Monastery of the Holy Cross

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The Holy Family

While doing a bit of searching in connection with yesterday’s Feast of the Holy Family, I discovered this striking–and humorous–image by the early 14th century Sienese iconographer Simoni Martini. It shows the finding of 12-year-old Jesus in the temple after Mary and Joseph had been searching for him for three days. Anyone who has parented an adolescent will, I hope, find this depiction amusing:

Let me take this opportunity to invite you to join us for Solemn Vespers tomorrow, Tuesday, December 31 at 5:15 p.m. In addition to exquisite music by Josquin and Willaert, our Schola will reprise a motet I composed for last year’s celebration: Virga Iesse floruit. At the bottom of this post is a sneak preview of the first of Josquin’s antiphon settings for this solemnity. The text, O admirabile commercium, with a translation, is also given below.

Merry Christmastide to all!

–Prior Peter, OSB

 

O admirabile commercium!
Creator generis humani,
animatum corpus sumens,
de Virgine nasci dignatus est:
et procedens homo sine semine,
largitus est nobis suam Deitatem.

O wondrous exchange:
the creator of human-kind,
taking on a living body
was worthy to be born of a virgin,
and, coming forth as a human without seed,
has given us his deity in abundance.

Ritual: Social Control? Or Liberation for Love?

Catholic and Orthodox believers are sometimes criticized because of the weight of ritualized behavior at worship and elsewhere: rote prayers, signs of the Cross, and so on. Ritual appears to be a form of social control that interferes with personal authenticity. Of course, what ‘authenticity’ means or whether it is an unambiguous good is not often examined, in my experience.

The fact is that we depend on ritualized behavior every day. Many, if not most, social interactions depend on ritualized behavior. I arrive at the train station at 7:05 and meet the train there at that time. I use the same desk everyday at work, and I expect that when I go to my superior’s office, he will be there and not someone else. Conversations make use of stock phrases, particularly at the beginning and end, and not to make use of these can be a sign of hostility. I turn on the television at a certain time, and at the same time, the people in the news studio begin to talk into a camera. The range of options for my clothing is limited by ritualistic restraints.

By following ritualized behavior, I help to create and sustain a sense of the ‘normal’, and make social life possible by making my behavior predictable to others in crucial ways. By steady adherence to such behavior, I demonstrate my dependability and make possible deeper levels of interaction by showing my trustworthiness. Ritual, it turns out, is in some measure the condition of commitment to others, even to love. It is a sign of my willingness to put others’ needs and expectations before my own at certain crucial times.

Of course, opening ourselves to this sort of basic love, as is the case with any kind of love, is a risk. Social rituals can be manipulated and the good faith of persons can be preyed upon by those with some control over rituals who do not have the common good at heart.

Homily for the Solemnity of Saint Benedict

Put on the armor of God. 

This is the language of battle, even of war.  Saint Paul writes about spiritual armor and spiritual warfare in several of his letters.  But here, in today’s second reading from Ephesians, he is referring to the “panoply,” the full armor of a professional soldier.  He explains why this is necessary:  we must be ready to ward off attacks by principalities, powers, world rulers of this present darkness, evil spirits in the heavens.

If you were to read the accounts of the early monks, you would see that this language was common among the fathers of Christian monasticism.  The biography of Saint Antony the Great, who, together with Saint Benedict, is depicted in the deesis above our altar, is filled with all kinds of spiritual battles between Antony and a host of demons.  Saint Benedict, writing almost two hundred years later, alludes to the great hermits like Antony in the first chapter of his Rule, where he says that hermits fight hand-to-hand with the Devil.  Saint Benedict’s own biography, written by Saint Gregory the Great, also has several stories of Benedict going toe-to-toe with the Devil and his underlings.  He shows that the power of Jesus Christ in his saints is far greater than the power of evil.

But the Lord still wants us to fight, to enter the lists of this spiritual warfare.  Over the course of the centuries, the common teaching drifted away from a realistic depiction of demons as having visible bodies and doing physical harm to monks.  Writers came to the realization—or perhaps just preferred to believe—that spiritual warfare happens primarily in the realm of the mind.  Demons test us by means of thoughts.  The principal thoughts include lust, gluttony, avarice, anger, sadness, vainglory and pride.

You might recognize this list as being very similar to the more contemporary list of the seven capital sins.  That represents the latest development in the tradition, bringing us up to the present day.  Perhaps on the feast of Saint Benedict we can take stock of what has been lost amidst these changes.  Perhaps we can ask whether monks and nuns might not have a significant contribution to make to today’s Church in recalling the dynamic of spiritual warfare.

When we talk about battling against vices, I suspect that we tend to think that we are battling ourselves.  But all human action begins with thought.  Often, we simply are not aware of the thought that precedes the action, because we aren’t attentive to our thoughts.  They can seem to have a persuasive force from habit, from social custom, and so on.

In fact, once we start paying attention to thoughts, we might start wondering where they come from.  Do they come from us or from somewhere else, or both?  So it is that monks and nuns, especially of the contemplative orders, have a special role to play in this spiritual battle.

In the best-case scenario, such monks and nuns are on the front lines.  We withdraw from the world and practice self-silencing to clarify what is going on in our minds:  to notice the fact that actions follow thoughts, and to catch thoughts before they become actions.  Then we can ask the question:  does this thought come from God? Or does it come from the Devil, from Principalities, from powers, or from other lower-ranking demons?

Saint Benedict is the patron of Western Europe, which is probably the last distinction he would have anticipated.  Like ourselves, he lived at a time of complete political upheaval.  Ten years before his birth, the last of the Western Roman Emperors abdicated.  This was followed by the terrible Gothic Wars, as the Eastern Byzantine Emperor Justinian tried to take back the Italian peninsula and reunite it with what was left of the old Roman world.  The end result was widespread destruction all around Benedict’s monastery of Monte Cassino and the beginning of a period of cultural hibernation.

Saint Benedict did not seek a political solution to the grave disorders of his day.  Rather he sought, in all simplicity, a life of solitude where he could focus on his own fidelity to the witness of Jesus Christ.  Where he could meditate day and night on God’s word and put it into practice in the most radical way possible.  Where he could watch his thoughts, purify his actions, and enter into real spiritual struggle by saying “no” to all kinds of temptation.

The first result was that others noticed his holiness and wanted to imitate him.  This led him to write his Rule for monks, but also to take up the work of caring for others, of bringing Christ to the world.  Eventually his way of life became so popular, and his Rule so widely recognized for its practical wisdom and fidelity to the gospel, that by the year 1100, all of Europe was dotted with Benedictine monasteries.

Under their influence, the European Middle Ages as we now know them came to be.  There arose new gospel institutions like the Truce of God, chivalry—which is the knightly warrior code civilized into service of the poor and weak—devotion to our Lady, and prayers for the dead.  All these practices, pervaded by the spirit and rhythms of the liturgy, flourished under the influence of Saint Benedict and his decision to arm himself and do battle for the one True King.

By withdrawing from the world, Saint Benedict and his disciples were able to replace the founding assumption of the previous world, the old Roman world founded in paganism and a drive for power, with a new vision of life under the Lordship of Jesus Christ.

May God help us to be worthy disciples of this great man.  And may his example light a fire in the hearts of many young men and women, who might choose to fight the ills of this age not by becoming internet influencers or political operatives, but by humbly submitting all thoughts to Jesus Christ.

The Mystery of Christmas

I have received many positive comments about the article that led our newsletter for Advent, so I would like to share it with a slightly different readership. I will preface this with a few more thoughts of Christmas, and why this celebration led me to my vocation. What gives coherence to the meaning of Christmas for me is the deep mystery of life itself. How is it that we–each of us a self, an “I”–observing the world and “All things counter, original, spare, strange; [Hopkins]” see things similarly, see things differently, see and understand anything at all? How often do we stop and wonder at it all? Something about Christmas always stopped me in my tracks and forced these questions upon me. The answer to this mystery is not the solution to a puzzle, but the sheer gift of love, of shared life and wonder. At the center of all that it, is a God Who wishes to be included in all things with us, our joys, sufferings, our boredom, weariness, excitement, community, loneliness, the whole labyrinth of life that each of us experiences. And in sharing the beauty of all that He created, He does so in most unprepossessing way possible, as a poor child of poor parents in a poor village, but rich in wonder and observation (read any of Christ’s parables and see how He never outgrew the child’s power of noticing things). We need not cross the sea to discover mystery–it is right in front of us and opens the way to participation in the Source of life.

Merry Christmas!

[The article from our newsletter, entitled “Christmas and Everyday Life”]

One of the brothers recently asked me if there was a particular Christmas song that evoked strong memories for me. I couldn’t really answer the question because there are many such carols, in addition to the sublime arias and choruses of Handel’s Messiah and the magical dances of Tchaikovsky’s ballet The Nutcracker. I eventually settled on one carol, not because it is my favorite, but because it somehow summarizes the importance of Christmas to me: O Little Town of Bethlehem.

With a bit of imagination, the music of this lovely carol takes me back to decorating the house in preparation for the holidays. I always wanted to help set out the traditional nativity scene as well as the Christmas “village,” a tradition picked up from my father’s Polish family. We had pieced together this village over several years, and it included tiny houses, into the backs of which were inserted bulbs from strings of lights that would shine through the colored film windows. Miniature cars drove down snowy streets and sat in the parking lot next to the village church (which had a detachable steeple that occasionally was knocked over by our Labrador retriever). A mirror served as a skating rink, and a model train traversed the circumference of the town.

And of course, the were the tiny people there to celebrate winter by skating and skiing. In setting them up, we had to thread a tiny “rope” attached to a sled through the mittened hand of a bundled-up and straining adult. And then there were two blanketed children to be perched upon the sled. A thumb-sized collie ran alongside the family.

Perched behind all of this activity was, incongruously, the thatched barn giving shelter to the Christ child in the manger, adored by Mary and Joseph, and a motley band of shepherds. A variety of beasts kept the watch. To my eye, there was nothing quite as beautiful as these figurines, especially the shiny apparel of the Wise Men, the haughty camels, and the one poor shepherd, kneeling and offering a few coins resting in a cap in his hand.

Not only were these scenes separated by two millennia; they were not to scale. And yet, somehow, the ensemble spoke perfectly to me of the mystery of Christmas. The Son of God came, not only for the salvation of persons of the first century, but for every human being, for every human community. Not everyone in the Christmas village was in the church at that moment, but the church was there, its steeple pointing the way to heaven, or, in our humble tableau, to the angels singing above the newborn King.

Bethlehem was much like any other village, with its public spaces, rows of homes, families, children, pets, and other animals. When God sent His Son to redeem us, He came, not with spectacular show of “shock and awe,” but quietly, into a small home, beneath the same stars that we see today in the midnight sky. God thereby demonstrated that to be His child, it is enough to be human like anyone else.

The celebration of Christmas eventually had a profound effect on my own vocation. The beauty of God as a child, as an adolescent and young man, making friends, attending family weddings (I attended many weddings, as best man and as a musician)—the whole lot of everyday human life—made Christ especially present to me and made me want to respond by offering my life to Him as best I could, with the hope that perhaps others could experience what I had intuited: that into the darkness and obscurity of our quotidian existence, has shone the everlasting light. Now all the humble details of human life, the joy and tears, the sweat and rest, sowing and harvest, are illuminated from within by God’s Word. And that Word is Love.

 

What to do…

Amid much uncertainty in the world at the moment, we have gone about our monastic business quietly, praying for the nation, our city, the world. We’ve tried to keep our corner of the Bridgeport neighborhood, quiet, safe, and where possible, beautiful. Our garden has been quite fruitful, providing raspberries, blackberries, chard, beans, peppers, tomatoes. The deep green of trees gently waves outside my office window and elsewhere. The cats, domestic and stray, lounge about and are eager to eat when the food is brought out.

When we arrived thirty years ago, our properties featured a lot more concrete and less greenery. This meant, perhaps, less work cutting grass, weeding, and trimming trees. But the quiet reminder of God’s plentifulness that we see in the slow and sure maturation of the plants, fed by the rhythm of life-giving rain and sun, is worth a little extra work. So much anxiety comes of forgetting that reality does not depend on us. All that we receive in this world from God is a sign of His love and a pledge of the greater and permanent gifts He has promised. Are we watching for the clues He is leaving us each day?

I should add that I am in no way an isolationist or a fideist, advocating a willful ignorance of the challenges that we face at the moment, seemingly on all fronts.  But in any action we might take to encourage one another, to right wrongs and seek justice, for this to be more than desperate bluster, we should want it to spring from an authentic encounter with Truth, Goodness, and Beauty. First of all, this will this mean that we are not reactively engaging out of pressurized fear and anxiety, but out of a sense of calling or vocation. This will help us avoid be manipulated by circumstances. We will tend to address problems that we know that we can solve, or at least ones to which we can offer competent pieces of a solution. But more importantly, we will be reminded of what the goal is. Like Sam Gamgee calling up sweet pictures of the Shire and Rosie Cotton amid the industrialized evil of Mordor, we will be fortified against bitterness and blind anger when our actions have the purpose of cooperating with, and restoring truth, goodness, and beauty.

More to come.

No One Was Greater Than John the Baptist

Think about all of the things you know, not by experience, but by testimony. Virtually everything we know about history, for example, we know because others have written down descriptions of past events. I had an art teacher who liked to say that if we learned everything from experience, most of us would die from poison mushrooms. How do we know that some mushrooms are poisonous? Because someone told us, and we trusted them.

Here’s a more troubling example: what we know about current events is from the reports of anchormen and journalists. This raises an important point. The knowledge that we have from testimony is only as good as the trustworthiness of the source. When assessing someone’s testimony, we check carefully to see whether that person is reliable. In other words, the character of the person testifying is important.

John the Baptist is one of the most important persons in the New Testament precisely because he bears testimony to Christ as the Messiah. And what we discover, when we look more closely at John’s career, is that he was widely known to be trustworthy. His character was unassailable. He spent a lifetime meditating on the Scriptures and living a manifestly holy life. People of all kinds were fascinated by him. Roman soldiers went out to hear him speak and ask his advice. Herod’s career was jeopardized by John’s public criticism. The historian Josephus tells us that John’s arrest happened because Herod feared that John’s popularity could lead to an uprising.

John insisted on personal integrity and drew to himself bands of disciples. And he did this not for personal gain, but for the sake of God’s kingdom—this detachment was part of his integrity. This meant that when the Lamb of God appeared, John was ready to point to Him and to send his own disciples to follow Jesus. These disciples included Saint Andrew, the brother of Simon Peter.

John thus prepared a people ready to receive Christ, and He testifies to Christ so that others can see and follow. In this, John provides an important example for us.

In his years in the wilderness, meditating on God’s prophecies, John learns, under the teaching of the Holy Spirit, how to live an upright life in the truth, and how to recognize the signs of Christ’s coming and His presence.

In our world, many people have forgotten about Jesus Christ and His message of redemption, forgiveness, and the promise of eternal life. When we lament this reality, often our first response is to think about organizing some kind of movement or program, or joining such a movement. But the start of any renewal, as we see in monastic history, time and again, is first to check our own reliability as witnesses. Christ hasn’t gone anywhere—but do we see Him in His daily coming? Do we see Him in our neighbor, in the guest, in the poor, in the superior of the monastery? If we don’t, perhaps we can ask John to point to Him. What John tells us is that we can prepare ourselves for Christ’s daily advent by withdrawing into the desert of our hearts and there meditating on God’s prophecies, purifying our own hearts and clearing away distractions.

When it does come time to point others to Christ, how strong will I be as a witness? Am I truthful, disinterested? In a word, am I a reliable witness, a credible source of information? Or do I risk making the gospel less credible by my sins or imprudence? Perhaps John is exactly the saint we need today to prepare again a way of the Lord. Maybe we can leave behind the unreliable information we get from the media and go out to the wilderness where John will teach us again to see Christ passing by. We can learn to say with John, “Christ must increase, and I must decrease.”

One last important example of John’s witness is that John tells us that he rejoices when he sees Christ as the friend of the bridegroom rejoices to see the groom receive his bride. This narrow path of self-denial and witness to Christ will eventually be a path of joy. It will make us fearless witnesses after the pattern of John the forerunner and herald of salvation. Blessed are we to celebrate the life of this great man today!

Life in the Spirit

“For what person knows a man’s thoughts except the spirit of the man which is in him?” [1 Corinthians 2: 11]

When Beethoven was a young man, one of his principal patrons, Count Waldstein, predicted that he would inherit the spirit of Mozart. Music historians will often make statements to the effect that the first half of the nineteenth century in Europe was dominated by the spirit of Beethoven himself, and that the second half was strongly informed by the spirit of Wagner. The negative expression of this latter reality belongs to the iconoclastic composer Claude Debussy, who said that his task was the exorcism of the “ghost of old Klingsor, alias Richard Wagner.”

Beethoven’s spirit is often connected to the rise in democratic movements following the French Revolution. He famously erased Napoleon’s name from the manuscript of the Eroica symphony when he heard that Napoleon had  crowned himself as emperor.

To what does all of this refer? Two aspects come to light. The music of Mozart, Beethoven, and Wagner was experienced by many of their near-contemporaries (and many of us today) as touching on something profoundly true and beautiful. The crystalline perfection of Mozart’s symphonies and the heroic pulses of Beethoven’s symphonies inspired (in-spirited!) many young composers to take up the quill and try their own hand at composing. Musical composition is always a process of interior listening, testing to see how musical ideas imply other musical ideas, and how these in turn touch ineffably on the meaning of the human and divine. When one is immersed in the music of a Mozart, one learns from him how to listen and how to discern the true from the false, the profound from the trivial.

The first practical effect of this discernment is that early Beethoven sounds very much like Mozart’s music. Wagner’s earliest compositions sound eerily similar to Beethoven’s middle and late periods. Notice that Wagner’s music would almost never be mistaken for Mozart’s though. Something has changed with the appearance of Beethoven. This fact points us to the second important idea of the “spirit” of a man. However much Beethoven inherited Mozart’s spirit, as this spirit entered into another  unique individual, Beethoven’s own creativity was quickened into life, an unrepeatable life. Thus emerged Beethoven’s own spirit that he bequeathed to the varying compositions of Schubert, Schumann, Liszt, Brahms, and Wagner.

“God’s love has been poured into our hearts through the Holy Spirit who has been given to us.” [Romans 5: 5]

Wagner’s spirit led him to reconnect with a heroic past in mythology, a similar intuition to that of J.R.R. Tolkien in a later generation.

All the baptized partake of an analogous reality. But instead of inheriting the spirit of a fellow creature, we have received the Spirit of Christ, the Son of God. This is a true inheritance: “all who are led by the Spirit of God are sons of God.” Being led by the Spirit does not mean in any way that we become marionettes, any more than Wagner robotically reproduced Beethoven’s music. The Spirit quickens what is latent in us, and we develop into ourselves. This is why Scripture speaks of the Spirit as both our inheritance, and a pledge of a future inheritance into which we have yet to enter. “[You] were sealed with the guarantee of our inheritance until we acquire possession of it.” [Ephesians 1: 13-14] Led by the Spirit, we are already God’s children and yet something still greater awaits: “Beloved, we are God’s children now; it does not yet appear what we shall be.” [1 John 3: 2]

Who among us is as free as the saint of God?

Just as a composer infused with the spirit of Beethoven learns from studying the master’s work, we will grow in the Holy Spirit to the extent that we accompany Jesus Christ in our daily lives, make Him our model and learn from Him how to discern the true from the false. We do this by participation in His mysteries in the liturgy, by meditating on Holy Scripture, and by recognizing Christ’s presence in His Body the Church. Many of us resist this with a false understanding of what it means to take responsibility for our own lives. Critics of religion will claim that the Church’s morality deadens our individuality, infantilizes us by scripting our own lives for us. But as my examples of composers demonstrate, the spirit of Mozart did the opposite for Beethoven. It freed Beethoven to develop into the great light for so many who came after him. If this is so with the spirit of a man, how much more will the Spirit of the Creator God free us to mature into true individuals, as articulated members of Christ’s Body? As C.S. Lewis well expressed the freedom of those led by the Spirit, “How monotonously alike all the great tyrants and conquerors have been: how gloriously different are the saints.”

Come Holy Spirit!

Prior Peter Funk
Pentecost, A.D. 2021

Monastic Life As an Essential Service

[The following is a slight edited version of a newsletter article from last summer. I am republishing it because of the positive response it generated at the time.]

I had just returned from a Provincial Council meeting a year ago on March 13 when alarms began pulsing through the media about the looming pandemic. We had Solemn Vespers scheduled for Saturday evening the 14th, but as I spoke to the pastor of the local parish and to the brothers, it became clear that we would need to close our doors for the time being and cancel public services. As local and state governments got up to speed with executive orders meant to regulate the quarantine, churches, mosques, and synagogues received the somewhat dismissive label of “non-essential services.”

Monastic life revels in essential tasks like cooking and clean-up–and prayer.

What this label obscured about our cloistered life is that, in fact, little changed in our day-to-day schedule, especially in that which is most essential about monastic life: our dedication to prayer, devout celebration of the Church’s liturgy, and the intensive search for God. If anything, these activities received greater prominence during this time when our guesthouse and Bed and Breakfast were closed, and we didn’t have to attend to the demands of hospitality [N.B. we’re back open!].

As I wrote on our website at the very beginning of the pandemic: “we are all members of the One Body of Christ by baptism, and the reception of Holy Communion by priests at their private Masses nourishes all the members of the Body by virtue of our unity. I have encouraged all of our monks to be aware of this, that our reception of Holy Communion during this time be done devoutly and worthily for the sake of the whole Church and the world.”

So while many Catholics were separated from Holy Communion, we monks had an especially essential service, to celebrate the Mass and be fed by Christ’s Body and Blood on behalf of the whole.

To outsiders then, it may have appeared that the monastery was just another one of the non-essential services shuttered to the public. But in fact, the monastery was the institution within the Church where business went on as usual, precisely because the monastic vocation is essential.

Shortly after entering the monastery, I read a classic book of pre-Vatican II spirituality, The Right to Be Merry, by Poor Clare author Mother Mary Frances. One idea that I found there that truly gripped me was that the powerful of this world often understand the Church better than we do. Proof of this is that hostile regimes typically go after the contemplative monasteries first. In recent times, we have seen examples of this in the Soviet Union and communist China.  The contemplative life is the foothold of the Church militant in our true homeland of heaven. When the contemplative vocation is stamped out, there’s a sense in which the Church can be properly subdued and channeled toward secular ends. As long as monasteries exist, they serve as a reminder that the state is never all-powerful, that we are all answerable to God, the Just Judge.

As we gradually reopen, it is a great blessing once again to be with our friends. I hope that the lockdown experience, though, will be a spiritual goad for us monks to tenaciously hold to the core of our calling, that persistent and uncompromising search for God, the radical desire to empty ourselves entirely that grace may illuminate the Church. Let us together pray for the whole Church, that our sufferings may strengthen the life of Christ in each of us, that we may be voices of consolation, peace, and mercy for all those laboring under the uncertainty of the present.

Salvation Is Not From This World

[The following is the homily that I preached at the Solemn Profession of Br. Anthony Daum, OSB, on Sunday, January 17, 2021]

At the moment, in the midst of so much uncertainty, even turmoil, there would seem to be nothing more irrelevant than a solemn monastic profession in a small monastery. Of course, anyone who knew Abraham as he set off from the city of Ur [Genesis 12; first reading today] would have felt that his life was irrelevant to the fate of the superpowers of the day, Babylon and Egypt. For that matter, scarcely any first-century Roman of any importance would have seen a group of a dozen Jewish ex-fishermen being of any relevance to the future of the Roman Empire.

In the gospel of Luke, Jesus warns us not to judge events and persons by worldly standards: “What is exalted among men is an abomination in the sight of God [Luke 16: 15].”

So what might be the meaning of our Brother Anthony’s intention to abandon himself to God in the monastic life, and its relevance to us who are gathered here as witnesses?

God made us for Himself, and this means that we have a capacity for God, the capax Dei, as the Latin theologians would put it. This is an amazing, almost unbelievable reality. But it does correspond to our deepest longings. Saint Augustine says that because we are made for God, our hearts are restless until we rest in Him.

Our capacity for God means that our desire is potentially infinite. Any attempt to satisfy ourselves through material comfort, political power, or even good health will fail at some level. Not only that, but any finite thing or condition I obtain still leaves an infinite distance between my desire and its satisfaction.

The temptation for many of us today is to double down on our efforts to secure finite goods, or to fear their loss. This produces no small amount of anxiety; we encounter the interior abyss meant to be filled with divine life and try to fill it with perishing things. In our present world, we have no lack of perishable things dangled before us, promising a relief to our anxiety. And not only that; politicians promise safety, prosperity, and civility. Or, in our contemporary situation, it is perhaps just as likely that politicians warn us that we will lose safety, prosperity, and civility if we vote for the other side.

But whatever is promised to us as a salve for our infinite desire, this promise is ultimately vain. And so it is that our Lord, as well as His disciple Saint Paul, urge us to rethink, to reassess our priorities and desires, to be renewed in our minds and see as God sees.

Far from urging us to a safe and prosperous life, Jesus teaches us that we must lose our lives in order to gain them [Matthew 16: 24-27; today’s gospel]. Just before He gave this teaching, our Lord rebuked Saint Peter for clinging to a worldly mode of thought: “Get behind me, Satan!…you are not on the side of God, but of men [Matthew 16: 23].”

What had Peter done to deserve this rebuke? He expressed a sense of scandal in the idea that the Messiah must suffer many things from the authorities, and to be put to death. And are we not all tempted to think like Peter? We often don’t like to think about the renunciations that God asks of us. Sometimes they seem entirely too difficult.

And yet, from another perspective, is not this truly the gospel, a word of hope and renewal? After all, if we were to rely on our own efforts to solve our present political problems, would we not be on the brink of despair?

What the gospel proclaims is that our salvation, the fulfillment of our desires, comes entirely from outside the flailing pandemonium of our world. All that God asks of us is to live in accordance with the promises we made at baptism, that moment when God’s infinite life was poured into our hearts from outside the world. In today’s Collect, the opening prayer after the Gloria, the Church shows us that solemn monastic profession is a sign that the sanctifying grace of baptism has been and is flourishing mysteriously in the life of this man. His yes to God is a sign of God’s quiet power at work in the world, calling us out of the world.

We will symbolize this dramatically when Brother Anthony lies prostrate beneath a funeral pall as we sing together the litany, invoking the presence of God’s saints who have triumphed before us and are united with us as members of Christ’s Body.

But let me again quickly shift perspective, that this way to God through self-abandonment is only open because God first entered our world as one of us. God comes from outside of this world to reveal to us that our homeland, that yearned-for place of rest and peace, is not found in this world. And if we seek peace, we must turn our eyes again and again to Jesus Christ and His saints. And we must have men and women willing to leave everything behind to show us how this is done, and to lead the way.

Thus our celebration today will move each of us closer to this new and purified world, mysteriously replacing the old world that is passing away, that world to which we cling so desperately as to make life miserable! Freed from the compulsion to seek satisfaction in things of this world, we will be fortified against the temptations to sin that come from anxiety about the world, the temptation to skimp on justice, to give in to anger and sadness, to seek escape in pleasures of the flesh. And as we point others toward our true home, toward genuine rest and peace, may we learn to embrace the sufferings that come with being in this land of exile, that our faith may bring us joy and consolation, and may win many others to Christ.

A Summons to Encounter in Unhurried Beauty

Prelude 1: Danseuses de Delphes (Dancers of Delphi)

Imagine a healthy person moving slowly. How can you tell if such a person is hesitant, or dawdling, being sneaky, or being solemn? Where someone is attempting to move at a solemn pace, how might we distinguish between genuine piety, sanctimony, and lumbering?

In almost every wedding rehearsal I’ve attended, the priest or minister has had to instruct the bridal party to walk more slowly. We are not accustomed to the solemnity and dignity of well-executed ritual. What makes a hasty bride appear gauche? I suspect that it is related to what George Steiner called “ceremonials of encounter” in his important book Real Presences. As I suggested in an earlier post, all beauty promises an encounter. Do we miss this encounter because we have lost the feel for ceremony?

With these thoughts in mind, I suggest that you listen to this three-minute piece, which was inspired by the “Acanthus Column.” Debussy was familiar with a replica of this column, which depicts the ritual dance of worshippers of Apollo at the god’s shrine at Delphi. In my hearing, this dance also takes the form of a procession toward the shrine.

[image: by Ricardo André Frantz (User:Tetraktys), editing by User:Jastrow – cropped and colour-adjusted from Image:019MAD Room.jpg taken by Ricardo André Frantz, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3370119]

Danseuses de Delphes is to be played slowly and seriously, and the opening measures are also marked “soft and sustained,” or, perhaps, “elevated.” The piece is an imagined accompaniment to a pagan liturgy. Debussy would have had no direct experience of pagan ritual, so it is safe to assume that he borrows from his experience of traditional Catholic liturgy, with its slow processions and deliberate gestures. He was an admirer of the restrained craft of Palestrina, considering it the true sacred music of the Church. This sense of a public liturgy is reinforced by an interesting performance direction at measure 11 (1:12 in the video), doux mais en dehors, which would indicate something like, “soft but outward,” meaning that the quiet dynamic is not a sign of privacy or introversion. It is a sacred hush, as the dancers move nearer the shrine.

The opening melody is played twice, at :02 and at :37. There is an important difference in the second version. After each of the slow notes of the ascending melody, an echo in the upper register is introduced, almost as if the god has heard the prayer of the dancers and is responding from a distance. At 1:12, a new theme is introduced. In this new section, the melody and echo have switched places, with the high carrying the melody, and the middle range responding. Notice too, that the two parts are now moving toward each other, toward an “encounter.” The high notes descend gently and the middle notes ascend in response. It is very much like the ascent of the Catholic priest to the altar, and his prayer that the Holy Spirit might descend upon the gifts presented there.

The arrival or encounter proper takes place at measures 15-17 (1:34-1:50). Such a beautiful moment! The mysterious music in measures 21-24 (2:13-2:38) perhaps represents the withdrawal of the god back into the sky. 

Let me compare this piece to two other “liturgical” pieces. In the work of Palestrina, the careful balance of dissonance and consonance gives the listener a sense of directionality. Whenever a dissonant interval is introduced, it awakens a desire that finds its temporary resolution in the following consonance. This practice develops within a religion that arises out of a certain “problematic,” the question of sin, alienation, and suffering, which have been overcome so as to point the way to a consummation in the Kingdom of Heaven.

Debussy’s style in the first Prelude abstains from functional dissonance. He uses clusters of notes, but often in such a way as to deepen musical color rather than to suggest an unfinished desire. This suggests a religion that is a mystical projection of simpler desires, not so obviously concerned with questions of justice and suffering.

The lack of any haste or drive in the piece suits the worship of Apollo. His cult was frequently contrasted in the 19th century (most famously by Nietzsche) with the Bacchic, frenetic, emotionally suffused worship of Dionysus. Three years after the publication of Debussy’s first book of Preludes, Stravinsky shocked the world with his very different depiction of pagan liturgy, the Dionysian Rite of Spring. 

The lack of haste suggests reverence and confident self-possession. How does our fast-paced society not only rob us of our personal dignity, but make it difficult for us to show reverence when it is time to pray? Does our rushing about constrain us by betraying a lack of confidence in God’s nearness? What can contemporary Catholic liturgy learn from Debussy’s imaginative scenario, which borrows from an earlier Catholic sensibility?

Might the addition of ceremony into more areas of life also introduce meaning? Many of my friends and family members who are tea drinkers attest to the importance of ceremony in brewing and drinking tea. Nearly everything in monastic life is ceremonialized. Is this a sign of a nervous, controlling culture? Or the expressed desire to encounter?

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Note: I’ve linked Barenboim’s performance because his observance of Debussy’s instructions is the most scrupulous of the performances that I could find. However, it is always worthwhile to hear others’ interpretations. We should bear in mind that the performed piece is the best interpretation, and that my written comments are only meant to open the ear to the performers’ interpretations, and the eye to the world that inspired (in-spirited) both Debussy and his interpreters.

If you have the time, I recommend listening to each piece two or three times, perhaps in different versions.

 

Here is Palestrina’s most famous motet, on the text (apt, for this post) “As the hart desires after fountains, so my soul desires after You, O God.” The use of dissonance to suggest desire and resolution is clearest where the text anima mea (my soul) appears at 2:13. If you can read the music, you will see that the first syllable of anima is often tied over a barline. When the barline hits, a new note, dissonant with the one being held on anima, creating that sense of tension. Note that the resolution of anima is downward, creating a sense of rest and repose.

And here is Stravinsky’s “Dionysian” ritual. Notice how restraint is gone, and ceremony has been transformed into something fearsome, especially at 3:00. This ritual will end with human sacrifice: