Monastery of the Holy Cross

Archives for 2020

New Year, New Life: All Hail the Mother of God!

Evergreen boughs abound during the Christmas season. Like the image of the Burning Bush, the evergreen points us toward a mysterious source of life, a current just beneath the surface of our world, bursting through like a hidden spring at certain moments. Amid the entropy of our deciduous (Latin cadere, to fall) world, this inexhaustible font is thus perceptible. The contrast between the autumnal coloring of leaves and the steady greenery of needles, like the contrast between the fixed firmament of constellations and haphazardness of plummeting meteors, speaks to us of a contrast between a permanent world, as yet only hinted-at, and the restless burgeoning and decay of the palpable.

(O wonderful exchange! The creator of the human race, taking a living body, deigned to be born of a virgin; and becoming man without man’s seed, enriched us with his divinity.)

The signs of permanence and stability, the evergreens, the stars, the Burning Bush, appear very much within our world of flux. This is itself significant, for it suggests that our salvation is not so much a separation from the material world as it is a rejuvenation of the very cosmos itself. So says Saint Paul:

“Creation was subjected to futility, not of its own will but by the will of him who subjected it in hope; because the creation itself will be set free from its bondage to decay and obtain the glorious liberty of the children of God.”

—Roman 8: 20-21

It is because of this link between our salvation and the liberation of creation that the prophecies of the Old Testament have retained their value. Even after the Fall, creation has borne traces of its lost transparency as well as its destined rebirth. This is to say that creation itself has continued to point toward God its boundless Source. “Ever since the creation of the world [God’s] invisible nature, namely, his eternal power and deity, has been clearly perceived in the things have been made [Romans 1: 20].”

Danger enters from the darkening of our intelligence that followed on the loss of trust in God. The Tree of the Knowledge of Good and Evil lost its sign value as a marker of God’s love and guardianship of Adam and Eve and became (falsely, by the trickery of the serpent) a counter-sign of a supposed arbitrary tyranny. Once faith has been broken by this kind of mistrust, creation ceases to speak lucidly. We ourselves are tempted to be entrapped by the disintegrative forces unleashed by sin, to try and hold on to creatures whose decay is meant to warn us to return to the source of life.

According the Wisdom of Solomon, our predicament can be thus summarized:

“From the greatness and beauty of created thing comes a corresponding perception of their Creator….as [the pagans] live among his works…they trust in what they see, because the things that are seen are beautiful….But [they are] miserable, with their hopes set on dead things.”
—Wisdom 13: 6-7; 10

Even the chosen people of Israel needed constant reminding of the invisible and immaterial God Who communicates through the visible and material. It is significant (another “sign-being-made”) that in Hebrew, the same word, dabar, means “word” and “thing”—a commingling of the spiritual and the perceptible. The prophets communicated not only by speaking, but by proto-sacramental actions and objects. All of these point to the mystery that we celebrate at the beginning of each calendar year. We see the sudden illumination, not of a lowly shrub on the side of Mount Horeb, but of the human race and all creation by the Motherhood of the Virgin Mary.

We can describe in minute detail how conception takes place, in terms of the mingling of genetic material and the implantation of an embryo in the tissue of its mother’s womb. But can we perceive how a human life, consciousness, the whole mystery of personhood is set in motion by these intricate biological events? Once more we are brought to the boundary between contingent materiality, and the mysterious Source of life itself. This Source has been at work since the beginning of time. Moses and the prophets, culminating in John the Baptist, pointed to its manifestations, celebrated in the antiphons chanted at the Divine Office (I’ve linked to polyphonic versions of these texts, with translation where they aren’t provided with the video on YouTube).

We the baptized have the joy of partaking in it:

“For in the mystery of the Word made flesh
a new light of your glory has shone upon the eyes of our mind,
so that, as we recognize in [Christ] God made visible,
we may be caught up through him in love of things invisible.”
—Preface I of the Nativity

May your New Year be filled with the illumination of the Son of God and His immaculate Mother! May we learn anew how to live sacramentally, pointing others to God’s manifestations in our world today.

Merry Christmastide!

—Fr. Peter Funk, OSB

 

A Summons to Encounter in Unhurried Beauty

Prelude 1: Danseuses de Delphes (Dancers of Delphi)

Imagine a healthy person moving slowly. How can you tell if such a person is hesitant, or dawdling, being sneaky, or being solemn? Where someone is attempting to move at a solemn pace, how might we distinguish between genuine piety, sanctimony, and lumbering?

In almost every wedding rehearsal I’ve attended, the priest or minister has had to instruct the bridal party to walk more slowly. We are not accustomed to the solemnity and dignity of well-executed ritual. What makes a hasty bride appear gauche? I suspect that it is related to what George Steiner called “ceremonials of encounter” in his important book Real Presences. As I suggested in an earlier post, all beauty promises an encounter. Do we miss this encounter because we have lost the feel for ceremony?

With these thoughts in mind, I suggest that you listen to this three-minute piece, which was inspired by the “Acanthus Column.” Debussy was familiar with a replica of this column, which depicts the ritual dance of worshippers of Apollo at the god’s shrine at Delphi. In my hearing, this dance also takes the form of a procession toward the shrine.

[image: by Ricardo André Frantz (User:Tetraktys), editing by User:Jastrow – cropped and colour-adjusted from Image:019MAD Room.jpg taken by Ricardo André Frantz, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3370119]

Danseuses de Delphes is to be played slowly and seriously, and the opening measures are also marked “soft and sustained,” or, perhaps, “elevated.” The piece is an imagined accompaniment to a pagan liturgy. Debussy would have had no direct experience of pagan ritual, so it is safe to assume that he borrows from his experience of traditional Catholic liturgy, with its slow processions and deliberate gestures. He was an admirer of the restrained craft of Palestrina, considering it the true sacred music of the Church. This sense of a public liturgy is reinforced by an interesting performance direction at measure 11 (1:12 in the video), doux mais en dehors, which would indicate something like, “soft but outward,” meaning that the quiet dynamic is not a sign of privacy or introversion. It is a sacred hush, as the dancers move nearer the shrine.

The opening melody is played twice, at :02 and at :37. There is an important difference in the second version. After each of the slow notes of the ascending melody, an echo in the upper register is introduced, almost as if the god has heard the prayer of the dancers and is responding from a distance. At 1:12, a new theme is introduced. In this new section, the melody and echo have switched places, with the high carrying the melody, and the middle range responding. Notice too, that the two parts are now moving toward each other, toward an “encounter.” The high notes descend gently and the middle notes ascend in response. It is very much like the ascent of the Catholic priest to the altar, and his prayer that the Holy Spirit might descend upon the gifts presented there.

The arrival or encounter proper takes place at measures 15-17 (1:34-1:50). Such a beautiful moment! The mysterious music in measures 21-24 (2:13-2:38) perhaps represents the withdrawal of the god back into the sky. 

Let me compare this piece to two other “liturgical” pieces. In the work of Palestrina, the careful balance of dissonance and consonance gives the listener a sense of directionality. Whenever a dissonant interval is introduced, it awakens a desire that finds its temporary resolution in the following consonance. This practice develops within a religion that arises out of a certain “problematic,” the question of sin, alienation, and suffering, which have been overcome so as to point the way to a consummation in the Kingdom of Heaven.

Debussy’s style in the first Prelude abstains from functional dissonance. He uses clusters of notes, but often in such a way as to deepen musical color rather than to suggest an unfinished desire. This suggests a religion that is a mystical projection of simpler desires, not so obviously concerned with questions of justice and suffering.

The lack of any haste or drive in the piece suits the worship of Apollo. His cult was frequently contrasted in the 19th century (most famously by Nietzsche) with the Bacchic, frenetic, emotionally suffused worship of Dionysus. Three years after the publication of Debussy’s first book of Preludes, Stravinsky shocked the world with his very different depiction of pagan liturgy, the Dionysian Rite of Spring. 

The lack of haste suggests reverence and confident self-possession. How does our fast-paced society not only rob us of our personal dignity, but make it difficult for us to show reverence when it is time to pray? Does our rushing about constrain us by betraying a lack of confidence in God’s nearness? What can contemporary Catholic liturgy learn from Debussy’s imaginative scenario, which borrows from an earlier Catholic sensibility?

Might the addition of ceremony into more areas of life also introduce meaning? Many of my friends and family members who are tea drinkers attest to the importance of ceremony in brewing and drinking tea. Nearly everything in monastic life is ceremonialized. Is this a sign of a nervous, controlling culture? Or the expressed desire to encounter?

***

Note: I’ve linked Barenboim’s performance because his observance of Debussy’s instructions is the most scrupulous of the performances that I could find. However, it is always worthwhile to hear others’ interpretations. We should bear in mind that the performed piece is the best interpretation, and that my written comments are only meant to open the ear to the performers’ interpretations, and the eye to the world that inspired (in-spirited) both Debussy and his interpreters.

If you have the time, I recommend listening to each piece two or three times, perhaps in different versions.

 

Here is Palestrina’s most famous motet, on the text (apt, for this post) “As the hart desires after fountains, so my soul desires after You, O God.” The use of dissonance to suggest desire and resolution is clearest where the text anima mea (my soul) appears at 2:13. If you can read the music, you will see that the first syllable of anima is often tied over a barline. When the barline hits, a new note, dissonant with the one being held on anima, creating that sense of tension. Note that the resolution of anima is downward, creating a sense of rest and repose.

And here is Stravinsky’s “Dionysian” ritual. Notice how restraint is gone, and ceremony has been transformed into something fearsome, especially at 3:00. This ritual will end with human sacrifice:

 

Learning Contemplation With Debussy

After Vigils ends around 4:30 each morning, I make my way from the sacristy through the monastery courtyard toward the cloister. At that dark hour, it is an enchanted place, and the quality of the light changes with the phases of the moon and the cloud cover. Quiet rustlings betray the presence of cats and, sometimes, raccoons or possums. Most mornings, the birds are not yet awake. I enter the cloister, retire to my cell with a mug of black coffee (a caffeinated “sacrament” as a friend and fellow monk from Mexico once put it to me), and begin reading the Scriptures. All the while, I am aware of the slow dawning of the new day, as the morning star appears, the horizon begins to turn grey, and the birds begin their songs. An enterprising squirrel might scamper by on the mulberry tree outside my window.

God’s mysterious beauty is all around. We need not travel far to find it, even in an urban environment. It’s good to be reminded of this. Observing beauty is an urgent task in times of crisis, such as we have been experiencing here in Chicago. I propose this not as a distraction. Rather, as we respond to the pandemic and to violence, it is important to remind ourselves what our hopes are, and few things generate hope like an encounter with the beautiful. How we understand our situation depends on what we choose to occupy our attention. To the extent we delay our encounter with the beauty that God has built into His cosmos, we risk giving ourselves up to despair.

The contemplative life teaches us to notice beauty in places where others haven’t seen it yet. From our own attentiveness, we can learn to point beauty out to others. This is part of my hope in this series, that I can share with you some of the fruits of this attentiveness.

In the first set of reflections, I will enlist the skills of a great listener, Claude Debussy (1862-1918) to assist us. In 1909, he began composing a set of twelve piano preludes. They are masterful evocations, often of everyday settings. Each has a descriptive title, drawing our attention to the wind, evenings scents, footsteps in the snow, cathedral bells, and amateur musicians, busking in the park, serenading at windows.

Until recently, I had been reluctant to admit Debussy’s profound influence on my own musical sensibilities. His style can strike the new listener as intoxicating, perhaps hedonistic. Quotes from the composer himself seem to reinforce this initial impression:

“Some people wish above all to conform to the rules, I wish only to render what I can hear. There is no theory. You have only to listen. Pleasure is the law.”

It’s almost as if Debussy was intending to alienate someone like me, who is suspicious of decadence and who, as an aspiring composer, once spent hours learning theory. Yet, his music has attracted me again and again. And it’s grown profounder as I’ve learned to listen more closely.

“Water Lily Pond and Bridge” by Claude Monet, 1905. Monet’s visual techniques are often compared with Debussy’s musical effects.

Here is a more sympathetic reading of the above quote. When Debussy says that his goal is to “render what [he] can hear,” we should bear in mind that the man speaking is widely regarded as a musical genius, someone who is likely able to hear things that the rest of us cannot. His wish to render what he hears is akin to what a painter does for us visually. A great painting can make the familiar seem new and strange. Monet, a painter whose art is similar to Debussy’s in many ways, could make a haystack seem beautiful by his ability to capture the light around it in varying ways. In a similar way, Debussy will call our attention to nuances in our surroundings. His musician’s ear catches aspects of life that most of us would miss. He invites the listener to reflect on the beauty present in everyday experience.

The older I’ve gotten, the more sympathetic I am to Debussy’s critique of rules. I’ve learned through experience the importance of rules and also their insufficiency for many tasks in life. Wisdom discerns those moments when the rules can be dismissed.

As a young composer, Debussy demonstrated that he could work within the conventions of the time, but he was also willing to dispense with rules of musical theory in order to capture the unpredictable reality of life observed. He also was no dilettante. The Preludes especially are the work of a perfectionist. There are no notes out of place.

The variety and unfamiliarity of Debussy’s individual pieces are responses to the variety and unfamiliarity of life’s experiences. In the Preludes, we hear this strangeness refracted through Debussy’s highly refined ability to hear and notate what he hears. In other words, Debussy had cultivated a kind of contemplative approach to music-making. He is giving us the opportunity of seeing and hearing the world around us with greater precision and insight. 

Before diving into the Preludes, let me leave you with a much earlier and more famous piece, his youthful masterwork, Clair de Lune (moonlight). As you listen, see how the music uses different dynamics (volume levels), registers, and textures to suggest different facets of the moon’s appearance, and the dreamlike traits of moonlight. How do the different textures of music depict the moon’s movement through the night sky? When was the last time we carefully observed the moon, or familiar objects made mysterious by its diffuse illumination? Is Debussy also drawing our attention to clouds or wind or other celestial objects? What does the experience of moonlight say about God?

The Transfiguration as Divine Enchantment

“Charm is deceitful, and beauty is vain.”–Proverbs 31: 30a

“Through delight in the beauty of these things they assumed them to be gods.”–Wisdom 13: 3

His face shone like the sun.

As I develop the theme of beauty as a revelation of God, it is important to offer some clear theological foundations. Providentially, the Church has provided exactly the right Mystery for this task today, the Feast of the Transfiguration. Let me take this opportunity to name the themes I intend to convey in the coming posts, and how they are explained by the Transfiguration. As the two opening quotes attest, the Bible gives us an ambiguous presentation of beauty. Beauty seduces when misappropriated. The Church’s tradition also teaches that it conduces to holiness, under the right circumstances.

Beauty is Incarnate. God clothes Himself in a body, but this body is precisely what conveys to Peter, James, and John the splendid divinity of the wearer. God communicates through physical signs, and manifests Himself in the material world, as He did in the pillar of cloud and fire.

Beauty is both lucid and opaque. “A bright cloud overshadowed them [Matthew 17: 5].” This image is paradoxical; the cloud is apparently a bright shadow. It is parallel to the sign of God’s presence at the crucial moment of the Exodus: “the Lord in the pillar of fire and of cloud looked down upon the host of the Egyptians [Exodus 14: 24].” This paradox is connected to the “cascade of mysteries” to which I referred in my opening post. Just when a beautiful object seems crystal-clear, it can suddenly appear strange.

Beauty gives us hope by revealing God’s nearness and His ultimate triumph. In a seventh-century homily, Saint Anastasius of Sinai writes, “It was as if [the Lord] said to them, ‘As time goes by you may be in danger of losing your faith.’” To save us from this, the Lord revealed His glory on Mount Tabor. Through the gift of the Holy Spirit, we are now able to hear (or read) all languages–including the language of creation, the natural world–in our own vernacular. “The Lord is at hand! Have no anxiety about anything [Philippians 4: 5-6].”

Beauty gives us hope by revealing our destiny of glory. “Our commonwealth is in heaven, and from it we await a Savior, the Lord Jesus Christ, who will change our lowly body to be like his glorious body [Philippians 3: 20-21].” The Transfiguration is a foreshadowing of what will happen to our bodies, and the bodies of all creatures, when God becomes all in all [cf. 1 Corinthians 15: 21], and “the earth will be filled with the knowledge of the glory of the Lord, as the water covers the sea [Habakkuk 2: 14].”

Beauty demands a moral response. “Jesus came and touched them, saying, ‘Rise, and have no fear [Matthew 17: 7].’” The Apostles had fallen, death-like, on their faces, aware of their smallness beside God’s glory, but the Lord commands them to rise and to continue on their way with Him.

Saint John of the Cross, one of the great poets of the Spanish language, possessed a delicate sense of beauty. He grew in sanctity and earned that sense of beauty through an eight month ordeal of solitary confinement.

Our glorious destiny is by the Way of the Cross. Jesus commands them not to tell anyone what they have seen until the Son of Man is raised from the dead. The full realization of the Transfiguration is reserved for the Resurrection [N.B. Jesus’s appearance after the Resurrection is often “opaque”!]. Beauty is apt to be misunderstood and misappropriated if we desire it without renunciation.

We will recognize the true beauty in all creatures to the extent that our moral response to beauty is a cruciform renunciation. This summarizes the last few points, and it adds one last dimension. It is true that beauty can be seductive, and therefore poses a spiritual danger to us. We can combat this danger by renunciation. There are various ways of going about this. Saint John of the Cross gives us a rule of thumb: if we encounter something beautiful and immediately think of God, it’s safe. Otherwise, we probably need to grow in the virtue of temperance, and specifically in the subvirtue of chastity. By meditation on the Cross, we can learn to be detached from all creatures. The reward of this detachment is that we will come to see all creatures no longer as material for us to possess and manipulate, but as sacraments of God’s presence.

Remember Beauty: God Is Near

Beauty is an epiphany. Encountering someone or something beautiful opens a sudden abyss before me. The arrestingly beautiful object arrives as an answer to a question I had not thought to ask. And yet the answer is not the end, but the door into a cascade of mysteries. In other words, the right kind of aesthetic experience is theological.

Our first experiences of the beautiful are always embodied. They are encounters with real objects: sunsets, the Milky Way, Lake Michigan, forests, cardinals, orchids. Artists use their inspiration and ingenuity to craft beauty in artifacts: paintings, music, cathedrals, gardens, vestments. By a process of abstraction, we can think of ideas as beautiful. For example, I find a number of mathematical equations strikingly beautiful. But this “disembodied” version of beauty is always analogous to the embodied version of beauty.

So we are presented with an important paradox involving beauty. It is, on the one hand, theological and mysterious. At the same time, beauty is embodied and real. I opened by saying that beauty is an epiphany. An epiphany happens when a material object reveals a spiritual meaning. We see the object, and then we also see “beyond” it to significance. Beautiful objects are bridges between the material world and the infinite.

The Fibonacci sequence present in the interior of a sunflower.

For several reasons, I am planning a series of posts on beauty, particularly beautiful music. The goal is not to distract, but to model ways in which we can redirect our focus from the virtual to the real. This idea began with a request from a friend who was encouraging me to write more after my posts of April and May. Then, last week, a pastor from a non-denominational church addressed the brothers on various topics relating to his ministry in a neighborhood that faces challenges of poverty and violence. The two of us briefly discussed the role of anxiety in outbreaks of violence, and he urged me to write more on this topic. I will do that, and one way into this topic is through what the ancient monks called natural contemplation, and what I might call “beauty and the real.”

Beauty is often thought to be a luxury of a leisured wealthy class, irrelevant, say, to a community dealing with with poverty. To me, this sidelining of beauty is a major mistake. Beauty is a patrimony, even a right, of all human beings. More importantly, the loss of beauty produces anxiety and despair, the very ingredients that continue the cycle of violence and poverty.  

Now let me tie a few things together. The visiting pastor shared a number of very helpful insights. He noted that the uptick in violence in Chicago has been fueled, in no small part, by the increase in social media use during the coronavirus lockdown. A key source of harm of the lockdown has been the retreat by larger and larger groups from the real into the virtual.

The Garden of the Phoenix in Chicago’s Jackson Park, a gift of the people of Osaka, Japan.

Remembering beauty can help to bring us back to the real, to ground us. Moreover, beauty can reawaken in us a desire for a genuine life of the spirit. Beauty reminds us that we are made for a life that transcends insipid materiality. Beauty awakens hope, a very important theological virtue for us to cultivate at the moment.

In follow-up posts, I am going to be speaking more about “natural contemplation.” This practice, seemingly forgotten in recent centuries, consists in the habit of seeing things as God intended them to be seen. Since all things were created through God’s Word, all things reveal God, if we learn to view them properly. This would further imply that all things that exist are beautiful at some level, and that the experience of beauty can be a reliable indicator of God’s nearness and the soundness of our best intuitions. Once again, the created world needn’t be reduced to pedestrian materiality, but should instead, through faith and hope, be elevated and “sacramentalized.”

For today, I would invite each of my readers to take time to notice beautiful things around us. Take a few moments to contemplate the beautiful persons you’ve known and the beautiful experiences that you have had. Perhaps you could go further and think about the eternal beauty that the faithful believe awaits us in heaven, a beauty that breaks through even now when we gather to pray and celebrate God in the holy liturgy.

Jesus first manifested His glory by the gift of fine wine at Cana.

A Tale of Two Cities, Violence and Mercy

One of the prominent and baffling themes in ancient mythology is the idea that famous cities were founded on fratricide. In the Bible Cain is the founder of the first city [Genesis 4: 17], and in the pagan world, the most famous example is that of Rome. Rome is named after Romulus, its traditional founder, who was also the murderer of his twin brother Remus.

Perhaps this mythology is less puzzling when we recall that the word politics is rooted in the Greek word polis or city. Most of us are aware that at some level politics seems to require violence, or at least the threat of violence. Rome went on to have a storied history, one in which violence was typically front and center. When God became man, He also became a victim of Rome’s savagery, as did today’s martyrs, Peter and Paul.

Relations between brothers in the Bible are frequently violent. Here Amnon is murdered by men sent by his half-brother Absalom. Both were sons of King David.

Peter and Paul form an interesting contrast with Romulus and Remus. But we shouldn’t be too quick to place the pairs on opposite sides of the problem of violence. After all, both Peter and Paul showed themselves capable of righteous brutality. Peter, according to tradition, drew the sword against the high priest’s slave, and Paul was attendant at the murder of Saint Stephen and bore letters of arrest against the Christians of Damascus. Furthermore, Peter acquiesced, as did the other disciples, with Rome’s violence inasmuch as he allowed Jesus to be dragged away without raising his voice in protest against this manifest injustice. Before the resurrection, he acted unthinkingly, but tellingly, as if the capacity for violence gave the city of Rome real authority.

What changed them both was the encounter with the mysterious and fathomless mercy of Jesus Christ the founder of the city of God, the heavenly city. The Apostles discovered that there is no place for a kind of purified violence in the service of God, that what they believed to be their righteousness, their willingness to fight other human beings for the sake of God was, in fact, a unwitting participation in the machinery that leads inexorably to the death of Jesus Christ. This is explicit in the life of Saint Paul, whom Jesus confronted directly with the question, “Why are you persecuting me?”

This encounter with God’s mercy in Jesus Christ convinced them both that there is no sacred calculus that pits the righteous against the unrighteous, and therefore gives permission to the righteous to flatter themselves by focusing on the sins of others. Or, to put it more bluntly, Peter and Paul discovered that we are all a part of the problem, and man’s anger does not work God’s justice [James 1: 20]. Or, as Saint Paul put it to the Romans, “God has consigned all men to disobedience.” Why? “That he may have mercy upon all. [Romans 11: 32]”

It is this mercy that bound Peter and Paul to Jesus and so to each other. And if we wish to have true peace, let us today with confidence draw near to the throne of grace, that we too may receive His mercy [cf. Hebrews 4: 16].

 

Just as it did for Peter and Paul, this encounter will require us to change, to renounce, in fact, the City of Man, founded as it is on division, exploitation, and violence. What the early monks discovered is that this renunciation of the world requires a renunciation of the passions, those distortions of desire that pit me against others, leading to their exploitation for my pleasure or ease. Again, Saint James: “What causes war and what causes fightings among you? It is not your passions [James 4: 1]?” In other words, we must seek to follow the examples of Peter and Paul, if not by literal martyrdom, then by death to ourselves in the form of ascetical self-denial. May this important work always be accompanied by and draw life from the peace and joy of knowing the surpassing love of Christ Jesus, Who loved us and gave Himself for us [cf. Galatians 2: 20].

[homily for the Solemnity of Ss. Peter and Paul, A.D. 2020]

Ascension

As the Catholic Church in the United States celebrates the solemnity of the Ascension today, I noticed that the reading assigned to the office of Vigils for this day, Ephesians 4: 1-22, clearly relates to themes I’ve been developing in recent posts. Today would be a good opportunity to look a bit deeper at the theological underpinnings of the following themes: 1) differentiation of responsibility in a healthy community; 2) that this differentiation promotes maturity, and 3) maturity is about rationality. 

One preliminary point is of great importance: while the Church has traditionally separated the dates for the celebration of the Resurrection, Ascension, and Pentecost (the sending of the Holy Spirit), these should be understood as one Mystery. Thus, the Ascension is not only the enthronement of the risen Jesus at the right hand of God, it is also the birth of the Church (Christ’s resurrected Body, into which the baptized are incorporated). Liturgically, this birth of the Church is connected to the sending of the Holy Spirit, which Christ promised before His Ascension.

Paul, then, begins this meditation (which he writes from his jail cell in Rome), emphasizing the unity of the Church:

“I, then, a prisoner for the Lord, urge you to live in a manner worthy of the call you have received, with all humility and gentleness, with patience, bearing with one another through love, striving to preserve the unity of the spirit through the bond of peace: one body and one Spirit, as you were also called to the one hope of your call; one Lord, one faith, one baptism; one God and Father of all, who is over all and through all and in all.” [Ephesians 4: 1-6]

In our highly polarized environment, calls to unity are often heard as covert means of suppressing diversity. Indeed, one frequent criticism of Catholic Christianity targets the heavy freight of dogma to be taken on faith. This would seem to be the opposite of the rationality that I recently claimed comes from faith. From the standpoint of this criticism, faith would be submission to an authoritarian imposition of ideas and, therefore, a stifling of personal inquiry and questioning.

Thus, it is of some importance that Paul immediately switches to diversity within the Body:

But grace was given to each of us according to the measure of Christ’s gift. Therefore, it says:

“He ascended on high and took prisoners captive;
he gave gifts to men. [N.B. “gifts” in this context refers to the Holy Spirit]”…

And he gave some as apostles, others as prophets, others as evangelists, others as pastors and teachers, to equip the holy ones for the work of ministry, for building up the body of Christ,” [vv. 7-8, 11-12]

Here we see the differentiation of responsibility. Not everyone is given responsibility for preaching or teaching. At Vatican II, this idea of Paul’s received a significant development. It was recognized that the Church, existing in the world, needs the expertise of lay persons who understand finance, law, medical ethics, economics, history, and so on. These can be seen genuinely as gifts from the Holy Spirit for the building up of the body of Christ. No longer does all of the responsibility fall on bishops and priests. Bishops need to consult with lay experts in a variety of fields precisely in order to hammer out theological positions.

From another perspective, dividing responsibility reduces anxiety and thus promotes mature reflection. The great sociologist, Mary Douglas, in her underappreciated book Natural Symbols makes this point from another perspective. She compares different types of community organization, and shows that small groups with a lack of differentiation of roles tend to suffer from fear of the world, witch hunts, and the like. By contrast, large, differentiated societies tend to promote intricately intertwined and symbolic understandings of the world. They tend to be quieter, more conducive to scientific and artistic achievements. This is not to say that they have no problems whatsoever. But it supports the overall principle that dividing up areas of responsibility reduces systemic anxiety. It also supports the notion that entry into the Church promotes rationality.

The next section of Ephesians amazes me:

“until we all attain to the unity of faith and knowledge of the Son of God, to mature manhood, to the extent of the full stature of Christ, so that we may no longer be infants, tossed by waves and swept along by every wind of teaching arising from human trickery, from their cunning in the interests of deceitful scheming. Rather, living the truth in love, we should grow in every way into him who is the head, Christ, from whom the whole body, joined and held together by every supporting ligament, with the proper functioning of each part, brings about the body’s growth and builds itself up in love.” [vv. 13-16; my emphasis]

The unity of faith and knowledge is “of the Son of God,” Who is Truth. Since “all things came to be through Him [John 1: 3],” a true understanding of the cosmos opens up in the community of faith.

In other words, unity comes not from unthinking submission to dogmas imposed by authoritarian means. We all know, of course, that sometimes each of us must make an act of faith that an expert knows more than we do, and the expert can’t explain everything about a topic quickly. This act of faith presumes that what the expert knows is true, and that if we had enough time and training and facility, we would see the same truth as the expert, precisely because a mark of Truth is that it is the same for everyone. Thus unity arises from knowledge of the truth, and this acquired knowledge is a communal, cooperative affair. None of us is responsible for knowing everything. We must rely on “faith” that others will point us to truths that we cannot investigate entirely for ourselves.

Caravaggio’s depiction of Christ presented by Pilate. “Behold the man,” ironically points to the fulfillment of what God initiates in Genesis 1: 26. Whereas all other creatures spring to life when God says, “Let there be…” in the case of “man,” God says “Let us make man.” Here He is.

What is more, this faith and knowledge moves us toward maturity. “To mature manhood,” translates the Greek phrase, eis andra teleion. Knowing precisely what Paul means here is not easy because of the elasticity of the word andra, the dative form of the word for an adult man. We could, for example, translate this as “to mature adulthood.” However, it is also possible that andra is being used as a synonym for the more common Greek noun anthropos, which appears later in this same chapter, verses 23-24:

“be renewed in the spirit of your minds,and put on the new [man],* created in God’s way in righteousness and holiness of truth.”

This “new man” is Jesus Christ Himself, the goal [telos, from which we get teleion, or “matured”] of all creation. By our incorporation into His Body, we enter into that new society in which reason is allowed fully to flourish by faith. 

It is of Christ that Pilate says, “Behold the man [anthropos]” just before His Crucifixion. In John’s Gospel, this is the hour in which all things are “finished” [tetelestai–from the same root as “mature” above]. It is also the moment at which Christ gives over the Spirit [John 19: 30].”**

Mature adulthood then, arises from our discovery of ourselves as members of a new community, rooted in Truth and Love. When we accept this new identity (the “new name” of Revelation 2: 17), and stay at our assigned posts, we can trust that God will mysteriously bring about the fulfillment of the resurrection by the renewal of our minds by the Truth. This will allow us to live authentically and avoid being taken in by human trickery–a valuable skill at any time, but perhaps especially in our present moment.

* The New American Bible Revised Edition unhelpfully translates this as “new self.” I’ve inserted “man” instead of “self,” for reasons that should be fairly clear.

** I am indebted to Fr. John Behr for this paragraph.

Reason and Faith

I was a big science fiction fan as a kid. I read everything I could find by Isaac Asimov, and I memorized episodes of Star Trek. In high school, I subscribed to Asimov magazine, and it was from reading the short stories and novellas therein that I came to the realization that the Golden Age of science fiction was long gone. So I was somewhat prepared to be cynical when Star Trek: The Next Generation debuted my senior year.

“The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom.”–Isaac Asimov

On the whole, I enjoyed the show, but a comparison between the two Star Treks at the time confirmed for me that the adventure, mystery, and humanity of the original was losing out to militarism, expertise, and a kind of bureaucratic stuffiness in the new series. Later seasons managed to fix many of the glaring problems of the early seasons, but I had lost interest by then, and was devoting my creative energies to music and Shakespeare.

One episode summarized the problems for me. All I can remember about it was that some kind of tear had opened up in the space-time continuum (!), and if the Starship Enterprise couldn’t get there and knit it up somehow, that reality would cease to exist. No pressure! Beneath the surface of this implausible plot device, it would appear that human beings have become responsible for literally everything. 

And isn’t this how we all feel sometimes? We are urged to feel simultaneously responsible for:

Reducing global temperatures
Every questionable thing the President says or Tweets
Making sure people in Michigan don’t die of COVID-19
Figuring out how to get our two-year-olds into Stanford
Ending terrorism (or evil itself, if George W. Bush is to be heeded)
Getting the bishops to be more disciplined
Making sure no kids anywhere get bullied
Donating to groups fighting cancer, Alzheimers, et al
Ending poverty
Murder Hornets

Now I assume that, most of the time, our conscious minds understand that we can’t do everything. But the cumulative effect of the impulse to solve every problem is chronic anxiety. As I wrote in the previous post, this is, in fact, a recipe for irrationality. To assume responsibility for all of the world’s problems is fundamentally unreasonable, but we rarely permit ourselves to admit this squarely. The result is a worldview with a large, false supposition built in.

According to family systems therapy, stress is not produced by overwork. Rather, overwork is one symptom of stress that has its roots in being overly responsible. Our present stressed-out overfunctioning is further fueled by a simplistic notion that our American political system is a democracy. It’s not, in fact. We live in a representative democracy, more formally called a republic. The reason I point this out is that a flat ideology of “democracy,” suggests that we are all responsible for everything in our country, and that the only way to address this responsibility is through constant monitoring of the news and constant argument. And it’s exhausting!

What if we’re not responsible for all that other stuff? Who might be? What if we felt that, behind it all, the maintenance of the space-time continuum was God’s prerogative and not ours? I often find that God raises up ingenious and courageous helpers at fortuitous moments. These helpers see the same problems I see, but have the intelligence, experience, and resources that I lack. It’s always possible, too, that a problem can’t be solved immediately. I will return to that possibility below.

“We feel that we must disagree with those prophets of doom who are always forecasting disaster.”–Pope Saint John XXIII

Pope Saint John XXIII offered this prayer each night before bed: “Well Lord, it’s your Church, you take care of it; I’m going to sleep.” Similarly, when Napoleon Bonaparte confronted Cardinal Consalvi and threatened to destroy the Catholic Church, the Cardinal’s response was, “Your majesty, we, the Catholic clergy, have done our best to destroy the church for the last 1,800 years. We have not succeeded, and neither will you.”

These are quotes by men of deep faith, but they are also clear-eyed realists. There’s nothing childish about this faith. It’s an acknowledgement that there are powers at work in the world well beyond what we can touch. Our task is to figure out our assignment and then resolve to stay at our posts. The pagan heroes of old understood that fate was not something that they could determine. It was, however, theirs either to reject or to accept nobly and graciously. By accepting fate, heroes also accepted the relatively confined spheres of action in which it is enacted. Beowulf died slaying the dragon that was threatening his native Geatland (southern Sweden), but the dragon never was a serious threat to the lands of most other contemporary peoples. Peruvian dragons were, presumably, for Peruvian heroes to deal with. And in heaven, the great band of dragon-slayers will have its own special space at the bar where they will hang out and share stories from every corner of the globe.

Realism is central to thinking rationally about our options for acting. Hyper-responsibility inclines us either to grandiose, impossible projects, or to paralysis. Bipolar disorder happens when someone oscillates between these two unrealistic options. Some choose to escape this oscillation by a strategic retreat into chronic complaint. None of these approaches are reasonable, nor are they mature. Hidden fears are continuing to contaminate our thinking.

Faith is a gift from God. This gift frees us from fear, and it frees us to risk the good even when we might suffer for it. In our present climate, I suspect that many of us are tempted to choose lesser goods because, in a highly polarized environment, we fear failure, rejection, and ostracization. If we remember that our Leader leads by way of the Cross, we can let go of the notion that the suffering we experience is a sign of God’s rejection or our failure. Nor is it our responsibility even to change those who cause us suffering, any more than Christ felt it important to win over Pilate and the Sanhedrin.

Faith is often presented as the opposite of reason, but this is a mistake. The opposite of reason is reactive fear. Faith is the friend of reason. In fact, it is the precondition for the full flowering of reason.

Fear and Reason

Fear is a part of our bodily constitution. It comes with being a member of the animal family. In evolutionary terms, it has served us and our fellow animals well. Fear rapidly mobilizes our energies to face down danger or to flee from it. Both reactions give us a better chance of surviving immediate danger. This means that natural selection has favored the cultivation of the fear-response in us.

“Nothing resembles an angry cat…more than an angry cat.”–Anthony Storr, “Aggression” The breakdown of distinctions caused by fear, anger, and violence makes reasoning impossible.

For us rational animals, however, fear also presents specific dangers of its own. When I was in high school, my family had a beautiful but terrifying dog, a black Labrador/German Shepherd mix. She was a great guard-dog for a single-mother family, but her attack instincts were sometimes, let’s say, inappropriate. Once, when one of my mother’s piano students came for her lesson and rang the doorbell, our dog shattered the glass of the front door in warding off this thirteen-year-old girl student. Our dog frequently would get very upset about the presence of my male friends, though once she decided you were safe, she was as devoted afterward as she had been suspicious before. The difficulty for us is that there were few things that we could say to our dog to convince her that her responses were irrational. This is why Aristotle refers to humans as rational animals; among the members of the animal kingdom, we have learned how to temper the fear response by muting it, thinking through the situation, and then deciding whether fear is warranted. If it is, we have a larger repertoire of responses than fight or flight. We can make a plan that takes into account potential long-term effects of any hypothetical actions. Dogs, intelligent as they are, lack most of what makes this possible for humans.

In Catholic moral theology, we speak of the “age of reason.” Very young children do not yet have the full faculty of reason, and, as a result, tend to act on the promptings of feelings. One of the responsibilities of parents is to respond to the emotions of children in such a way as to facilitate the emergence of reason in the child. As parents know, the ongoing achievement of rationality is directly linked to an ability to manage one’s emotions, especially fear. Maturity is marked by rational reflection and reason-based decision making. Immaturity is marked by impulsivity and emotional reactivity. Another shorthand way to summarize this would be to say that the mature adult tends to respond to life, whereas the immature person tends to react.

When we permit ourselves to react, or even to overreact, we move in the direction of immaturity and even infantilization at times. Adult temper tantrums are no different than kid temper tantrums.

Mature persons are not therefore unfeeling, however. We will still have the immediate bodily responses to typical stimuli: fear, joy, anger, hunger, and sexual arousal. What will change about us is that we will know how to anticipate the trajectory of these feelings. We will know how to step back from immediate engagement, especially from those emotions that are most likely to lead to trouble if acted upon. The stimulus and its initial emotional response, in other words, will just become more information. That first impulse of fear, or perhaps more often, a sense of something being not quite right, is often a signal. Perhaps we need to pay attention to our surroundings a bit more perceptively in order to judge correctly what is going on. Some of us are better at making these detections in personal relationships, accurately reading body language, for example, to gauge what is being left unsaid. Others tend to excel in situational awareness, the ability to spot potential dangers before they arise, and to sense the presence of danger by knowing how to interpret inconsistencies in large-scale spatial arrangements. This is a good, mature use of initial emotional responses or “gut feelings.”

All of the above helps to explain some difficulties facing us as we try to make prudential responses to the pandemic. The worst-case scenarios present significant dangers to our whole way of life. As I wrote earlier, fear is not an unreasonable response to a number of possible futures. But if we allow fear to become chronic, if we continually marinate ourselves in the scariest projections, we run the risk of making our response less mature and less rational. In point of fact, we have, as we all know, lots of time to decide how to deal with the pandemic. We are not faced with a saber-toothed tiger ready to devour our children, a danger that requires a decisive, forceful response.

The quarantine that most of us are experiencing ratchets up chronic fear in another way. Every fellow human being is to be treated indefinitely as a potential vector and danger. That means that grocery shopping has suddenly been transformed into a dangerous activity. Every single action that requires us to come into proximity with someone else, we are told, is dangerous. This itself seems like a recipe for chronic fear and, therefore, unfortunately, immature responses to the actual threat.

George Orwell warned about the dangers of a breakdown in trust between fellow citizens, and the relation of this breakdown to the breakdown of reason.

This situation is clearly unsustainable and poses, in my view, much more dangerous long-term consequences. If we continue to treat all social interactions as fearful, we run the very real risk of infantilizing ourselves and making rational discourse impossible. When reason is not an available option, we are left only with power and force. Totalitarian governments know this, and so the cultivation of fear is an ineliminable feature of all dictatorships. Mind you, I am not saying that we are living in such an environment—yet. But at the very least, it seems important to me to treat the resumption of social interactions as a necessary goal, and to find ways to discuss with others in our extended families, neighborhoods, and workplaces, goals for making this happen as safely as possible. This will work most effectively if, in our personal lives, we are taking steps to cultivate our own rationality and maturity by reflecting regularly on what kind of information we really need (rather than letting hyperlinks lead us by the nose into what an anonymous person wants you to read, perhaps for motives of advertising revenue) to make informed decisions, and finding ways to identify the sources of fear and to assess them as we would any other threat.

Last of all, we should aim to hold before our minds eye the examples of heroes whose lives we wish to imitate. This is one reason that I urge our monks to read the lives of the saints frequently, and to make friends with them. The saint is a person of “heroic virtue,” and therefore, courage. In my next post, I would like to share with you my thoughts about why the saints are also models of rationality.  

Many Dwelling Places

Have you ever purchased a gift for someone—since it’s Mother’s Day, let’s say it’s for your mother—and you were so excited about it that you had to call her and say, “I’ve got your present, and I think you’re going to like it”? Or has someone ever said that to you?

When we know that a gift is on the way, and that the giver is really excited about it, don’t we look forward to the day when we will get to open the gift and celebrate with the person who made the gift? Doesn’t the wait grow somehow sweeter as it is prolonged, and doesn’t the rest of our life seem less important when we think about what we has been promised to us?

Our Lord is promising us an eternal gift, a dwelling place, a room prepared in the home of the Creator of the universe. This home will never be visited by death or mourning, sickness or fear. Do we take the time to desire this gift? How would our lives change if we thought about our eternal home more frequently, if we genuinely longed for heaven, and stored up spiritual treasure to adorn our dwelling? Wouldn’t the struggles of this life seem small, as Saint Paul has said?

Reconciliation: the fisherman Peter and the intellectual tentmaker Paul

“I consider the sufferings of this present time are not worth comparing with the glory to be revealed in us.”

Saint Paul was a man who lived in constant gratitude for the gift of life and sight that he had received from a merciful Jesus Christ. And this gratitude made him long for heaven. “My desire is to depart and be with Christ!” This desire strengthened Paul to endure all of his sufferings, to make light of them even. He kept his eyes fixed on the goal, on what had been promised to him.

It is significant that Paul is the Apostle to the Gentiles, and this brings out a second part of today’s gospel that I wish to share with you. There are many dwelling places in the Father’s house, so it is a gift being offered to many. In today’s first reading, we hear about a dispute that arose in the early church. It’s seems that the Greek-speaking widows were being neglected. They complained about this. Now Saint Benedict condemns complaining, but he also admits that it can be justified, and this is probably an instance of justified complaint. From our perspective, it is easy to be critical of this situation, but isn’t it just natural? The Apostles and their closest disciples at this point were all Jews, and it wasn’t necessarily ill-will or even prejudice that led to the neglect of the non-Jews in the group. There were probably problems in communication, language, customary behaviors that determined how to share needs with each other. Everyone had to be patient learning a new set of skills.

One of the ways in which Paul’s sight was restored allowed him to see that the death of Jesus saved not only the Chosen People from their sins. The death and resurrection is an offering for all peoples, even those far off. In baptism, our own eyes were opened to this reality, that we are members of a multitude that no one can number, made of every tribe, every single tribe and tongue. God’s grace—literally grace mean gift—is to anyone who would receive it. There are many, many dwelling places in the Father’s house. We have countless brothers and sisters, friends and comrades in heaven and still on earth.

Sometimes we struggle to accept this because accepting others and befriending persons with different customs, unfamiliar languages, and so on, poses a threat to our own ways of seeing the world, our own customs and liturgical language. In today’s world, a polemical multiculturalism tends to point fingers, separating us into categories of privileged and victim, and so it might helpful for me to state the same idea from the perspective, maybe the Greek perspective instead of the Hebrew perspective this time:

The communion of saints is waiting to accept you, your customs—purified of course—your language, all that is dear to you. The saints want to know you, want to welcome you.

You are a gift to the saints, and to God.

Candles in a Hungarian cemetary for All Saints Day: longing for eternal life

As Jesus says, as He prays to the Father at the end of the Last Supper, “Father, they are your gift to me.” You are that gift promised by the Father that Jesus has been longing to receive.

What strength there is in realizing this! How beautiful it is to feel this in our hearts, to celebrate this at our sacrifice today, to be called to the one altar of the Lord where are gathered mystically all the saints, our departed grandmothers and grandfathers, all those who are yet to be born whom God has chosen for us!

The Eucharist is a foretaste of the heavenly gift of eternal peace and joy—may our eyes be reopened to this reality today, and may our brothers and sisters who are still separated from our churches be consoled in the reality that their desire for heaven can be just as strong as they wait in longing to rejoin us at the Lord’s banquet.