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Archives for October 2015

How to Keep from Being a Cult

October 31, 2015

My blog isn’t particularly about the Benedict Option, but I have paid attention to the discussion that blogger and journalist Rod Dreher has occasioned by his efforts to unpack the last page of Alasdair MacIntyre’s important book After Virtue. He’s linked to me again (thank you!), and so I need to put out some more product. Years ago, I resisted reading MacIntyre, mostly because I didn’t have a lot of confidence in cultural conservatives to instigate a genuine moral reform of society, much as I felt that we needed it. And I figured that MacIntyre’s book was part of the conservative virtue brigade, a la William Bennett (it’s not). I’ve never been keen to the liberal/conservative divide that is woven into the general fabric of the modern world since the French Revolution. I’ve often felt about conservatism as I do about classical music (much as I like it). Whatever the merits of Mozart–and there are many, many of these–repeating Mozart over and over again will not revive the ancien regime. We may even distort our minds and waste valuable time pining for something totally imaginary, and not all that desirable in the end.

The social world that made Mozart possible is gone, and this is not entirely a bad thing. The social world that made the composition of Gregorian chant possible is almost gone, and this is definitely not a good thing.

How to revive monasteries? This is the question that Benedictines and others have been scrambling to answer since the suppressions of the Reformation and the Revolution. Just as we seemed to have answered it, as vocations were pouring into monasteries in the 1950’s, we discovered that the Western social milieu, that seemed so open to deep religious sentiment and observance, turned out not to have the goods after all. Large proportions of those vocations left the monasteries once the glow wore off and the 70’s got going.

The two options usually held out for religious life parrot the conservative/liberal divide: either return to strong, traditional observances (usually ones from the 1950’s, which were the same ones that failed to win the hearts of the droves who left in the 1970’s), or figure out ways to accommodate to a new cultural situation. Let me examine each option using the tools that Mary Douglas offers us in Natural Symbols.

First, let’s dismiss the accommodation possibility. Accommodate to what? Douglas begins her book with a withering review of the attempts of English bishops after the Second Vatican Council to update Friday abstinence and replace its dense symbolism (participation in the Passion, clear social demarcation from non-Catholics) with something more internal, “moral,”–perhaps we might say “sincere.” I will have a lot more to say about the social conditions that determined the bishops’ preferences for dumbing-down ritual and hyping up “heart religion.” Let me just note here that Dame Mary misses no opportunity gently to chide those who imagine that this heart religion is more advanced and progressive than the magical world of the lower-class “Bog Irish” for whom Friday abstinence was a matter of fidelity to a beleaguered homeland and the grandeur that was Rome. Anthropologists of the 1950’s could provide myriad examples of “primitive” African pygmy societies whose religion played more or less the same tune as the highly educated clerics who imagined themselves on the cutting edge.

What accommodation amounts to, If Prof. Douglas is correct, is the willing, albeit unwitting, suicide of the sacramental cosmic worldview of traditional Catholicism and Orthodoxy. So it’s not a road we can take if we are serious about belonging to a Mystical Body that includes Saint Paul, St. Basil, St. Benedict, St. Gertrude the Great, St. Hildegard of Bingen, Dante, St. Symeon the New Theologian, etc.

But what does non-accommodation look like? Critics of the Benedict Option challenge advocates to demonstrate that communities opting out will not become ingrown and cultish. Dame Mary has advice on this score, too.

In social arrangements that she calls “small group,” we see just these characteristics: strong boundaries separating the group from the external world, and fear of contamination by a world dominated by maleficent forces lurking everywhere outside and threatening to infect the group. She doesn’t spend a lot of time on these groups, but what she has to say contains more than enough information to know how to avoid becoming a cult (or, for that matter, how to become one, if that’s what you’re gunning for).

The small group is one in which the numbers are genuinely low. More importantly, authority is weak, and therefore internal structure is confused. Because authority is weak and structure is confused, the group is in constant danger of disintegrating, and generates for itself a fear of evil influences and a high premium on internal purity (both in terms of the group and the individual). This is a congregation of the saved, and they are saved by their own efforts of purification and prophylactic measures against a corrupted world.

I’ve pointed out to the brothers that the Rule of the Master gives us a perfect description of “small group.” And it is part of Saint Benedict’s great genius and sanctity that he corrects these tendencies of the Master in order to produce a community structure that it clear, articulated by ritual and symbol, discerningly open to the world, flexible and sure of itself (because based in Christ, the Logos, whose ordering principles are seen to inhere in the cosmos daily redeemed in the Holy Eucharist and Divine Office). Here is an example of the counter-intuitive fruits of taking Mary Douglas seriously: when a brother is struggling with thoughts, his first attempts to deal with them often involves an attempt to purify himself inwardly by an effort of will, coupled with a feeling of shame and guilt for having this inward impurity. My advice: definitely work against the thought, but often enough these troubling thoughts are a product of an unwillingness to observe clear roles within community life, to confuse structure and therefore to act inadvertantly as if we were a cult obsessed with internal purity. We desire internal purity, but we achieve it by accepting joyfully the roles that Providence has given us through the medium of the Church. So: keep your place in rank, honor those senior to you, love those junior to you, show up for things on time, follow Benedict’s Rule as literally as you can. This takes the heat off of the spiritual battle and involves the whole structure of the Church in the fight, and it offers the brothers the confidence of having a special place within the Church, a confidence that our spiritual foes really can be overcome by the power of Christ animating His Body.

Mary Douglas offered this advice to millennial movements: learn to organize! She died before she could watch movements like the Tea Party and Occupy Wall Street get undermined because of their steadfast refusal to organize. Benedictine Option pioneers should work to avoid the related fate of the irrelevant sectarian movements by learning to organize. There is a direct connection between the kind of social body we live in and the beliefs that we hold and behaviors that we legitimate. The connections between these three levels of 1) mind, 2) body, and 3) society I hope to explore in the next post on Natural Symbols.

Does Chant Style Matter? Part 1

October 21, 2015

Pray Tell Blog recently posted my review of Benedicta, a CD collection of Marian chants sung by the monks of Norcia. It’s really two reviews in one. One part of me admires the lovely singing, the warmth of tone, and the ringing intonation of the brothers’ voices. On this level, the recording stands up with the better chant recordings I’ve heard. The other part of me is uneasy, however, about some choices the monks made. Among these choices was their use of the “Solesmes method” of interpretation (which, as I understand, is no longer used even at Solesmes Abbey itself), which I identified as part and parcel of the larger problem of presenting the chants without context. The lone comment on the blog suggests that it shouldn’t matter whether the Solesmes method or some other approach is used. What matters is that the music is beautiful.

Even before reading the comment, I was puzzling over what I take to be the importance of getting past the Solesmes method. Is my position truly defensible? Or is it a personal preference? I believe that my position is rational, and therefore to be preferred to a ‘pre-rational’ assessment.

But defending my position will take some work. Let me give an example of the uphill battle we’re talking about here.

I was at a reception after Vespers recently, speaking with two members of our own Schola Laudis. I mentioned to them that one of the things driving my interest in chant and Renaissance music at the liturgy is that I was seeking a rational way to go forward with the composition of church music. I meant by this that we should have reasons for choosing one type of music over another. When it comes to church music, it seems that we are usually content with saying that we want music that is beautiful. Fair enough. Would it be too pedantic of me to ask why we consider some music to be beautiful and other music to be maudlin, ugly, or overly sentimental? Some people consider “Send in the Clowns” to be a beautiful song (me…not so much, though I get its appeal). I personally find the Prelude to Wagner’s opera Tristan und Isolde to be quite beautiful, in its way. These are not, and should not (I think) be models for church music. Many people, on the other hand, find Gregorian chant dull, elitist, hard to understand, difficult to sing with any connection to one’s emotions, etc. Yet church documents make very clear that this style is the basis of our sacred music tradition.

Much of what we take to be beautiful depends on our cultural upbringing and, one hesitates to point it out, on our level of achievement in virtues like moderation, chastity, and humility. Lacking such virtues might lead us to prefer ecstatic music to sober music, manipulative music to ordered music, or simply music that we liked as children to music that adults tell us we’re supposed to like when our tastes develop a bit more.

Therefore, simply saying that music ought to be beautiful is not specific enough. Church music needs to be beautiful to certain types of persons. And those of us who are not yet those sorts of persons need to be able to make an act of faith that the beauty of such music will become more apparent as we grow in virtue and knowledge. Furthermore, I think that it is reasonable, based on experience, to hope that exposure to “virtuous” music will actually assist us in growing in virtue (this argument goes back at least to Plato, though it is much contested). We have more likely been exposed to the opposite phenomenon, someone descending into vice accompanied by depressing, libidinous, or cruel music.

What remains, then, is for me to explain why the approach taken by the Norcia monks is delightful on one level, but, in my opinion, does not quite approximate the beautiful in the fullest sense. Furthermore, I should be able to show that their recording falls somewhat (not entirely, mind you) short of what it could have been because of specific choices that they made: the use of the Solesmes method, and the somewhat random manner in which the chants were selected (random with regard to liturgical rationales). These proofs will have to wait for a later post.

Bonus tracks: Prelude and Liebestod from Tristan und Isolde…music that is not quite chaste, deliberately eliding tonal boundaries in a manner uncomfortably parallel to the elision of marital boundaries in Wagner’s personal life at the time of its composition. He was falling in love with Mathilde Wesendonck, and perhaps carrying on an affair with her. Wagner’s indiscretions resulted in his separation from his wife Minna.

Here’s my example of ‘ecstatic’ music, “Giant Steps” by John Coltrane, a piece not without its own kind of beauty and order, yet clearly not in any way a model for church music.

And surely you didn’t think I’d leave you without “Send in the Clowns…”

 

 

Natural Symbols-Introduction

October 16, 2015

[P]eople at different historic periods are more or less sensitive to signs as such. Some people are deaf or blind to non-verbal signals.–Mary Douglas

I’m back after a long layoff owing to travels and recuperation after our major building project this summer. And I have been promising for some time to write some things about Mary Douglas. I’ve begun here with one of many important quotes from what I consider to be her most important book, Natural Symbols. This book is not as famous as her breakthrough (and perennial classic) Purity and Danger. If you are looking to read her work, I’d start either with Purity and Danger or with one of her excellent Biblical commentaries, probably Leviticus as Literature.

But let’s look at this quote. She is saying that human sensitivity to “signs” depends on one’s historical situation. This quotation appears early in Natural Symbols, a book she wrote in response to the widespread rejection of ritual and symbol in the late 1960’s. She was also writing as a concerned Catholic, for whom ritual was a a life-affirming part of her experience. Finally, she wrote as an anthropologist, who had the opportunity to witness the use of ritual in other cultures, and to reflect on the purpose and effect of ritual in building social ties and shared meaning. Natural Symbols is a book that attempts to demonstrate the connection between three levels of experience (listed here from most to least general and abstract): 1) our system of belief about the world, society, God, and evil; 2) the way in which belief is communicated by and shapes society and the control it exercises (or fails to exercise) over us; 3) our experience of being a body, and the ways in which we use our bodies to communicate our shared (or unique) beliefs about the world and our place in it.

Super-dense symbols at Latin high Mass. Note the strict bodily postures of the participants, their orientation, etc.

Super-dense symbols at Latin high Mass. Note the strict bodily postures of the participants, their orientation, etc.

Let me unpack that last sentence with a concrete example. This will help to explain why I consider the book so important for understanding the malaise afflicting religious life in particular, and the Church in general. In a Catholic monastery, we say that we believe in the Mystery of the Incarnation. This implies that Christ is incarnate in the men with whom we live, and therefore regulate the ways in which brothers relate to one another. As the Prior, I am understood to hold the place of Christ (properly speaking) in the community. This means that brothers don’t refer to me as “Pete,” or sit in my place at table, in choir, or in chapter. Brothers act out, in their own bodies, symbols of the Incarnation. Thus we all genuflect when we enter the church, recognizing Christ’s Real Presence in the tabernacle. We bow to one another to acknowledge Christ in each brother. We discipline our bodies in accord with the social demands that communicate a system of belief.

But what if we happen to enter the monastery as part of an unlucky group that is “less sensitive” or even “deaf or blind,” to symbolic expressions like places of honor, genuflections, pectoral crosses, bows….even habits, tonsures, icons, candles, holy water, etc? I could go on and on. The point is that monastic life as such is as life that is based upon a belief system that is strongly tied to an intricately detailed set of symbolic observances. What if we enter such a life lacking the faculty to see and interpret the symbols?

A less ritually rigorous approach to worship. Note the varying postures, vesture (wink), and lack of identifiable architectural context.

A less ritually rigorous approach to worship. Note the varying postures, vesture (wink), and lack of identifiable architectural context.

After many years in monastic life, I have some to the conviction that most young men and women entering religious life today do so without the ability to understand the meaning of the symbols of the traditional life. Furthermore, I think that it is quite possible to engage in these symbolic behaviors without ever really grasping what they mean.

What makes me think this? Before Vatican II, the Church in general was governed by massive amounts of rule-bound behaviors that were intended to communicate a certain theology. Strong social disciplines regulated what bishops, priests, religious, and laity could and could not do. When the reforms of the Council began to take hold, huge percentages of Western Catholics quickly gave up all kinds of symbolic behaviors and social disciplines without any apparent grief (for others, obviously, these changes were devastating; Mary Douglas is very sensitive to their suffering, and in some ways this book is an anthropologist’s effort to help redress the wrongs that were just unfolding in 1970 when Natural Symbols was published). This suggests that there were large portions of the Catholic Church for whom, in 1960, the symbols and disciplines already were more or less meaningless, that their importance had been forgotten, despite the fact that everyone continued to engage in them.

In my experience, young men entering a traditional monastic life such as our is reputed to be are looking for the structure that ritual and discipline provide. But I have also observed that for many of these same men, the real meaning of these rituals can be easily misunderstood. I will attempt to explain what I think is actually going on in a later post. Here, since I must wrap up, let me just point out that an effort to put her ideas into effect in our monastery has had surprising consequences (good ones, so far). And Professor Douglas’s concerns turn out to have a lot in common with the diagnoses of Alasdair MacIntyre, Rene Girard, Fr. Henri de Lubac, George Steiner, Pope Benedict XVI, and others writing from a variety of disciplinary backgrounds. Those who are interested in the so-called “Benedict Option” would do well to pay close attention to Mary Douglas, if they really wish to avoid becoming sectarian pariahs. More than that, Douglas helps to explain why MacIntyre and de Lubac seem to be often misunderstood even by their own strongest supporters. Changing my belief requires me to change my social experience and to change the way I use and experience my body. Without social structure and asceticism (the disciplining of the body), philosophical and theological ideas will, in our world, tend to float free and remain largely inconsequential beyond the tempest-in-teapot-blog-combox skirmishes. I hope to show why this is the case in the coming weeks.

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