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Articles tagged with liturgy

The Mother of God and the Incarnation

December 31, 2019

It is common to use evergreen boughs to decorate for the Christmas season. Like the image of the Burning Bush, the evergreen points us toward a mysterious source of life, a current just beneath the surface of our world, bursting through like a hidden spring at certain moments. Amid the entropy of our deciduous (Latin decidere, to fall into ruin, to die) world, signs point us toward this inexhaustible font. The contrast between the autumnal coloring of leaves and the steady greenery of needles, like the contrast between the sidereal firmament and plummeting meteors, speaks to us of a contrast between a permanent world, as yet only hinted-at, and the restless burgeoning and decay of the palpable.

The signs of permanence and stability, the evergreens, the stars, the Burning Bush, appear very much within our world of flux. This is itself significant, for it suggests that our salvation is not so much a separation from the material as it is a rejuvenation of the very cosmos itself. So says Saint Paul:

“Creation was subjected to futility, not of its own will but by the will of him who subjected it in hope; because the creation itself will be set free from its bondage to decay and obtain the glorious liberty of the children of God.”
—Romans 8: 20-21

It is because of this link between our salvation and the liberation of creation that the prophecies of the Old Testament have retained their value. Even after the Fall, creation has borne traces of its lost transparency as well as its destined rebirth. This is to say that creation itself has continued to point toward God its boundless Source. “Ever since the creation of the world [God’s] invisible nature, namely, his eternal power and deity, has been clearly perceived in the things have been made [Romans 1: 20].”

Danger enters from the darkening of our intelligence that followed on the loss of trust in God. The Tree of the Knowledge of Good and Evil lost its sign value as a marker of God’s love and guardianship of Adam and Eve and became (falsely, by the trickery of the serpent) a counter-sign of a supposed arbitrary tyranny. Once faith has been broken by this kind of mistrust, creation ceases to speak lucidly. We ourselves are tempted to be entrapped by the disintegrative forces unleashed by sin, to try and hold on to creatures whose decay is meant to warn us to return to the source of life.

According the Wisdom of Solomon, our predicament can be thus summarized:

“From the greatness and beauty of created thing comes a corresponding perception of their Creator….as [the pagans] live among his works…they trust in what they see, because the things that are seen are beautiful….But [they are] miserable, with their hopes set on dead things.”
—Wisdom 13: 6-7; 10

Even the chosen people of Israel needed constant reminding of the invisible and immaterial God Who communicates through the visible and material. It is significant (another “sign-being-made”) that in Hebrew, the same word, dabar, means “word” and “thing”—a commingling of the spiritual and the perceptible. The prophets communicated not only by speaking, but by proto-sacramental actions and objects. All of these point to the mystery that we celebrate this night, the sudden illumination, not of a lowly shrub on the side of Mount Horeb, but of the human race and all creation by the Motherhood of the Virgin Mary.

We can describe in minute detail how conception takes place, in terms of the mingling of genetic material and the implantation of an embryo in the tissue of its mother’s womb. But can we perceive how a human life, consciousness, the whole mystery of personhood is set in motion by these intricate biological events? Once more we are brought to the boundary between contingent materiality, and the mysterious Source of life itself. This Source has been at work since the beginning of time. Moses and the prophets, culminating in John the Baptist, pointed to its manifestations, celebrated in tonight’s antiphons. We the baptized have the joy of partaking in it:

“For in the mystery of the Word made flesh/a new light of your glory has shone upon the eyes of our mind,/so that, as we recognize in [Christ] God made visible,/we may be caught up through him in love of things invisible.”
—Preface I of the Nativity

May your New Year be filled with the illumination of the Son of God and His immaculate Mother! May we learn anew how to live sacramentally, pointing others to God’s manifestations in our world today.

Merry Christmastide!

Form Focuses and Releases Energy

April 1, 2019

Today is Debbie Reynolds’s birthday. She is the most energetic woman I’ve ever seen on screen. What strikes me whenever I’ve watched her dance is this: her mastery of technique is what makes her energy so intense and infectious. Her poise and carriage are never tense nor slack; she is an icon of the (apparently) effortless channeling of the potential into the kinetic.

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Solemn Vespers Monday night!

December 29, 2018

[The following are the program notes for First Vespers of the Solemnity of Mary, the Mother of God, to be celebrated Monday, December 31 at 5:15 p.m. We hope that many of you can join us and ring in the new year with this beautiful celebration!]

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Understanding Christ’s Kingship

November 24, 2018

The concept of kingship, considered throughout history and in multiple cultural contexts, varies quite a bit. Contemporary Americans tend to equate kings with tyrannical figures wielding huge amounts of arbitrary governmental power, whether it be the power of taxation exercised unhappily by George III at the expense of the Colonies, or the power of complete policy control as brandished by the Sun King, Louis XIV (“I am the state,” “L’état, c’est moi,” was his memorable way of expressing it).

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Radical Witness and Saint Lawrence

August 10, 2018

Monks in the modern world are daily confronted with incongruities. We dress in tunics and scapulars that were the workaday clothing of sixth-century peasants. We pray the Psalms, composed some three thousand years ago in a language that does not translate into contemporary idioms very well. Many of our customs date from the early Middle Ages (suddenly a controversial era!), presupposing a worldview that is unfathomable to many of our neighbors in Chicago.

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Solemn Vespers at the Monastery, July 28

July 24, 2018

Our next celebration of Solemn Vespers with Schola Laudis will be this Saturday, July 28. What follow are my program notes for the occasion. For more information, click here.

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Why Monks Sing

May 26, 2018

Yesterday, I received an email from Jon Elfner, a friend of mine.  The email read, in part:

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Liturgy as Everyday Life

May 13, 2018

[The following is from the program notes from our last celebration of Solemn Vespers.]

The Sixth Sunday of Easter is not the flashiest of liturgical events. We’re a good ways out from the euphoria of Easter, but not quite at the Ascension yet. It seems like a good time to step back at think about the liturgy in general.

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The Ascension

May 10, 2018

Poetry tills and harvests in the fields of metaphor.

When Shakespeare’s Romeo muses, “Juliet is the sun,” he is not making a statement that is literally true. But it is true. How so? Oddly enough, answering this question involves us in more metaphorical speech.

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The Transfiguration

August 3, 2017

“He did not know what to say, for they were exceedingly afraid [Mark 9: 5].” With this little detail, Saint Mark reveals quite a bit about the character of Saint Peter and the human condition in general. Under normal circumstances, we are unprepared to behold the full glory of God, and when suddenly God’s grandeur “flame[s] out, like shining from shook foil,”  it can be a terrifying, disorienting experience.

We have many testimonies of this encounter. One early, telling encounter was that of the prophet Isaiah. Isaiah was a priest and probably had entered God’s temple countless times to offer sacrifice. One day, he suddenly saw in reality what he had been celebrating in shadowy, symbolic ways. “I saw the Lord sitting upon a throne, high and lifted up….And I said, “Woe is me! For I am lost; for I am a man of unclean lips…for my eyes have seen the King, the LORD of hosts [Isaiah 6: 1, 5]!” Isaiah is rendered voluntarily speechless until his lips are cleansed by a coal from the altar.

Similarly, Saint Thomas Aquinas, toward the end of his earthly life, was celebrating the Eucharist as he had many times before. This time was different. Like Isaiah, he glimpsed something of the reality that he had celebrated in the half-veil of sacramental mystery. The author of the Summa Theologica, perhaps the greatest intellectual achievement of all time, wrote no more after this, leaving the Summa unfinished. “All that I have written seems as so much straw,” he confided to a friend.

Saint Peter suffers no such scruples. Beholding Christ transfigured, he was properly afraid. Not knowing what to say, however, he said whatever came to mind. In this, he seems to be of a kindred mindset to modern man. Is it not the case that our incessant talking, the swarming proliferation of words, is so much nervous chatter to cover over our anxiety and alienation? We hardly know what to say, yet we can’t stop talking. In our case, I suspect that silence doesn’t occur to us because our fear is not the result of an encounter with the living God, but with the dreadful possibility of His utter absence.

I began by saying that we are not normally prepared to meet God in the unmitigated power of His limitless Being. What the Transfiguration begins to teach us is that, under the dispensation of grace, in the afterglow of the Resurrection and Pentecost, we live under a “new normal.” We live in the in-between time, the time of the holy Liturgy, after the shadows of animal sacrifice but not yet at the full consummation of the world. The Kingdom of God is breaking into the world that itself is passing away. The baptized, as God’s adopted children, are being trained to “see [God] as He is [1 John 3: 2].” The training of our senses and their elevation to the spiritual realm takes place in the liturgy.

This past June, we were blessed to be able to unveil our two newest icons, the Archangels Michael and Gabriel, flanking the Mother of God and John the Baptist. Gradually, our sanctuary is being populated with the communion of the saints. Icons are not mere representations of model believers. The iconographer truly receives the image from the inbreaking realm of heaven. Iconography is, therefore, an ascetical craft, a discipline of visual listening and receptivity, a training of the interior vision to see beyond the sacramental into the reality of God’s holy court. At the same time, icons train the worshipper to attune his or her senses to this new reality. The icons are a central part of the liturgical act, and as conduits of grace, help to elevate the sense of sight to its proper spiritual register.

Similarly, sacred music is much more than pleasing ornamentation of holy words. As Kevin Allen and I have discussed at various time in our decade of collaboration, the composer of sacred music must, like the iconographer, exercise a discipline of spiritual listening. The aim is, through purification of hearing, to catch something of the overwhelming beauty of the perpetual song of heaven. At Solemn Vespers this coming Saturday evening (August 5, 5:15 p.m.), the First Vespers of the feast of the Transfiguration, Kevin and I humbly offer two new motets in this spirit. We pray that our double motet will be a similar conduit of grace, to prepare our hearts to hear God’s Word in its fullest transformative power.

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