Monastery of the Holy Cross

Homily for the Feast of the Dedication of the Lateran Basilica in Rome

Today, as we celebrate the anniversary of the Dedication of the Lateran Basilica, it seems like a good moment to reflect on the subject of ecclesiology. Ecclesiology means the study of the ecclesia, the Church.

What is the Church? What does it mean to be a member of the Church? These questions are not as easy to answer as we might think at first blush.

For example, when we ask what the Church is, the answers that we get from theologians vary, depending on the perspective from which we view the Church. It is the mystical Body of Christ. It is the sacrament of salvation for the world. It is the People of God, or the Perfect Society, through which we, the members, receive grace and are sanctified and perfected in union with our shepherds, the bishops, under the special care of the Holy Father, Christ’s vicar on earth. And of course, any one of these “models” is itself a mystery, and therefore open to ongoing reflection.

I would like to offer the idea of the Church as a kind of fractal, just to make things at first even more mysterious and perhaps overly complicated.

What is a fractal? In certain popular usages of the term, it refers to a shape that is made up of several connected versions of the same shape on a smaller level. Imagine, for example, a snowflake, with it six points. Now imagine taking six of the same snowflakes and connecting them around a center so that it makes a new hexagonal snowflake. And imagine that this new snowflake has the same shape as each of the six smaller snowflakes. That’s what I mean by fractal in the case. As we zoom our or zoom in, we see the same shape emerge each time. That shape is repeated at different levels.

So, there is one Church, as we say in the Creed. That is because Christ Himself is the One mediator between God and Man, and the Church is His Body and His Bride. There can only be one Bride for Christ and that is the Church.

Now, a brief side note on the Lateran Basilica. Just over two thousand years ago, in the City of Rome, there was a family that had recently become a part of the wealthy class in pagan Rome, and their name was the Lateran family. They built a palace on the site of what is today the Lateran Basilica. This palace was confiscated by the Emperor Nero and became part of the government’s property. Three hundred years later, when the Emperor Constantine became Christian, he donated that former palace to the pope at the time, Pope Miltiades, and it became the seat of the bishop of Rome. The building was destroyed several times, and the current building was built over the course of the sixteenth and seventeenth centuries. In the fourteenth centuries, the building was destroyed by two fires while the pope had moved his administration to the city of Avignon in France. When Saint Catherine of Siena persuaded Pope Gregory XI to return to Rome, he found the Lateran Basilica completely in ruins. So he moved his administration to Saint Peter’s Basilica on the Vatican hill, and this is where the pope continues to exercise his governance of the Church. However, the Lateran remains the cathedral church of Rome, and therefore is the Mother Church of the entire Roman Catholic world. Hence our celebration today. It is a sign of the unity of the Church under one pope, and a sign of the Incarnation, inasmuch as there can be only one Mother cathedral, and for God’s purposes, He chose Rome to be the home of this church.

Now, let’s return to the idea of a fractal. So, you remember that I said that when either zoom in or zoom out, we see the same shape emerge. This is what we find in the ecclesiology, when we look at the Church. When we zoom all the way out, we see the universal Church, with billions of members all around the world and in heaven and in purgatory. A glorious sight to be sure.

But when we zoom in, we don’t find an isolated “piece” of the larger Church. We find a diocese. And at the head of the diocese is the Bishop. And by dint of his ordination as bishop, he is just as much a successor of the Apostles as is the bishop of Rome. One of the principles vigorously enunciated at the Second Vatican Council is that each bishop receives his power and authority directly from Christ, not from the pope. The pope receives particular powers reserved to him, but the normal powers of a bishop, to teach and preach, to celebrate the sacraments, and to govern the Church, comes directly from Christ. This means that each diocese is, in some way, the fullness of the Church in a local, miniature setting. The whole, single, Church is present, and this is especially visible when the bishop celebrates the sacraments. For Christ is acting in the fullness of His power through the bishop.

Now, if we zoom in yet another level, we get to the parish. Again, the parish is not simply a piece of the diocese. There is, again, a sense that the fullness of the Church is present locally, through Christ’s ministry, now through the instrument of the priest. Now, we should say that the parish is a more inadequate symbol or instantiation of the universal Church. For example, a priest cannot celebrate the sacraments without the permission and mandate of his bishop, and certain sacraments are reserved to the bishop, such as ordination or the consecration of an altar. Certain decisions belong to the bishop. But even if the picture is slightly dimmed, this does not mean that the fullness of the Church is not actually present when the priest acts in the person of Christ, whether teaching governing or sanctifying.

This fractal nature of the Church is denoted by the fact that we celebrate three church dedications each year. Today we celebrate the Church’s unity at the highest level. On October 11 each year, we celebrate the dedication of the diocesan cathedral, in our case the archdiocesan cathedral of Holy Name downtown. And last but definitely not least, we celebrate the dedication of each parish or religious church. In our case, this is on October 24. And this celebration at the most local level is the highest-ranking, liturgically speaking, of the three.

This means that while today’s celebration is a feast in this church, in Rome it is a solemnity, the highest-ranking category of a liturgical celebration. This once more connects us to the Incarnation. It is God who has chosen to consecrate this place to Himself, and it is likewise God Who chose to consecrate the Lateran basilica. He does this to deepen His relationship with the actual people who come here. But we are never, for that reason, isolated from the other churches. We recall on this day each year that our small community is not just a piece of the universal Church, but in some way makes present the entirety of the Church, which is best understood from the perspective of the ministry of unity given to Saint Peter and his successors.

So, we can give thanks to God this day for calling us to be members of His one, holy, catholic, and apostolic church, and for reminding us that what we see here, however humble it may appear, is in fact an opening to the grand and glorious city of the redeemed, an opening to the kingdom where we hope to enjoy God’s glory forever. Amen.

Homily for the Solemnity of the Anniversary of the Dedication of the Church

[The dedication of our church took place on June 19, 1910.  The monastery now transfers the Solemnity of the Anniversary of the Dedication to October 24.]

The Church’s liturgical directives instruct us to celebrate each year the anniversary of the dedication of the church building. This year we celebrate 115 years since this building became what Saint Benedict calls an oratory: a place consecrated to prayer. Saint Benedict goes on to say that the oratory should be what it is called: we come here to pray.

Eleven years ago, Cardinal George consecrated our new altar, and so we had a smaller-scale experience of what a church dedication looks like. The first thing to notice about it is that it can only be done by a bishop, in other words, by someone who is a part of the line of apostolic succession. A bishop is the spiritual descendant of those men upon whom Jesus breathed the Holy Spirit, commissioning them to teach, govern, and sanctify. The bishops share this commission with their helpers, the priests and deacons, but the most important actions are reserved for the bishops, who bear the fullness of Christ’s sacramental priesthood.

When any item is blessed, it is set apart in some way as dedicated to God, and therefore it bears something of God’s holy presence. Holy water, for example, can drive out the simpler demons. When we were baptized, we were set aside for God, and God took up residence in our souls. When this happens, it is as if a light goes on inside us, and we become spiritually alive. Certain latent powers, rooted in the virtues of faith, hope, and charity, are activated and begin to grow. This illumination that takes place is signified by the candle, lit from the Easter candle, Christ Himself, and given to the newly baptized.

When a priest is ordained, this process takes on a specific contour: not only is God present in the soul of a priest, but Christ now promises to act through the priest in specific ways. Again, a certain latent potency in a man is activated, and God’s sanctifying power now manifests itself in the priest changing the elements of the Eucharistic sacrifice into Christ’s Body and Blood, to note the most radical example.

And so it was with this church, when the bishop anointed its walls and the stone of the altar. In the case of our new altar, the relics of Saint Benedict and Saint Vincent of Saragossa were buried inside it, incense was placed on the altar, and finally a candle. And at this point this building came alive spiritually, as it were, and became God’s dwelling place. Every time we light the candles at the altar, we recall this in a profound way—this is one reason why the Eucharist is never celebrated without the candles being lit.

When the lights come on in the Church, or when the sun streams in through the stained glass windows, we see signs that this is a holy place. The images, the altar and the canopy above it, called a reredos, the twelve columns signifying the twelve apostles: these are those latent objects that become illuminated, alive with God’s presence because they are in a holy space. And all this ornamentation is meant to show us who we are as a Church. For we are being built into God’s dwelling, we are the stones being sanctified.

There is so much to dwell on in this theology, but time being limited, let me offer two brief final observations.

First of all, you are aware that this building has undergone a lot of repair in the last few years. In this world that has become infected with sin, objects are subject to decay and decomposition if they are not regularly repaired and renewed. Sometimes this work requires vigorous scraping, even removal of decayed brick and wood, before new brick, wood, and paint can restore the original beauty. This is a sign for our souls: sin has caused all of us to lose the original glory that Adam and Eve enjoyed in the garden. But God’s rescue mission is restoring this glory and spiritual beauty. Sometimes this requires scraping and extraction from us of improper attachments and so on, and this can be painful. In our suffering, it’s important to set our eyes on the goal, which is the beauty and glory that we will enjoy for all eternity with God and the saints. A beautiful church assists us by giving us a glimpse of what this will be like.

Which brings me to my second point. For this encouragement to take root in us, it is helpful to expose ourselves to it. The brothers will tell you that I frequently remind them not to close their eyes at the liturgy. I don’t bring this up to shame anyone, but to point out that in our modern context, our tendency is to seek God within ourselves, and more or less exclusively within ourselves. I have already said that He dwells within us because of baptism, so this is not entirely wrong. But interiorly, we are not yet fully purified, or at least I’m not, and I’m guessing that most of us aren’t. All the visual, aural, and olfactory cues in the church, dedicated to God’s glory, remind us that the goal of salvation is much greater than ourselves. Not only that, but the church is a symbol for a well-ordered soul, and therefore helps us to know how to identify God’s presence within us. What should we look like interiorly? Are we ornamented with images of salvation history and the examples of the saints? Is the incense of constant prayer filling us? Are we offering regular sacrifice to God upon the altar of our hearts? How might we grow as Catholics by today’s celebration? How might the illumination of our souls bring God to the world today?

Natural contemplation, the meaning of creatures, and the end of the virtues

When I initially read Cassian’s first Conference, I found the discussion there of the goal (scopos) and end (telos) of the monk to be interesting but not particular engaging on a personal level. Over the years, as I re-read it, it occurred to me that the problem was the entire worldview that formed me. This worldview sees no goals to anything in the cosmos, depicting it as the open-ended development of initial conditions and inputs of force and motion. That matter and energy happened to produce human beings, gemstones, scorpions and tornadoes is a quirky and ultimately inexplicable part of this random development.

It was through reading Dante, Charles Williams, Chesterton and MacIntyre that I gradually came to understand the perfections of creatures, first on an intellectual level of assent, and eventually at the level of the heart, of appreciation and gratitude. This helped to open up for me what Evagrius calls natural contemplation: the graced ability to see creatures from the spiritual perspective, the perspective of God and the angels, the perspective of eternity.

Natural contemplation means accepting that creatures have meaning. They have ways of flourishing and ways of failing to flourish. We participate in God’s life-giving grace when we work towards this flourishing—or even simply allow it to happen, take note of it, and give God glory.

An example that I have frequently used to illustrate this is that knives are meant for cutting things, and they work best when we understand the type of knife that we are holding. When we use a serrated knife with the right pressure, allowing the blade to gain purchase on the bread crust, we can gently guide it, according to its nature, through the bread. But when we use it like a guillotine, pressing straight down until the piece of food pops apart, the knife, as if objecting to being handled incorrectly, issues a loud report from the plate (which is perhaps also objecting to our misuse of its nature).

We go a step further when we use a knife as if it were a screwdriver or prybar. Sadly, this is a common mistake, to judge by the number of knives in our kitchen that are missing tips. But it is an outgrowth, even if a somewhat trivial one, of a worldview that gives objects no meaning, no goal, no nature. Since they have no inherent telos, we are free to make use of them as our wills desire. And so a knife becomes a screwdriver, and in secular culture men become women and women men.

If we lack the ability to be receptive to the goal or end of other creatures, is it really a surprise that we struggle to see our own lives as goal-driven? Human beings flourish in predictable ways. We will move toward this type of flourishing life not by examining our inner movements, but by attending to objective standards like the virtues.

All of the activities of the monastery gain their worth from what they contribute to a growth in virtue and an awareness of our final destination. At the judgement, God will not ask us if we got our work done on such and such a date, but if we labored to serve our neighbor in love, or if we sacrificed ourselves for the poor. We will not be asked if we were true to ourselves, because who we are in Christ is something beyond our ability to discern at the moment.

Fr. Timothy recently mentioned a reading from Saint Teresa Benedicta of the Cross. She says that, at the end times, God will reveal our proper name to us: we won’t understand fully who we are until then. But virtue will help offer us glimpses along the way. If we are growing in virtue, we are more likely to understand creatures from a proper theological perspective. If we are growing in virtue, we are more likely to be asked to step out of our present comfort zone and take up a task that will stretch us, perhaps quite a lot. But if we lack virtue, others will be reluctant to give us those opportunities to learn whether we have the skill to serve the community and the Church at a new level.

Liturgy and Rationalism

When I was younger, I wrote a lot of poetry. Often it took the form of song lyrics. But sometimes it was just poetry for its own sake, because I love poetry. One of the things about writing a lot when you’re young is that your work sticks around. You can read it when you get old and think, “This wasn’t very good.” Or more importantly, “This reveals more about me than I realized at the time. I didn’t recognize that feeling or insight for what it really was.” Occasionally, you discover, “Oh, there is actually an insight here that I didn’t even know I had at the time.” This comes about because, when we’re trying to make poetry work, we’re not using just our rational faculties. We’re using a certain kind of intuition, a felt, tactile sense of reality. We want to feel how the words fit together and create a rhythm together. When we’re writing poetry, we’re accessing our embodiedness in a way that we don’t when we’re writing an essay or an instructional manual.

I believe that an analogous process has taken place in the Liturgy. As Catholics, we profess that the Holy Spirit guides the Church in its development, and therefore that He also guides the development of the Liturgy. The Liturgy was assembled over many centuries by different people working in different places under different influences. These people made choices whose consequences none of them could have anticipated. The Holy Spirit may have inspired them to move in some way, knowing that a certain intuition would bear fruit 300 years later. Also, new people arose over time, bringing new insights. One example is William Durandus, a prominent medieval commentator on the Liturgy. Today, not everyone agrees that his works serve as a good critical resource for understanding the meaning of the Liturgy. But they do provide a snapshot in time: what people in the 14th century understood the Liturgy to be. This is different from what people in the 11th century thought or people in the 21st century think. To a certain extent, each period’s insights are valid, and we can learn from them all.

The problem with rationalism is that it takes an abstract schema—for instance, revealed truths, arranged in a certain order—and then imposes that on the Liturgy. It gives us the illusion of control over the Liturgy and tempts us to exercise it. But it misses the intuitive aspects that were put there either deliberately by human choice or unknowingly under the influence of the Holy Spirit.

This is a challenge for the Church in our time. The reforms that happened after Vatican II were infected with rationalism. But rationalism was never sufficient to the task of comprehending and communicating the mystery that the Liturgy celebrates. This is why it’s important that we access earlier versions of the Liturgy and use them to help us understand the current one.

Two Insights from St. Teresa

When I began the monastic novitiate twenty-five years ago, I was assigned to read two books by Saint Teresa of Avila, whose feast we are celebrating today. The Way of Perfection and The Interior Castle have been companions of mine ever since. Saint Teresa writes in a relatively simple, even folksy style, but her knowledge of contemplative prayer is almost unparalleled. Her knowledge comes from a deep experience of God in prayer, borne out of suffering and a willingness to trust Him in all circumstances.

Two of her insights have been especially helpful for me. First of all, however lofty the concept of contemplative prayer may sound or even be, it is always rooted in the Incarnation of Jesus Christ. We can never go wrong meditating on His life, death, and resurrection in the body. This is why He refers to Himself as “The Way.” No one comes to the Father except through Him, through His two natures, human and divine. The second insight that true contemplative prayer is a gift from God. We cannot generate it by working hard. We can dispose ourselves for contemplative prayer. But in the end, God will decide whether this gift will profit us or others. In fact, God may be very active in our souls, but hide this fact from us to keep us from taking it for granted or feeling superior to others.

 

The Ultimate (Sacred) Musician

In the Catholic tradition, one composer stands above all the others in eminence for capturing the essence of liturgical music. This year, we celebrate the 500th anniversary of the birth of Giovanni Pierluigi di Palestrina (1525-1594), whose impact on both sacred and secular music in the West can hardly be calculated. On Saturday, October 18, at 5:15 p.m., here at the Monastery, we will be celebrating Solemn Vespers during which all of the choral compositions will be pieces by Palestrina. That we have such a selection of his music is itself an indication of his importance as a liturgical composer.

What is it about Palestrina’s art that stands above other Catholic composers? To answer this, it might help to take a step back and examine some theological questions.

Giovanni Pierluigi da Palestrina

The Christian faith is based in God’s self-revelation. However, God’s “unveiling” is always paradoxical. That is because no matter what we can say about God, there always remains an infinite amount that we do not yet know. All theology, if it is to avoid becoming something idolatrous, must bear this paradox in mind. Theologians must speak cautiously about the true and infinitely free “God-Who-Is” and not be satisfied with a lesser but more manageable god conjured up and constrained by logic and syllogisms.

With this in mind, we can see how the Church’s liturgy is an important source for theological reflection. In the liturgy we hear Christ speak through the Scriptures and we experience His actions as members of His Body. The liturgy conveys something of the sovereign majesty of God as the One Who is always greater than what we can know. The Church has traditionally conveyed this excess of meaning through the liturgical arts.

For example, the liturgy takes place in buildings that convey mystical truths through architectural and ornamental symbols. Bishops, priests, and deacons wear elaborately decorated vestments that cloak their individuality and suggest other presences. Icons and statues convey their mysteries through the medium of visual art.

But the art that best symbolizes God’s mysterious presence is surely music. Music communicates the divine by being meaningful while nevertheless remaining opaque to verbal descriptions. Nothing I can tell you about a piece of music can take the place of you hearing it. And whatever meaning a piece of music has for me, any attempt to explain that meaning runs the risk of trivializing it.

Palestrina’s work has long been recognized as being particularly apt at finding this balance of intelligibility and mystery. His compositions have the power to move the emotions deeply without ever becoming sentimental, grotesque, or manipulative.

In the coming weeks, I plan to offer a series of blog posts discussing why I believe that the honors given to Palestrina are well-deserved. Hopefully readers will come to understand why he is considered one of the greatest composers of all time.

Since I have said that there is no verbal substitute for hearing an actual piece of music, we can hardly begin a commentary or exposition without some experience of what his music sounds like. Here is one of his most famous pieces, the Kyrie eleison of his Missa Papae Marcelli, the Mass for Pope Marcellus.

As we conclude this introductory post, keep these three things about Palestrina in mind…

The first is how his music flows without becoming nebulous. Palestrina was part of what was already a long tradition of liturgical composition. An earlier high point of this history sprang from the composers of the “low countries,” what we now call the Netherlands and Belgium. Composers like Adrian Willaert (ca. 1490-1562) aimed to offer us a taste of the vast angelic choirs through a technique called “seamless polyphony.” In my opinion, this is an extremely beautiful style. As implied by its name, the music flows seamlessly, without jarring transitions. The very lack of transitions can become its own problem, however. Liturgical music is based upon texts, which are broken into phrases and clauses, and Palestrina’s art honors this textual background especially well, balancing the need for transitions that are distinct yet never abrupt or jarring.

Second is the effortless beauty that suggests more than it says. As a general rule, Palestrina did not attempt to “interpret” the text by implying any kind of emotional affinity between the words and his musical setting. The approach that seeks to encode the music with an emotional  or figural illustration of the words is sometimes known as “word painting.” It would be embraced by the great composers of the late seventeenth and early eighteenth centuries like Handel and Bach. I will have a lot to say in later posts contrasting the genius of Bach and Palestrina. For now, let us just note that Palestrina, by avoiding any kind of interpretation, gives more of an impression that the music arises of its own accord, rather than being the product of a human mind. Word painting techniques can create a certain distractions by calling to mind the cleverness of the composer.

Third, whatever music you might need for any given liturgy, Palestrina has likely done a version of it. He lived right at the moment of the Counter-Reformation, when the Catholic Church was in the midst of sustained reflection on the meaning of the liturgy, which had come under attack from certain Protestant Reformers. Palestrina translated the musical principles of the Council of Trent (1545-1563) into an extremely fertile set of practices which became standard for Western music in general for the next four centuries. Every composer from Buxtehude to Brahms relied on the craft of Palestrina when honing his own techniques. Even today, when a composer wants to suggest the sacred, he will often rely on methods perfected by Palestrina and the generation of composers to which he belonged.

The heart of this technique was the way that composers handled dissonance, which will be the subject of the next post.

* “Rightly, then, the liturgy is considered as an exercise of the priestly office of Jesus Christ.”–Sacrosanctum concilium [the Constitution on the Sacred Liturgy of Vatican II]

Triumph of the Holy Cross

Tonight, we begin our fourteenth season of Solemn Vespers at 5:15 p.m. Here are my program notes:

“If you want peace, work for justice.”

This was the title of an address given by Pope Saint Paul VI at the Vatican on the World Day for Peace in 1972. The backdrop for this address was the Vietnam War and the Cold War. The United States had been undergoing unrest internally, with radical groups carrying out bombings and assassinations. It made sense to examine the idea of peace and to discover the means to obtain it. It makes sense for us to do so right now.

The mosaic of Pope Saint Paul VI at the Basilica of Saint Paul-Outside-the-Walls

In his address, the Holy Father was at pains to make sure that peace is correctly understood. It is not something that arises spontaneously. It requires effort and vigilance, and right relationships between people and nations. These right relationships make up what the Catholic tradition calls justice. Saint Augustine defined peace as tranquillitas ordinis, the tranquility that arises from a well-ordered society. Our efforts to make the world more just will increase the likelihood of a peaceful world. By contrast, injustice breeds discord, resentment, and, eventually, violence.

There is one additional factor that the pope knew well, though he did not make it explicit in his address. In this world, peace cannot be fully attained by mere human effort and good will. The years after the Second Vatican Council fostered a kind of humanist optimism that unfortunately overshadowed the reality that our world is fallen. This unsettling fact does not mean that we are completely helpless to achieve peace, however. The New Testament offers a different way:

“For in [Jesus Christ] all the fulness of God was pleased to dwell, and through him to reconcile to himself all things…making peace by the blood of his Cross [Colossians 1: 19-20].”

“For he is our peace, who has made us both one…that he might create in himself one new man in place of the two, so making peace, and might reconcile us to God in one body through the Cross [Ephesians 2: 14-16].”

In other words, true and enduring peace is possible because of the rescue mission of the Son of God. He was sent by the Father to become incarnate in our human flesh. That very flesh was to be nailed a Cross, to suffer the gravest injustice one can imagine. Is there a better illustration of man’s inability to attain peace by his own powers? When presented with the one innocent man in history, we violently put an end to His life…by judicial murder!

Through the Holy Cross, Jesus gives us the gift of peace. To expand the thought of Saint Paul VI, we might say, “If you want justice, receive first the peace of Christ.” This is a peace from a different place: “Not as the world gives do I give peace [cf. John 14: 27].” All worldly peace is a (pale) reflection of the “peace of God which passes all understanding [Philippians 4: 7].” And there is no way to arrive at this peace that bypasses the Holy Cross, whose triumph we celebrate tonight.

It is significant that the evangelists Luke and John record Jesus, after the Resurrection, greeting His Apostles with the words, “Peace be with you.” To my knowledge, Jesus does not use this greeting before His death. The peace that Jesus gives, He gives because He has already reconciled us to each other and to the Father.

There is one more connection worth noting, this time between justice and the Cross. In tonight’s responsory, we will sing, “The sign of the Cross will appear in heaven when God comes to judge.” Thus, the definitive establishment of justice will happen at the judgment, under the sign of the Cross. The barbaric symbol of man’s injustice will be transformed into a sign of God’s love and Christ’s triumph. The Cross has become our standard, under which we fight against the injustices in the world.

Will we accept this gift of peace along with the Cross and its inverted triumph? That is a question that we Christians should always be asking ourselves, especially in our tumultuous times. If we fail to do this, we will be unwitting conspirators with the forces that would usher in an era of enforced, false peace (which is in fact fearful silence) by means of violence and the threat of violence. As we celebrate Christ’s victory tonight, let us earnestly entreat God to renew in us a commitment to “seek peace and pursue it [Psalm 34: 14]!” Let us take up our share in the Cross of Christ that we may one day share in His triumph.

 

 

Saint Monica

One of our principal ministries as monks is intercessory prayer. The requests we receive run the gamut, but there are a few that arrive in our inboxes more frequently than others. One of the most common comes from a parent deeply desiring that child or children who have ceased practicing their Catholic faith would return to the sacraments. This heartbreaking situation is unfortunately but unsurprisingly common in our culture. In addition to praying in my own voice for the persons involved, I commend those fallen away from the Church to the prayers of the great Saint Monica. Her son, Saint Augustine, was spiritually dead, avoiding baptism, in spite of her wishes that he receive the life of Christ. It is significant that the gospel assigned to her feast day today is the story of the widow of Nain [Luke 7: 11-17], whose young son Jesus raised from the dead, after He was moved with compassion at her grief.

He wandered off from his native Africa to Rome, then to Milan, where Providence directed him into the orbit of Saint Ambrose. The sophisticated Ambrose was perhaps the first man Augustine had ever met who was fully his intellectual peer. Ambrose’s homilies explained the Scriptures to young Augustine in a way that made him reconsider in his wavering. But he was still very much stuck in a number of vices. A year or two after his arrival in Milan, he read The Life of Anthony, the story of one of the greatest monks of Egypt, and this pricked his conscience even more. This was the prelude to the famous garden scene where he hears a child singing, “Tolle et lege!”–“Take and read!” The only reading material in reach was Saint Paul’s Letter to the Romans. Upon reading Paul’s stirring call to newness of life, Augustine’s resistance broke, and he agreed to be baptized.

It was a long journey of the mind and heart. Augustine himself credited his mother’s prayers for his eventual embrace of the faith. Saint Monica knows the heartache of parents whose children have wandered off spiritually. May her powerful prayers bring many of them back to the fold.

***

After I finished this, I discovered an article with a similar theme…

Conference on Consumerism and Patience

There were many striking observations in William Cavanaugh’s book Being Consumed, which we recently finished reading at table. This evening, I would like to focus on one observation which helps us to see how consumerism, as understood by Cavanaugh, subtly undermines the monastic life.

The observation has two points. The first is that consumerism works by stoking desire but never satisfying it in any definitive way. This gives rise to a chronic dissatisfaction with life. Even when we get what we want, we are already desiring the next object or experience.

The corollary to this chronic dissatisfaction is that we prize the experience of desire more than the quenching of desire. Were we ever satisfied, we would cease, at least for a time, to desire more, and then the consumerist cycle would grind to a halt. There are various means of conditioning us to accept this reality. The most obvious is advertising, but the values revealed in newscasts, movies, and the like also reinforce the desirability of desire itself.

Our sense of incompleteness gives rise to feelings of personal inadequacy, even self-loathing. There’s something wrong with us because we are never satisfied, but we sense that just around the corner we will strike gold and figure it out. But seeking peace in the world never brings the true peace that only Christ can give.

Perhaps Saint Teresa of Avila intuited a certain change, a restlessness that accompanied the great expansion of territory and wealth in the Spanish empire of the sixteenth century, when
she composed her great poem:

Let nothing disturb you,
Let nothing frighten you,
All things are passing away:
God never changes.
Patience obtains all things
Whoever has God lacks nothing;
God alone suffices.

Where God suffices, all dissatisfactions can be accepted and borne patiently. In other words, we don’t need to satisfy them necessarily. Think of Saint Benedict’s advice to bear patiently the weaknesses of body or character of every brother. Patience seems to me to be the monastic antidote to the experience of chronic dissatisfaction, whereas restlessness and self-criticism are the signs of chronic dissatisfaction going to seed.

So let’s begin with patience. Saint Benedict first uses the word to indicate that God Himself is patient, and this is good to bear in mind. God does not intervene immediately when we act contrary to His positive will. We imitate God when events go against our wills and we accept them patiently. My contention in this conference is that the dynamics of chronic dissatisfaction are such that not only is patience difficult, which it always has been, but that bearing difficulties patiently is seen as a moral failure. And more than that: we go out of our way to find things to be dissatisfied about, because we have been conditioned to feel uneasy about being satisfied and quietly tolerating things as they are.

By contrast, Saint Benedict places the patient monk at the highest level of praktike. The abbot sets himself against monks who are restless (there’s that word—the Latin is inquietos, the “unquiet”).  He is to argue with them very firmly and directly (durius is the Latin here). And he also opposes the negligent and disdainful, who are subject to rebuke. But the patient are grouped with the obedient and docile. The abbot is to urge them to greater virtue, which is to say that they are already in the position of mastering the active life.

Sick brothers must be borne patiently. This is an interesting idea from our perspective, I think. With modern medicine, we have come to expect that there is some treatment that will fix whatever ails us. We can become impatient with brothers who are dealing with health issues especially we feel that the brother has brought it upon himself. In this case, we grow impatient with his inability or unwillingness to take the steps that we think he should to obtain healing and better health. But often enough our very impatience can be an obstacle to a brother taking that step. I will return to this when I speak about self-criticism in a moment.

In the ladder of humility, the word patience appears twice, unsurprisingly both times in the fourth step, in which obedience takes place under difficult unfavorable, or even unjust, conditions. Not only are we being asked to bear the difficulty of going against our own will, but we have added reasons for dissatisfaction. Why me? Why not that brother? It’s not fair. If I obey, this will cost me in the long run. We have all kinds of reasons to be resistant. But Saint Benedict (and really the whole monastic tradition) insists that this is a means of spiritual growth: to forego the satisfaction of our own desires in order to carry out God’s wishes as communicated through the lawful superior.

This patience is obviously connected to the Dominical teaching that we should bear wrongs rather than react, even in righteous anger. When forced to go a mile, go two. We think of the Desert Father who returned to his cave to find robbers making off with his precious goods, and how he chased them down…to give them an item that they overlooked. One of the tools of good works is to bear wrongs patiently. Not just inconveniences, but actual wrongs. Then we really are Christlike, and His mysteries will begin to reveal themselves to us.

The Faces of the Transfiguration

In the beautiful mystery of the Transfiguration that we celebrate today, Saint Matthew tells us that Jesus’s face shone like the sun. It is a dazzling image. Do we have any analogous experiences of this?

I think that we do. Many years ago, I helped plan a surprise birthday party for a good friend. When he arrived at the restaurant where about thirty of us were hiding in a banquet room, he was expecting something like a quiet meal with his wife. When he entered the banquet room, he began to recognize all of us. As he looked around the room, his face very much “lit up!” It was a recognition of love, that all of these friends had made time to show him appreciation.

The second example I often reflect on is Mother Teresa of Calcutta. Toward the end of her life, she was quite bent over, and her face was lined and tanned. Yet, whenever she saw someone, especially a young person, her face would simply beam.

What we see in the face of Christ is this light of intimate love. The Father says, “This is my Beloved Son!” The effect of this love is illumination: most especially of the face of Jesus, but also of all around it. I have already hinted that this potential is in every human face. Indeed, God wishes that all of us will one day shine with the same transfiguring light. Every person we meet today—whether it be a coworker, a beggar, an elevated train conductor, or a spouse—is loved by God in his or her innermost reality. That great light is waiting to shine forth when we have experienced the purifying fire of God’s love. May we live this reality today and every day!

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