Monastery of the Holy Cross

Articles under Contemplative Prayer

He Is Not Here! Homily for the Easter Vigil

On the seventh day of creation, God rested.

From a theological and philosophical standpoint, this is quite a statement: philosophers would say that God’s Being is interchangeable with His acting. There is no separation between the two, and for God to rest seems like a contradiction, in one sense. Jesus Himself said that His Father is always at work. But we see two meanings of it in tonight’s liturgy.

Come to me, all who labor and are heavy burdened. Enter into my rest.

The first is that it is on the seventh day of the week, that Christ, the Son of God—Who is God—rests in the tomb. And we see even more profoundly that this is the cost to God of creation. God’s willingness—His “permissive will”—to open a space for other creatures of reason and will to act, to be free—this is a great risk that God takes, inviting us to act freely, to act reasonably (one hopes). And the cost of this is shown exactly by Christ’s death. This is the price of giving us freedom.

God is not giving up on us, though: in Christ’s Resurrection, which we celebrate tonight, we see an “eighth day” opening up, a new creation. And we are “recapitulating” this action of God.

The liturgy is the manifest action of Jesus Christ in the world. In the document Sacrosanctum Concilium [par. 7], the first document issued by the fathers of Vatican II, it says that the liturgy is the action of Christ, the High Priest. So what are we doing, then?

Well, we the baptized are members of His Body In acting out the liturgy, we are making visible what Christ is doing. When we participate in the liturgy, by our actions and by our attentiveness, we are conformed, body, mind, and spirit, to Christ Himself, Who is acting through us, impressing the form of His own life upon our own, giving us a new life. In celebrating the mystery of His Passion, Death, descent into hell and Resurrection, we ourselves undergo this same experience, in a mysterious way. As Saint Paul says in tonight’s epistle: “if we have grown into union with him through a death like his, we shall also be united with him in the resurrection.”

These are lovely words of comfort and consolation in the midst of, and at the end of, an annus horribilis.

So, how much do we feel—experience—the effects of our resurrection?

Now before you think that I’m trying to give you a guilt trip, implying that we all need to try harder to feel good about our resurrection in Christ, let me assure that I mean no such thing. I’m not here to increase your burdens—I promise you!

For starters, we should never try to engineer our own salvation by works.  And that includes working up happy feelings to prove to ourselves that we are saved. Rather, our salvation mysteriously takes place in the realm of faith, and this may or may not be accompanied by corresponding feelings.

I want to emphasize this particularly because I suspect that many of us have experienced at least a year of ambiguous feelings at best. I imagine that most of us, on the earthly plane, have been feeling helpless, anxious, frustrated, even depressed. And if we associate how we feel with the objectivity of our salvation in Jesus Christ, we probably will end up feeling hopeless besides, judging ourselves unworthy of God’s attention, just at the moment we need God’s solicitude more than ever.

Christ healing the paralytic. Haven’t we all had the experience of feeling paralyzed in the last year?

Most of us have never had quite the opportunity to share in Christ’s death before this year, when we’ve experienced a cascade of sufferings, many of them unforeseen and unpredictable.  The sufferings associated with a pandemic, with quarantines, loss of contact with loved ones, loss of pastimes, travel, and cultural events that lighten our lives, have in turn made the normal sufferings that much harder to bear: the deaths of loved ones, illness, broken relationships, financial hardships, difficulties at work, and so on.

Now with that background, let me return to my central question:

How am I experiencing Resurrection in Christ?

We have been led into the darkened church by the inextinguishable light of Jesus Christ, our brother and our head. We have heard of the empty tomb, and Paul has confirmed what the young man in white told the women inside that empty tomb: He is alive: death is not the end. What will this mean for us when we go forth from this celebration tonight, the celebration of our own resurrection and illumination in faith?

Assuredly, we all have some immediate grasp of what it means to live. I don’t mean merely to be alive and not dead. Rather I mean the experiences of great joy, hope, great encounters with beauty and goodness and love

The best we can say about the life that God gives us after our resurrection is that it in some way fulfills all the best promises that these previous experiences betoken. But we don’t really know what this new life is like until we experience it. There is something incomprehensible—at least at first—about living a resurrected life. Because this is an eternal life, God’s own infinite life, there will always be something about it that is unfamiliar.

We’ll never exhaust the mystery of God. If we feel out of our depth, that might be a good sign—that we are open to God revealing to us a new way to think, to feel, and experience the world.

All praise to Christ our Light!

In the meantime, we continue to live in an in-between state, remaining in the flesh even as we strive to live according to the Spirit. This means that much of the Christian interior life depends on interpretation—we can interpret in one of two ways: the flesh or the Spirit. We can interpret every single event of our lives in these ways, events like we’ve been experiencing.

Two chapters after tonight epistle, Saint Paul tells us that we can set our minds on the flesh or on the Spirit. And that the effect of setting our minds on the Spirit is life and peace.

In this same eighth chapter of Romans, Saint Paul tells us something that should be very comforting. We are heirs with Christ, provided that we suffer with Him. Suffering is not meaningless if it done with Christ. This means that our suffering is not proof of God’s abandonment—far from it.

As the Easter candle went before us into the dark Church tonight, Christ has gone before us into the hell of suffering. He’s gone into the darkness of each of our hearts, and brought His light there. so that when we go into our hearts, and we feel all this difficulty, when we arrive there ourselves, He is there to accompany us, to comfort us, and…to show us the way out.

Christ leading Adam and Eve out of hell, and, in them, all of their children–including you.

Perhaps in years past, when life seemed to be going reasonably well compared to the last few years, we could confuse the good feelings about Easter, natural feelings, not bad in themselves, but still somewhat human and limited, with what a resurrected life of faith feels like. But this year, many of us have had a taste of what death feels like, and consequently, I would think that our experience of the resurrection can undergo two transformations as well.

First of all, it might not feel like previous feelings associated with Easter because we have been more closely conformed to Christ’s Passion. But if this is true, it is also true that we can be more confident this year that Christ has been walking with us through that shadow of death that has been threatening us.

What Pope Benedict XVI said about Christ’s death can be applied both to our deaths and to our suffering:

“Death, the illogical, the unspiritual and senseless…becomes [in Christ’s death] an active spiritual event. Death, the end of communication, becomes an act of communion of Jesus with everyone, and in him, of everyone with everyone.”

We all share the experience of suffering and death.

If we can discover in our recent suffering our communion with Christ’s suffering, we can discover our communion with each and every person who is our neighbor. We can be ambassadors of compassion. And, through suffering in communion with Christ, we can discover our communion with God, which is to say, mysteriously but truly, with our eternal life.  If we can re-enter those places of darkness and find in them waiting for us the lumen Christi, the light of Christ alive and life-giving.

How blessed we are to be together this night, the night of nights, when death was broken and God’s love was poured in our hearts. For the sake of the rest of the church, especially for those not able to be in an assembly tonight, let us welcome God’s love anew. And let us ask the Holy Spirit for to renew our minds, to help us think differently, with the mind of Christ, that we may know how to identify the signs of the resurrection in our lives, to become more and familiar with this inbreaking new life, and to live out of it.

[To listen to a podcast of this homily, click here.]

Monastic Life As an Essential Service

[The following is a slight edited version of a newsletter article from last summer. I am republishing it because of the positive response it generated at the time.]

I had just returned from a Provincial Council meeting a year ago on March 13 when alarms began pulsing through the media about the looming pandemic. We had Solemn Vespers scheduled for Saturday evening the 14th, but as I spoke to the pastor of the local parish and to the brothers, it became clear that we would need to close our doors for the time being and cancel public services. As local and state governments got up to speed with executive orders meant to regulate the quarantine, churches, mosques, and synagogues received the somewhat dismissive label of “non-essential services.”

Monastic life revels in essential tasks like cooking and clean-up–and prayer.

What this label obscured about our cloistered life is that, in fact, little changed in our day-to-day schedule, especially in that which is most essential about monastic life: our dedication to prayer, devout celebration of the Church’s liturgy, and the intensive search for God. If anything, these activities received greater prominence during this time when our guesthouse and Bed and Breakfast were closed, and we didn’t have to attend to the demands of hospitality [N.B. we’re back open!].

As I wrote on our website at the very beginning of the pandemic: “we are all members of the One Body of Christ by baptism, and the reception of Holy Communion by priests at their private Masses nourishes all the members of the Body by virtue of our unity. I have encouraged all of our monks to be aware of this, that our reception of Holy Communion during this time be done devoutly and worthily for the sake of the whole Church and the world.”

So while many Catholics were separated from Holy Communion, we monks had an especially essential service, to celebrate the Mass and be fed by Christ’s Body and Blood on behalf of the whole.

To outsiders then, it may have appeared that the monastery was just another one of the non-essential services shuttered to the public. But in fact, the monastery was the institution within the Church where business went on as usual, precisely because the monastic vocation is essential.

Shortly after entering the monastery, I read a classic book of pre-Vatican II spirituality, The Right to Be Merry, by Poor Clare author Mother Mary Frances. One idea that I found there that truly gripped me was that the powerful of this world often understand the Church better than we do. Proof of this is that hostile regimes typically go after the contemplative monasteries first. In recent times, we have seen examples of this in the Soviet Union and communist China.  The contemplative life is the foothold of the Church militant in our true homeland of heaven. When the contemplative vocation is stamped out, there’s a sense in which the Church can be properly subdued and channeled toward secular ends. As long as monasteries exist, they serve as a reminder that the state is never all-powerful, that we are all answerable to God, the Just Judge.

As we gradually reopen, it is a great blessing once again to be with our friends. I hope that the lockdown experience, though, will be a spiritual goad for us monks to tenaciously hold to the core of our calling, that persistent and uncompromising search for God, the radical desire to empty ourselves entirely that grace may illuminate the Church. Let us together pray for the whole Church, that our sufferings may strengthen the life of Christ in each of us, that we may be voices of consolation, peace, and mercy for all those laboring under the uncertainty of the present.

The “Crisis” of Candlemas

The month of February, despite its brevity, is full of critical liturgical celebrations. I use the word “critical” in a precise sense: “of, relating to, or being a turning point…” according to Webster’s. These turning points were somewhat more transparent in the old calendar, before the invention of “Ordinary Time.”

Giotto’s rendering of the Presentation

I invite you to consider the feast of the Presentation (or, as it is often traditionally called, “Candlemas”), which we just celebrated this past Tuesday. This celebration falls forty days after Christmas and is rich in symbolic associations. It is the Incarnate Word’s first visit to the temple—his temple. In the hymn at Lauds on February 2, we sang,

“Parentes Christum deferent,
in templo templum offerunt.”

”His parents carry the Christ;
in the temple, they offer the [true] Temple.

Aside from the obvious paradox in this poetic line, there is a quiet allusion to Christ’s Passion. Christ is brought to the temple as an offering, to be redeemed on the same mount where Abraham had nearly sacrificed Isaac to God. Not only that, but in referring to Christ as the Temple, the hymnist surely is reminding us of a different exchange. The new Temple of Christ’s Body is inaugurated and revealed through His death and resurrection [cf. John 2: 19-22].

The Magnificat antiphon at Vespers this evening (taken from the Benedictine lectionary for the office of Vigils) once again uses the word temple, but in yet a different sense. Here is the text in full, from 1 Corinthians 3: 16-17:

Do you not know that you are God’s temple and that God’s Spirit dwells in you? If any one destroys God’s temple, God will destroy him. For God’s temple is holy, and that temple you are.

According to the traditional four senses of Scripture, Herod’s temple is the “literal” temple, and Christ’s body is the temple in the “allegorical” or Christological sense. In this quotation, Saint Paul shows us the “tropological” or moral sense. “You are the temple of God! And the Holy Spirit dwells in you!” Thus, the procession on Candlemas, accompanying Christ to the temple, is, in a sense, a procession inward, to the temple that we are. We carry lighted candles, the illumination of the Holy Spirit, into our hearts where Christ wishes to abide.

Candlemas at the Monastery, February 2, 2020

Again, the beauty of this theological reality is accompanied by a serious challenge for us: that we strive to be more and more faithful to our baptismal vows. After all, in our baptisms, we died to ourselves, and we were conformed to Christ’s own Passion, that we might also be conformed to His Resurrection. If we are, with Christ, the temple of God, then we are also an offering to God. Let us, then, today, rededicate ourselves, to “present [our] bodies as a living sacrifice, holy and acceptable to God [Romans 12: 1].” In making this effort, we will undoubtedly discover various resistances to this spiritual renewal, and this in turn will help us to craft a realistic and effective ascetical plan for Lent, only eleven days away.

The world needs spiritual pioneers more than ever. Let us accept God’s invitation and join the saints’ procession to the final temple (the “anagogical” temple), the Church Triumphant in heaven.

Learning Contemplation With Debussy

After Vigils ends around 4:30 each morning, I make my way from the sacristy through the monastery courtyard toward the cloister. At that dark hour, it is an enchanted place, and the quality of the light changes with the phases of the moon and the cloud cover. Quiet rustlings betray the presence of cats and, sometimes, raccoons or possums. Most mornings, the birds are not yet awake. I enter the cloister, retire to my cell with a mug of black coffee (a caffeinated “sacrament” as a friend and fellow monk from Mexico once put it to me), and begin reading the Scriptures. All the while, I am aware of the slow dawning of the new day, as the morning star appears, the horizon begins to turn grey, and the birds begin their songs. An enterprising squirrel might scamper by on the mulberry tree outside my window.

God’s mysterious beauty is all around. We need not travel far to find it, even in an urban environment. It’s good to be reminded of this. Observing beauty is an urgent task in times of crisis, such as we have been experiencing here in Chicago. I propose this not as a distraction. Rather, as we respond to the pandemic and to violence, it is important to remind ourselves what our hopes are, and few things generate hope like an encounter with the beautiful. How we understand our situation depends on what we choose to occupy our attention. To the extent we delay our encounter with the beauty that God has built into His cosmos, we risk giving ourselves up to despair.

The contemplative life teaches us to notice beauty in places where others haven’t seen it yet. From our own attentiveness, we can learn to point beauty out to others. This is part of my hope in this series, that I can share with you some of the fruits of this attentiveness.

In the first set of reflections, I will enlist the skills of a great listener, Claude Debussy (1862-1918) to assist us. In 1909, he began composing a set of twelve piano preludes. They are masterful evocations, often of everyday settings. Each has a descriptive title, drawing our attention to the wind, evenings scents, footsteps in the snow, cathedral bells, and amateur musicians, busking in the park, serenading at windows.

Until recently, I had been reluctant to admit Debussy’s profound influence on my own musical sensibilities. His style can strike the new listener as intoxicating, perhaps hedonistic. Quotes from the composer himself seem to reinforce this initial impression:

“Some people wish above all to conform to the rules, I wish only to render what I can hear. There is no theory. You have only to listen. Pleasure is the law.”

It’s almost as if Debussy was intending to alienate someone like me, who is suspicious of decadence and who, as an aspiring composer, once spent hours learning theory. Yet, his music has attracted me again and again. And it’s grown profounder as I’ve learned to listen more closely.

“Water Lily Pond and Bridge” by Claude Monet, 1905. Monet’s visual techniques are often compared with Debussy’s musical effects.

Here is a more sympathetic reading of the above quote. When Debussy says that his goal is to “render what [he] can hear,” we should bear in mind that the man speaking is widely regarded as a musical genius, someone who is likely able to hear things that the rest of us cannot. His wish to render what he hears is akin to what a painter does for us visually. A great painting can make the familiar seem new and strange. Monet, a painter whose art is similar to Debussy’s in many ways, could make a haystack seem beautiful by his ability to capture the light around it in varying ways. In a similar way, Debussy will call our attention to nuances in our surroundings. His musician’s ear catches aspects of life that most of us would miss. He invites the listener to reflect on the beauty present in everyday experience.

The older I’ve gotten, the more sympathetic I am to Debussy’s critique of rules. I’ve learned through experience the importance of rules and also their insufficiency for many tasks in life. Wisdom discerns those moments when the rules can be dismissed.

As a young composer, Debussy demonstrated that he could work within the conventions of the time, but he was also willing to dispense with rules of musical theory in order to capture the unpredictable reality of life observed. He also was no dilettante. The Preludes especially are the work of a perfectionist. There are no notes out of place.

The variety and unfamiliarity of Debussy’s individual pieces are responses to the variety and unfamiliarity of life’s experiences. In the Preludes, we hear this strangeness refracted through Debussy’s highly refined ability to hear and notate what he hears. In other words, Debussy had cultivated a kind of contemplative approach to music-making. He is giving us the opportunity of seeing and hearing the world around us with greater precision and insight. 

Before diving into the Preludes, let me leave you with a much earlier and more famous piece, his youthful masterwork, Clair de Lune (moonlight). As you listen, see how the music uses different dynamics (volume levels), registers, and textures to suggest different facets of the moon’s appearance, and the dreamlike traits of moonlight. How do the different textures of music depict the moon’s movement through the night sky? When was the last time we carefully observed the moon, or familiar objects made mysterious by its diffuse illumination? Is Debussy also drawing our attention to clouds or wind or other celestial objects? What does the experience of moonlight say about God?

The Transfiguration as Divine Enchantment

“Charm is deceitful, and beauty is vain.”–Proverbs 31: 30a

“Through delight in the beauty of these things they assumed them to be gods.”–Wisdom 13: 3

His face shone like the sun.

As I develop the theme of beauty as a revelation of God, it is important to offer some clear theological foundations. Providentially, the Church has provided exactly the right Mystery for this task today, the Feast of the Transfiguration. Let me take this opportunity to name the themes I intend to convey in the coming posts, and how they are explained by the Transfiguration. As the two opening quotes attest, the Bible gives us an ambiguous presentation of beauty. Beauty seduces when misappropriated. The Church’s tradition also teaches that it conduces to holiness, under the right circumstances.

Beauty is Incarnate. God clothes Himself in a body, but this body is precisely what conveys to Peter, James, and John the splendid divinity of the wearer. God communicates through physical signs, and manifests Himself in the material world, as He did in the pillar of cloud and fire.

Beauty is both lucid and opaque. “A bright cloud overshadowed them [Matthew 17: 5].” This image is paradoxical; the cloud is apparently a bright shadow. It is parallel to the sign of God’s presence at the crucial moment of the Exodus: “the Lord in the pillar of fire and of cloud looked down upon the host of the Egyptians [Exodus 14: 24].” This paradox is connected to the “cascade of mysteries” to which I referred in my opening post. Just when a beautiful object seems crystal-clear, it can suddenly appear strange.

Beauty gives us hope by revealing God’s nearness and His ultimate triumph. In a seventh-century homily, Saint Anastasius of Sinai writes, “It was as if [the Lord] said to them, ‘As time goes by you may be in danger of losing your faith.’” To save us from this, the Lord revealed His glory on Mount Tabor. Through the gift of the Holy Spirit, we are now able to hear (or read) all languages–including the language of creation, the natural world–in our own vernacular. “The Lord is at hand! Have no anxiety about anything [Philippians 4: 5-6].”

Beauty gives us hope by revealing our destiny of glory. “Our commonwealth is in heaven, and from it we await a Savior, the Lord Jesus Christ, who will change our lowly body to be like his glorious body [Philippians 3: 20-21].” The Transfiguration is a foreshadowing of what will happen to our bodies, and the bodies of all creatures, when God becomes all in all [cf. 1 Corinthians 15: 21], and “the earth will be filled with the knowledge of the glory of the Lord, as the water covers the sea [Habakkuk 2: 14].”

Beauty demands a moral response. “Jesus came and touched them, saying, ‘Rise, and have no fear [Matthew 17: 7].’” The Apostles had fallen, death-like, on their faces, aware of their smallness beside God’s glory, but the Lord commands them to rise and to continue on their way with Him.

Saint John of the Cross, one of the great poets of the Spanish language, possessed a delicate sense of beauty. He grew in sanctity and earned that sense of beauty through an eight month ordeal of solitary confinement.

Our glorious destiny is by the Way of the Cross. Jesus commands them not to tell anyone what they have seen until the Son of Man is raised from the dead. The full realization of the Transfiguration is reserved for the Resurrection [N.B. Jesus’s appearance after the Resurrection is often “opaque”!]. Beauty is apt to be misunderstood and misappropriated if we desire it without renunciation.

We will recognize the true beauty in all creatures to the extent that our moral response to beauty is a cruciform renunciation. This summarizes the last few points, and it adds one last dimension. It is true that beauty can be seductive, and therefore poses a spiritual danger to us. We can combat this danger by renunciation. There are various ways of going about this. Saint John of the Cross gives us a rule of thumb: if we encounter something beautiful and immediately think of God, it’s safe. Otherwise, we probably need to grow in the virtue of temperance, and specifically in the subvirtue of chastity. By meditation on the Cross, we can learn to be detached from all creatures. The reward of this detachment is that we will come to see all creatures no longer as material for us to possess and manipulate, but as sacraments of God’s presence.

Remember Beauty: God Is Near

Beauty is an epiphany. Encountering someone or something beautiful opens a sudden abyss before me. The arrestingly beautiful object arrives as an answer to a question I had not thought to ask. And yet the answer is not the end, but the door into a cascade of mysteries. In other words, the right kind of aesthetic experience is theological.

Our first experiences of the beautiful are always embodied. They are encounters with real objects: sunsets, the Milky Way, Lake Michigan, forests, cardinals, orchids. Artists use their inspiration and ingenuity to craft beauty in artifacts: paintings, music, cathedrals, gardens, vestments. By a process of abstraction, we can think of ideas as beautiful. For example, I find a number of mathematical equations strikingly beautiful. But this “disembodied” version of beauty is always analogous to the embodied version of beauty.

So we are presented with an important paradox involving beauty. It is, on the one hand, theological and mysterious. At the same time, beauty is embodied and real. I opened by saying that beauty is an epiphany. An epiphany happens when a material object reveals a spiritual meaning. We see the object, and then we also see “beyond” it to significance. Beautiful objects are bridges between the material world and the infinite.

The Fibonacci sequence present in the interior of a sunflower.

For several reasons, I am planning a series of posts on beauty, particularly beautiful music. The goal is not to distract, but to model ways in which we can redirect our focus from the virtual to the real. This idea began with a request from a friend who was encouraging me to write more after my posts of April and May. Then, last week, a pastor from a non-denominational church addressed the brothers on various topics relating to his ministry in a neighborhood that faces challenges of poverty and violence. The two of us briefly discussed the role of anxiety in outbreaks of violence, and he urged me to write more on this topic. I will do that, and one way into this topic is through what the ancient monks called natural contemplation, and what I might call “beauty and the real.”

Beauty is often thought to be a luxury of a leisured wealthy class, irrelevant, say, to a community dealing with with poverty. To me, this sidelining of beauty is a major mistake. Beauty is a patrimony, even a right, of all human beings. More importantly, the loss of beauty produces anxiety and despair, the very ingredients that continue the cycle of violence and poverty.  

Now let me tie a few things together. The visiting pastor shared a number of very helpful insights. He noted that the uptick in violence in Chicago has been fueled, in no small part, by the increase in social media use during the coronavirus lockdown. A key source of harm of the lockdown has been the retreat by larger and larger groups from the real into the virtual.

The Garden of the Phoenix in Chicago’s Jackson Park, a gift of the people of Osaka, Japan.

Remembering beauty can help to bring us back to the real, to ground us. Moreover, beauty can reawaken in us a desire for a genuine life of the spirit. Beauty reminds us that we are made for a life that transcends insipid materiality. Beauty awakens hope, a very important theological virtue for us to cultivate at the moment.

In follow-up posts, I am going to be speaking more about “natural contemplation.” This practice, seemingly forgotten in recent centuries, consists in the habit of seeing things as God intended them to be seen. Since all things were created through God’s Word, all things reveal God, if we learn to view them properly. This would further imply that all things that exist are beautiful at some level, and that the experience of beauty can be a reliable indicator of God’s nearness and the soundness of our best intuitions. Once again, the created world needn’t be reduced to pedestrian materiality, but should instead, through faith and hope, be elevated and “sacramentalized.”

For today, I would invite each of my readers to take time to notice beautiful things around us. Take a few moments to contemplate the beautiful persons you’ve known and the beautiful experiences that you have had. Perhaps you could go further and think about the eternal beauty that the faithful believe awaits us in heaven, a beauty that breaks through even now when we gather to pray and celebrate God in the holy liturgy.

Jesus first manifested His glory by the gift of fine wine at Cana.

The Path to Contemplation

[I was invited by the Lumen Christi Institute to lead a discussion on contemplation with a group of students on Saturday night. I composed this text to begin the conversation.]

Human beings have typically made use of metaphors when thinking about the mind. In the last two or three generations, we have tended to imagine the human mind as a computer, a storer of information. The mind certainly is this, but this metaphor is part of a myopic turn in human thought, perhaps begun with Descartes, that has brought about many misunderstandings of the ancient idea of contemplation. Let us note here that a computer, at least as we have built them so far, is not capable of having desires, intentions, or insights into the meaning of things. And this is the heart of contemplation.

I listed desire first because desire is necessarily a trait of an embodied, limited, incomplete being…with intimations of fulfillment. The second quality of human minds that separate us from computers is that of intention, which is another quality that admits of fulfillment. The concept of fulfillment itself is central to the proclamation of the gospel: Christ comes to fulfill the Scriptures and the hopes of God’s people Israel. Internalizing this fulfillment is one way of understanding the Christian tradition of contemplation. There is thus an important continuity between desire, intention, and meaning that leads the human mind properly toward contemplation.

Desire and intention–where we begin–belong to a life of action, and it is significant that the active and contemplative life are often paired together. Unfortunately, this pairing is frequently one of opposition, rather than sympathy. The monastic tradition harkens back to a time when these two types of activity were seen not as exclusive, but linked in an important hierarchy. The active life, or–as I would prefer that we call it, the practical life–is the necessary condition for the contemplative life. We see this hierarchy in the thinking of Plato and Aristotle in their distinction between practical reason and theoretical reason. Practical reason is aimed at goals, the satisfaction of desires. As rational beings, many of our desires partake of a higher type of fulfillment than that of simpler bodily desires. In addition to desiring bodily nourishment, we desire understanding. Each of these desires is connected to different types of practical responses, that is to say, different sets of practices.

Let me offer an example of how practices lead naturally into contemplation. To do this, I would like to use a concept related to that of practices. Instead of speaking about practices, which tend to denote simple types of activities, let me introduce a word that denotes a somewhat more complex set of activities, the notion of a craft.

As a former musician, the idea of craft interests me, and it is something familiar. For my illustration, however, let me use a rather different craft, that of accounting.

The active life of an accountant requires a rigorous training in double-entry techniques, learning from masters of the craft how to interpret human action in quantifiable terms, how to prepare different types of reports, how to maintain proper files for audits. In other words, there are standards of excellence in the craft, but these only become clear to the student of accounting after she has learned how to carry out many routine actions internal to the craft itself. At a certain point, the mind is freed from earlier misconceptions about what accounting is. This is the transition from student (or disciple) to master, and it parallels the transition from active to contemplative practice.

At the point of transition, the newly minted accounting professional may begin to notice ways to characterize human behavior that are more accurate than previous standards of the craft. She may realize that certain practices pose a danger to ethical standards, and so need to reflect on how to train future accountants to identify those dangers and deal with them in a way that upholds the important ethical component of the craft. She may also begin to see more correlations between the work of accounting and the work of management, or of distribution, marketing, and so on. In other words, the master accountant begins to see how her craft fits into a larger and larger perspective.

It is this reason that the contemplative life is traditionally characterized as higher, but not separate from the active life. Contemplation makes possible the perception of necessary connections between crafts, how to understand their contributions to the common good. But this understanding and wisdom is only available after one has apprenticed in some disciplined activity, which serves as an induction into a set of practices by which one can come to understand the commonly held standards of excellence, have one’s mind changed and formed by these standards of excellence, and so have the mind freed more and more from a merely local and subjective set of concerns.

Before I conclude, I would like to make a few last suggestive remarks. First of all, I introduced the notion of “standards of excellence” as something desirable within a craft, something toward which we intend. Excellence, as you may well know, is an acceptable translation of the Greek word arete, which is more normally translated as “virtue.” Thus the practical life is a training in virtue, and once again, Plato and Aristotle, not to mention Saint Paul, assume that there is no rational life without a prior training in virtue.

Second, the ancient monastic tradition included a third term in our ascent to contemplation proper. Between praktike, the practical life, and theoretike, or the “theoretical” or contemplative life, was physike or “natural contemplation.” This notion has been almost entirely lost, and I believe it to be of some importance that we recover its meaning.

We are hampered in this recovery by a novel meaning of the word “nature.” Most people today, when using the word “nature,” tend to mean our earthly environment as a whole, perhaps the material world considered as separate from “spirit” or “the supernatural.” This distinction is entirely modern, with roots in the break from Aristotle that took place gradually throughout the fifteenth century and definitively in the sixteenth. What Aristotle meant by nature is physis, the set of characteristics specific to actual species of things. So humans have a nature determined by our animality, political organization, and rationality. We are, by nature, rational and political animals. A dog has a different nature, as does a starfish. Clouds, stars, nebulae, and quarks have natures in their own domains. Natural contemplation is a deepening understanding of the natures of different species of creatures, seen more and more from the perspective of the Creator Himself. What I am suggesting here is that actual human practices initiate us into understanding the natures of things, by seeing their interconnections. We climb the ladder of significations by making a kind of scaffolding of these interconnected concepts in our own minds and hearts, and gradually the face of God is revealed in His creatures. And by habituation to His presence in created things, we come to know God as God is in Himself. This is the practice of contemplation in its deepest meaning. While there are practices specific to this highest level of contemplation, we must prepare for it by a grounding in the cardinal virtues, gained from our participation in craft, and by a training in wisdom by an initial contemplation of natures. We partake of contemplation proper at each step of the way, by our initial desire for the goal and our intention to reach it, so any of us can begin now on this road, if we so desire.

Solemn Vespers for the Easter Octave

[The following is from the program notes from our last celebration of Solemn Vespers.]

The resurrection of Jesus Christ from the dead was more than a new event within the old, tired world, laboring under sin and death.  In fact, it was the end of that world and the inauguration of a new creation.  All who are baptized into Christ belong to this new creation, and our lives “are hidden with Christ in God.”  As the first creation was made in six days, with God resting on the seventh, the new creation required a new day, the ‘eighth day’, a day outside of the closed cycle of the broken world.

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Reflections on Wisdom

[The following is from the program notes from our last celebration of Solemn Vespers.]

“Because of her pureness [Wisdom] pervades and penetrates all things. For she is a breath of the power of God, and a pure emanation of the glory of the Almighty; therefore nothing defiled gains entry into her. For she is a reflection of eternal light, a spotless mirror of the working of God [Wisdom 7: 24-26].”

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