-teapot-blog-combox skirmishes. I hope to show why this is the case in the coming weeks.

You might be an emotivist if…

…you use intention to trump action.

What do I mean by that? When I began as Prior, I noticed that when some brothers failed to do something I had asked, they would reply with a chuckle or confused look at say something like, “Oh, I didn’t mean to do that…” or “I had intended to do that, but then I thought…” The expectation was that if a monk’s heart is in the right place, then if he sins or fails in his duties, I should be quick to forgive. What was often missing was a genuine apology. I don’t write this to shame my brothers; I think that this is the default mode of many people today. Certainly it’s a temptation for me.

If we believe the great sociologist Mary Douglas, this appeal to an inner state (good intention) and lackadaisical approach to formal, external actions (duties to one’s superiors), is a product of a certain kind of social organization. If my place in society is very clear and determined, when I am connected by ties of blood and marriage, hierarchical chains of binding authority, and so on, then external ritual (including obligatory actions mandated by authority, apologies, formal recognition of persons, etc) becomes more important. If I am free to change jobs, move around, lose touch with cousins, and keep my options open, then internal states become more important.

It is common today for people to claim that a focus on internal states is a more advanced form of religion, but Mary Douglas demonstrates that the Congolese pygmies had a similar approach to religious matters, when ethnographers studied them in the early 20th century. This has more to do with the mobility of a hunting and harvesting group than with any kind of cultural advancement or primitivism.

It is common today for people to claim that the more advanced the form of religion, the more its adherents focus on internal (“emotional”) states. Mary Douglas demonstrated that the Congolese pygmies had a peculiarly “modern” approach to religious matters, when ethnographers studied them in the early 20th century. They used no discernible ritual or magic and were more interested in a feeling of personal well-bring or joy. This preference has more to do with the mobility of a hunting and harvesting group than with any kind of cultural advancement or primitivism.

When brothers enter our monastery, they come from a very loose culture in terms of stability, mutual obligations, and so on. An entry into a monastery from this perspective might seem to be a personal choice, a way to maximize internal joy and freedom. And the monastic life can, at times, serve these purposes if we choose to pursue them. Most monks in a contemplative community have very little contact with the outside world, and what contact they do have tends to be with devout, supportive persons who are often inclined to praise our way of life. Which of course feels good if we’re looking for that kind of thing. When a superior corrects or criticizes, it’s tempting to think, “Who is this guy? Everybody thinks I’m pretty swell. I don’t know why he’s picking on me for failing–in his eyes–in jobs that aren’t that important anyway.” And the rest.

Mary Douglas notes a major problem with the attempt to import this loose structure into the monastery. Loose communities lose the ability to understand the heavy ritual component that makes sense of the monastic life and the Christian life in general. “The perception of symbols in general, as well as their interpretation, is socially determined. [Natural Symbols (1996), p. 9]” She goes on to show that loosely articulated social structures make it impossible to understand the full range of meanings of symbols that were at home in a more clearly articulated structure. Monastic life has always been highly regimented, based in clear lines of authority and obligation, and therefore has generated a wealth of symbols. Men entering today, however, usually can’t read them correctly right away, and part of our conversion of life involves learning how to do this. And this in turn requires us to discover our new identity through the roles that are given to us in the life: novice, junior, priest, cantor, prior, cook.

In an icon, every detail fits into an elaborate cosmology. Touch one point of Catholic or Orthodox doctrine, and you set the whole vibrating. Von Balthasar had something like this in mind when he described truth as "symphonic."

In an icon, every detail is symbolic and fits into an elaborate cosmology. Touch one point of Catholic or Orthodox doctrine, and you set the whole vibrating. Von Balthasar had something like this in mind when he described truth as “symphonic.”

Now the Catholic liturgy is also the product of a highly articulated social body, the Church. The world being what it is today, most of us struggle to make sense of dense symbols like the Eucharist, the priesthood, a church building, an icon, and papal vestments. If Prof. Douglas is correct (and there is good reason to suppose that her general theses in Natural Symbols are correct), then the cure for our liturgical mystification is something like commitment. We must make our own the roles suggested (or even given) to us by the Church and by the locale we happen to inhabit. This means getting involved in a parish, treating one’s pastor like a pastor, as someone who has authority over one’s spiritual life. It might mean recommitting to certain formal structures in one’s family (and explicitly in a climate of faith): common meals with assigned seating, traditional celebrations of holidays. It might mean taking more seriously days of abstinence and fast, holy days of obligation, and so on,–anything that requires us to order our internal experience by the external ritualized and moral demands of Church discipline, and, importantly, not letting ourselves off the hook by appeal to good intentions.

Which one did his father's will? Talk and intentions are easy to come by; deeds can be hard and may require a change of heart.

Which one did his father’s will? Talk and intentions are easy to come by; deeds can be hard and may require a change of heart.

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